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  Artist Title Label Price

Woody Herman

Format: Vinyl Album
Genre: Jazz

The Raven Speaks

A1 Fat Mama (4:30)
A2 Alone Again (Naturally) (5:35)
A3 Sandia Chicano (Watermelon Man) (5:10)
A4 It's Too Late (4:20)
B1 The Raven Speaks (4:25)
B2 Summer Of '42 (6:20)
B3 Reunion At Newport 1972 (6:25)
B4 Bill's Blues (3:45)


Cat No: HBS 6094
Released: 1982


Morrissey Mullen

Format: Vinyl 12 Inch
Genre: Jazz

Love Don't Live Here Anymore

A Love Don't Live Here Anymore
B Don't You Worry


Cat No: 12DIG 1001
Released: 1979



Format: Vinyl 12 Inch
Genre: Jazz

Smooth Operator

A1 Smooth Operator (5:25)
A2 Red Eye (3:18)
B Spirit (5:28)


Cat No: TX 4655
Released: 1984
Out Of Stock


Format: Vinyl 12 Inch
Genre: Jazz

Dreamland / Shooting Star

A Dreamland (6:25)
AA Shooting Star (6:50)


Cat No: STE 1202
Released: 1982



Format: Vinyl 12 Inch
Genre: Jazz

Holding On For Love

A Holding On For Love (5:54)
B Lovely Summers Day (4:54)

Cargogold Music

Cat No: CG 1033


Rainbow & Will Boulware

Format: Vinyl Album
Genre: Jazz

Crystal Green

A1 Hossan (5:47)
A2 Lost In A Song (3:56)
A3 So True (2:50)
A4 It Ain't No Use (5:21)
B1 I Like It (5:34)
B2 Feel Like Makin' Love (9:48)

Inner City Records

Cat No: IC 6001
Released: 1978


The Manhattan Transfer

Format: Vinyl Album
Genre: Jazz

Pastiche - orange vinyl

A1 Four Brothers (3:47)
A2 A Gal In Calico (2:41)
A3 Love For Sale (3:57)
A4 Je Voulais (Te Dire Que Je T'Attends) (4:20)
A5 On A Little Street In Singapore (3:15)
A6 In A Mellow Tone (3:12)
B1 Walk In Love (3:04)
B2 Who, What, When, Where, Why (3:28)
B3 It's Not The Spotlight (3:37)
B4 Pieces Of Dreams (2:53)
B5 Where Did Our Love Go (2:45)


Cat No: K 50444
Released: 1978


Joe Jackson

Format: Vinyl Album
Genre: Jazz

Body And Soul

A1 The Verdict (5:31)
A2 Cha Cha Loco (4:47)
A3 Not Here, Not Now (5:27)
A4 You Can't Get What You Want (Till You Know What You Want) (4:50)
A5 Go For It (4:18)
B1 Loisaida (5:33)
B2 Happy Ending (3:39)
B3 Be My Number Two (4:18)
B4 Heart Of Ice (6:53)

A&M Records

Cat No: AMLX 65000
Released: 1984
Out Of Stock

John Coltrane

Format: Vinyl Album
Genre: Jazz

Blue Train

A1 Blue Train
A2 Moment's Notice
B1 Locomotion
B2 I'm Old Fashioned
B3 Lazy Bird


Cat No: DOL709HG
Released: 2017


Miles Davis

Format: Vinyl Album
Genre: Jazz

Kind Of Blue

A1 So What (8:56)
A2 Freddie Freeloader (9:32)
A3 Blue In Green (5:27)
B1 Flamenco Sketches (9:32)
B2 All Blues (11:34)


Cat No: DOL725H
Released: 2015


Sonny Criss

Format: Vinyl Album
Genre: Jazz

Warm & Sonny

A1 Cool Struttin' (6:09)
A2 The Way We Were (5:27)
A3 That's The Way Of The World (4:21)
A4 Bumpin' (5:46)
B1 Sweet Summer Breeze (6:24)
B2 Memories (6:02)
B3 Blues For Willie (6:21)


Cat No: IMPL 8024
Released: 1976


Doc Powell

Format: Vinyl Album
Genre: Jazz

Love Is Where It's At

A1 Give It Up (5:05)
A2 Love Is Where It's At (4:32)
A3 What's Going On (6:36)
A4 Bad Times (5:03)
A5 What I Like (6:05)
B1 Love Finds A Way (4:16)
B2 Don't Waste My Time (4:28)
B3 Let You Know (5:00)
B4 M & M (6:15)


Cat No: 422 832 720-1 Q-1
Released: 1987


Jamaaladeen Tacuma

Format: Vinyl Album
Genre: Jazz

Music World

A1 Kimono Queen (1:54)
A2 Tokyo Cosmopolitan (5:52)
A3 Matsuru (1:43)
A4 Rouge (6:22)
A5 Kismet (5:26)
B1 The Creator Has A Master Plan (8:48)
B2 Jamila's Theme (7:44)
B3 One More Night (4:56)


