Stock Level:
[ reset ]
1296 Records Match your Search
[ Change Stock Level above to view In Stock, Latest & Sale Items, and the other search fields to narrow down your Search ]
Page of 87 next >>
  Artist Title Label Price


Format: Vinyl Compilation
Genre: Jazz

Cool Heat - The Hottest • Jazziest • Coolest • Funkiest Hits

A1 Mezzoforte Garden Party
A2 Lonnie Liston Smith Space Princess
A3 George Duke Brazilian Love Affair
A4 Azymuth Jazz Carnival
A5 Tom Browne Funkin' For Jamaica (N.Y.)
A6 Shakatak Invitations
A7 Bobby Militello Let's Stay Together
A8 Herbie Hancock I Thought It Was You
A9 Quincy Jones Stuff Like That
B1 Weather Report Birdland
B2 Spyro Gyra Morning Dance
B3 Bob James Sign Of The Times
B4 Rodney Franklin The Groove
B5 Stanley Clarke Together Again
B6 Level 42 The Chinese Way
B7 Brothers Johnson Stomp
B8 Harvey Mason What's Going On
B9 Mezzoforte Rockall


Cat No: NE 1231
Released: 1983


Louis Bellson

Format: Vinyl Double Album
Genre: Jazz

With Bells On!

Big Band Jazz From The Summit
A1 Louie Bellson Big Band Who's Who (2:31)
A2 Louie Bellson Big Band Cool (4:58)
A3 Louie Bellson Big Band Amoroso (3:36)
A4 Louie Bellson Big Band Prelude (3:28)
A5 Louie Bellson Big Band Gumshoe (4:18)
A6 Louie Bellson Big Band Blitzen (3:10)
B1 Louie Bellson Big Band St Louis (2:36)
B2 Louie Bellson Big Band Moon Is Low (3:32)
B3 Louie Bellson Big Band Doozy (3:12)
B4 Louie Bellson Big Band Lou's Blues (3:49)
B5 Louie Bellson Big Band With Bells-On (3:30)
B6 Louie Bellson Big Band The Diplomat Speaks (4:45)
The Mighty Two
C1 Louis Bellson & Gene Krupa The Mighty Two (2:26)
C2 Louis Bellson & Gene Krupa The Paradiddle Song (2:10)
C3 Louis Bellson & Gene Krupa Rolls A La Bossa Nova (2:23)
C4 Louis Bellson & Gene Krupa Rolls A La Bossa Nova (No. 2) (2:23)
C5 Louis Bellson & Gene Krupa More Flams (2:18)
C6 Louis Bellson & Gene Krupa Swingin' The Rudiments (2:25)
C7 Louis Bellson & Gene Krupa Que Sticks (2:18)
C8 Louis Bellson & Gene Krupa Two In One (2:38)
C9 Louis Bellson & Gene Krupa Rhythmic Excursion (2:16)
Are You Ready For This!
D1 Louis Bellson & Buddy Rich Slides And Hides (28:25)

Jazz Vogue

Cat No: VJD 564
Released: 1979


Sammy Davis Jr.

Format: Vinyl Album
Genre: Jazz

Sings The Big Ones For Young Lovers

A1 Kansas City
A2 Don't Shut Me Out
A3 Deep Purple
A4 Walk Right In
A5 I Left My Heart In San Francisco
A6 Choose
B1 Days Of Wine And Roses
B2 Blue Velvet
B3 Not For Me
B4 I Wanna Be Around
B5 It's All In The Game
B6 Fools Rush In

Reprise Records

Cat No: R-6131
Released: 1962


Spyro Gyra

Format: Vinyl Album
Genre: Jazz

City Kids

A1 City Kids (5:10)
A2 Serpent In Paradise (4:45)
A3 A Ballad (5:42)
A4 Nightlife (4:32)
B1 Islands In The Sky (6:44)
B2 Conversations (5:34)
B3 Silver Linings (4:36)
B4 Haverstraw Road (5:00)

MCA Records

Cat No: MCF 3178
Released: 1983


Herb Alpert & The Tijuana Brass

Format: Vinyl Album
Genre: Jazz

Coney Island

A1 Coney Island (2:13)
A2 I Have Dreamed (2:35)
A3 Senor Mouse (4:28)
A4 Mickey (4:02)
A5 Sweet Georgia Brown (2:29)
A6 Ratatouille (Rata Too Ee) (3:07)
B1 Catfish (2:37)
B2 This Masquerade (2:18)
B3 Carmine (5:33)
B4 The Crave (1:52)
B5 Vento Bravo (3:47)
B6 I Belong (5:01)