Cat No: SNTF 979
Released: 1987


Dave Matthews Trio

Format: Vinyl Album
Genre: Jazz

Billy Boy

A1 Softly As In A Morning Sunrise (4:04)
A2 You'd Be So Nice To Come Home To (6:24)
A3 Blue In Green (6:03)
A4 Billy Boy (6:29)
B1 Topsy (6:03)
B2 Greensleeves (6:00)
B3 Ballad (8:34)

Paddle Wheel

Cat No: K28P 6442
Released: 1986


Earl Klugh

Format: Vinyl Album
Genre: Jazz

Dream Come True

A1 If It's In Your Heart (It's In Your Smile) (4:04)
A2 Doc (4:45)
A3 Amazon (4:00)
A4 I Don't Want To Leave You Alone Anymore (4:52)
B1 Spellbound (6:17)
B2 Sweet Rum And Starlight (4:00)
B3 Dream Come True (3:35)
B4 Message To Michael (5:53)

United Artists Records

Cat No: LN-10270
Out Of Stock
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Information on the Jazz genre

Jazz is a music genre that originated at the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions. From its early development until the present, jazz has incorporated music from 19th and 20th century American popular music. Its West African pedigree is evident in its use of blue notes, improvisation, polyrhythms, syncopation, and the swung note. However, Art Blakey has been quoted as saying, "No America, no jazz. I’ve seen people try to connect it to other countries, for instance to Africa, but it doesn’t have a thing to do with Africa".

The word "jazz" began as a West Coast slang term of uncertain derivation and was first used to refer to music in Chicago in about 1915. From its beginnings in the early 20th century, Jazz has spawned a variety of subgenres, from New Orleans Dixieland dating from the early 1910s, big band-style swing from the 1930s and 1940s, bebop from the mid-1940s, a variety of Latin jazz fusions such as Afro-Cuban and Brazilian jazz, and free jazz from the 1950s and 1960s, jazz fusion from the 1970s and late 1980s developments such as acid jazz, which blended funk and hip-hop influences into jazz. As the music has spread around the world it has drawn on local national and regional musical cultures, its aesthetics being adapted to its varied environments and giving rise to many distinctive styles.

In the late 1960s and early 1970s the hybrid form of jazz-rock fusion was developed by combining jazz improvisation with rock rhythms, electric instruments, and the highly amplified stage sound of rock musicians such as Jimi Hendrix. All Music Guide states that "..until around 1967, the worlds of jazz and rock were nearly completely separate." However, " rock became more creative and its musicianship improved, and as some in the jazz world became bored with hard bop and did not want to play strictly avant-garde music, the two different idioms began to trade ideas and occasionally combine forces." Miles Davis made the breakthrough into fusion in 1970s with his album Bitches Brew. Musicians who worked with Davis formed the four most influential fusion groups: Weather Report and Mahavishnu Orchestra emerged in 1971 and were soon followed by Return to Forever and The Headhunters. Although jazz purists protested the blend of jazz and rock, some of jazz's significant innovators crossed over from the contemporary hard bop scene into fusion. Jazz fusion music often uses mixed meters, odd time signatures, syncopation, and complex chords and harmonies. In addition to using the electric instruments of rock, such as the electric guitar, electric bass, electric piano, and synthesizer keyboards, fusion also used the powerful amplification, "fuzz" pedals, wah-wah pedals, and other effects used by 1970s-era rock bands. Notable performers of jazz fusion included Miles Davis, keyboardists Joe Zawinul, Chick Corea, Herbie Hancock, vibraphonist Gary Burton, drummer Tony Williams, violinist Jean-Luc Ponty, guitarists Larry Coryell, Al Di Meola, John McLaughlin and Frank Zappa, saxophonist Wayne Shorter, and bassists Jaco Pastorius and Stanley Clarke. Jazz fusion was also popular in Japan where the band Casiopea released over thirty albums praising Jazz Fusion.

Developed by the mid-1970s, jazz-funk is characterized by a strong back beat (groove), electrified sounds, and often, the presence of the first electronic analog synthesizers. The integration of Funk, Soul, and R&B music and styles into jazz resulted in the creation of a genre whose spectrum is indeed quite wide and ranges from strong jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, and jazz solos, and sometimes soul vocals.

At the jazz end of the spectrum, jazz-funk characteristics include a departure from ternary rhythm (near-triplet), i.e. the "swing", to the more danceable and unfamiliar binary rhythm, known as the "groove". Jazz-funk also draws influences from traditional African music, Latin American rhythms, and Jamaican reggae. A second characteristic of Jazz-funk music is the use of electric instruments, and the first use of analogue electronic instruments notably by Herbie Hancock, whose jazz-funk period saw him surrounded on stage or in the studio by several Moog synthesizers. The ARP Odyssey, ARP String Ensemble, and Hohner D6 Clavinet also became popular at the time. A third feature is the shift of proportions between composition and improvisation. Arrangements, melody, and overall writing were heavily emphasized.