A&M Records

Cat No: AMLS 64521
Released: 1975


Courtney Pine

Format: Vinyl Album
Genre: Jazz

Journey To The Urge Within

A1 Mis-Interpret (4:15)
A2 I Believe (4:36)
A3 Peace (5:20)
A4 Dolores (3:29)
A5 As We Would Say (3:19)
B1 Children Of The Ghetto (7:02)
B2 When, Where, How And Why (5:20)
B3 C.G.C (4:28)
B4 Seen (4:28)
B5 Sunday Song (1:27)

Island Records

Cat No: ILPS 9846
Released: 1986


Courtney Pine

Format: Vinyl Album
Genre: Jazz

Destiny's Song + The Image Of Pursuance

A1 Beyond The Thought Of My Last Reckoning (7:44)
A2 In Pursuance (6:48)
A3 The Vision (3:51)
A4 Guardian Of The Flame (2:30)
A5 'Round Midnight (3:22)
B1 Sacrifice (5:52)
B2 Prismic Omnipotence (6:16)
B3 Alone (5:30)
B4 A Raggamuffin's Tale (7:45)
B5 Mark Of Time (4:02)

Antilles New Directions

Cat No: AN 8725
Released: 1988


The Dave Brubeck Quartet

Format: Vinyl Album
Genre: Jazz

Time Out

A1 Blue Rondo A La Turk
A2 Strange Meadow Lark
A3 Take Five
B1 Three To Get Ready
B2 Kathy's Waltz
B3 Everybody's Jumpin'
B4 Pick Up Sticks


Cat No: CS 8192
Out Of Stock

Stanley Jordan

Format: Vinyl Album
Genre: Jazz

Magic Touch

A1 Eleanor Rigby (7:00)
A2 Freddie Freeloader (6:03)
A3 Round Midnight (5:03)
A4 All The Children (5:00)
B1 The Lady In My Life (6:25)
B2 Angel (4:11)
B3 Fundance (2:33)
B4 Return Expedition (8:00)
B5 A Child Is Born (3:33)

Blue Note

Cat No: BT 85101
Released: 1985


Earl Klugh

Format: Vinyl Album
Genre: Jazz

Soda Fountain Shuffle

A1 Just Pretend (3:40)
A2 Baby Cakes (3:34)
A3 Soda Fountain Shuffle (3:18)
A4 Moonlight Dancing (4:41)
A5 Incognito (4:35)
B1 One Night (Alone With You) (4:34)
B2 Some Other Time (3:39)
B3 Rainbow Man (5:22)
B4 Close To Your Heart (5:04)
B5 April Love (3:07)

Warner Bros. Records

Cat No: 925 262-1
Released: 1985


Chuck Mangione

Format: Vinyl Album
Genre: Jazz

Fun And Games

A1 Give It All You Got (6:12)
A2 You're The Best There Is (7:30)
A3 Pina Colada (8:14)
B1 I Never Missed Someone Before (9:32)
B2 Give It All You Got, But Slowly (4:20)
B3 Fun And Games (7:14)

A&M Records

Cat No: AMLK 63715
Released: 1980


The Cool Notes

Format: Vinyl 12 Inch
Genre: Jazz

You're Never Too Young

A You're Never Too Young
B The Sound Of Summer

Abstract Dance

Cat No: 12AD001
Released: 1984
Out Of Stock

Walsall Youth Jazz Orchestra

Format: Vinyl Album
Genre: Jazz

Times Lie

A1 Maiden Voyage
A2 Times Lie
A3 Boston Blues
A4 Well You Needn't
A5 Rockit
B1 All Blues
B2 Land Of Make Believe
B3 Pools

Zella Recording Studios

Cat No: ZEL LPS 504
Released: 1987


Chet Baker & Jean-Paul Florens & Henry Florens

Format: Vinyl Album
Genre: Jazz


A1 Blues For Inge (4:30)
A2 What's New (5:01)
A3 Old Date (6:16)
A4 Darn That Dream (3:42)
B1 My Funny Valentine (Take II) (5:22)
B2 Secret Love (5:41)
B3 Round Midnight (Take II) (5:48)

Bingow Records

Cat No: BGW 3104
Released: 1980
Out Of Stock

Paul Desmond

Format: Vinyl Album
Genre: Jazz


A1 Samba With Some Barbecue (4:20)
A2 Olvidar (5:30)
A3 Ob-La-Di, Ob-La-Da (2:10)
A4 Emily (4:45)
A5 Someday My Prince Will Come (3:05)
B1 Autumn Leaves (3:00)
B2 Where Is The Love? (5:30)
B3 Lady In Cement (3:06)
B4 North By Northeast (4:30)
B5 Summertime (4:00)

A&M Records

Cat No: SAML 933234
Released: 1968


Page of 87 next >>

Information on the Jazz genre

Jazz is a music genre that originated at the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions. From its early development until the present, jazz has incorporated music from 19th and 20th century American popular music. Its West African pedigree is evident in its use of blue notes, improvisation, polyrhythms, syncopation, and the swung note. However, Art Blakey has been quoted as saying, "No America, no jazz. I’ve seen people try to connect it to other countries, for instance to Africa, but it doesn’t have a thing to do with Africa".

The word "jazz" began as a West Coast slang term of uncertain derivation and was first used to refer to music in Chicago in about 1915. From its beginnings in the early 20th century, Jazz has spawned a variety of subgenres, from New Orleans Dixieland dating from the early 1910s, big band-style swing from the 1930s and 1940s, bebop from the mid-1940s, a variety of Latin jazz fusions such as Afro-Cuban and Brazilian jazz, and free jazz from the 1950s and 1960s, jazz fusion from the 1970s and late 1980s developments such as acid jazz, which blended funk and hip-hop influences into jazz. As the music has spread around the world it has drawn on local national and regional musical cultures, its aesthetics being adapted to its varied environments and giving rise to many distinctive styles.

In the late 1960s and early 1970s the hybrid form of jazz-rock fusion was developed by combining jazz improvisation with rock rhythms, electric instruments, and the highly amplified stage sound of rock musicians such as Jimi Hendrix. All Music Guide states that "..until around 1967, the worlds of jazz and rock were nearly completely separate." However, " rock became more creative and its musicianship improved, and as some in the jazz world became bored with hard bop and did not want to play strictly avant-garde music, the two different idioms began to trade ideas and occasionally combine forces." Miles Davis made the breakthrough into fusion in 1970s with his album Bitches Brew. Musicians who worked with Davis formed the four most influential fusion groups: Weather Report and Mahavishnu Orchestra emerged in 1971 and were soon followed by Return to Forever and The Headhunters. Although jazz purists protested the blend of jazz and rock, some of jazz's significant innovators crossed over from the contemporary hard bop scene into fusion. Jazz fusion music often uses mixed meters, odd time signatures, syncopation, and complex chords and harmonies. In addition to using the electric instruments of rock, such as the electric guitar, electric bass, electric piano, and synthesizer keyboards, fusion also used the powerful amplification, "fuzz" pedals, wah-wah pedals, and other effects used by 1970s-era rock bands. Notable performers of jazz fusion included Miles Davis, keyboardists Joe Zawinul, Chick Corea, Herbie Hancock, vibraphonist Gary Burton, drummer Tony Williams, violinist Jean-Luc Ponty, guitarists Larry Coryell, Al Di Meola, John McLaughlin and Frank Zappa, saxophonist Wayne Shorter, and bassists Jaco Pastorius and Stanley Clarke. Jazz fusion was also popular in Japan where the band Casiopea released over thirty albums praising Jazz Fusion.

Developed by the mid-1970s, jazz-funk is characterized by a strong back beat (groove), electrified sounds, and often, the presence of the first electronic analog synthesizers. The integration of Funk, Soul, and R&B music and styles into jazz resulted in the creation of a genre whose spectrum is indeed quite wide and ranges from strong jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, and jazz solos, and sometimes soul vocals.

At the jazz end of the spectrum, jazz-funk characteristics include a departure from ternary rhythm (near-triplet), i.e. the "swing", to the more danceable and unfamiliar binary rhythm, known as the "groove". Jazz-funk also draws influences from traditional African music, Latin American rhythms, and Jamaican reggae. A second characteristic of Jazz-funk music is the use of electric instruments, and the first use of analogue electronic instruments notably by Herbie Hancock, whose jazz-funk period saw him surrounded on stage or in the studio by several Moog synthesizers. The ARP Odyssey, ARP String Ensemble, and Hohner D6 Clavinet also became popular at the time. A third feature is the shift of proportions between composition and improvisation. Arrangements, melody, and overall writing were heavily emphasized.