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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: New Wave

Out The Door

A1 Out The Door (12'' Edit) (6:25)
A2 Song Three (3:40)
B Out The Door (Superdiscount Remix) (7:51)



Cat No: Gomma 069
Released: 2006


Bow Wow Wow

Format: Vinyl 12 Inch
Genre: New Wave

Go Wild In The Country

A Go Wild In The Country (5:02)
B El Boss Dicho! (2:05)


Cat No: RCAT 175
Released: 1982


Sector 27

Format: Vinyl 12 Inch
Genre: New Wave

Excalibur (Extd Version)

A Excalibur
B1 How I Feel
B2 Christopher Calling

The Rocket Record Company

Cat No: ESP 512
Released: 1984


Adam And The Ants

Format: Vinyl Album
Genre: New Wave

Prince Charming

A1 Scorpios
A2 Picasso Visita El Planeta De Los Simios
A3 Prince Charming
A4 Five Guns West
A5 That Voodoo!
B1 Stand And Deliver
B2 Mile High Club
B3 Ant Rap
B4 Mowhok
B5 S.E.X.


Cat No: 85268
Released: 1981
Out Of Stock

Roger C. Reale & Rue Morgue

Format: Vinyl Album
Genre: New Wave

Radio Active

A1 High Society
A2 Dear Dad
A3 Stop And Go
A4 Pain Killer
A5 Rescue Me
A6 Kill Me
B1 Reach For The Sky
B2 Madonna's Last Stand
B3 Please Believe Me
B4 Close Inspection
B5 Inside Outside
B6 I Can't Control Myself

London Records

Cat No: SHY 8528
Released: 1978


Spear Of Destiny

Format: Vinyl 12 Inch
Genre: New Wave

The Wheel / Flying Scotsman / Prisoner Of Love / Liberator

A1 The Wheel (3:10)
A2 Flying Scotsman (5:26)
B1 Prisoner Of Love (3:36)
B2 Liberator (5:19)

Old Gold

Cat No: OG 4007
Released: 1986



Format: Vinyl Compilation
Genre: New Wave

Space Invasion

A1 Hot Chocolate No Doubt About It
A2 Yellow Magic Orchestra Theme From The Space Invaders / Firecracker
A3 Deep Purple Fireball
A4 War Galaxy
A5 Orchestral Manoeuvres In The Dark Messages (Orchestral Manoeuvres In The Dark)
A6 The Shadows Riders In The Sky
A7 Dollar Who Were You With In The Moonlight
A8 Manhattans Shining Star
A9 Chris de Burgh A Spaceman Came Travelling
A10 Carpenters Calling Occupants Of Interplanetary Craft (Recognised Anthem Of World Contact Day)
B1 Manfred Mann's Earth Band Blinded By The Light
B2 Elton John Rocket Man
B3 Genesis Watcher Of The Skies
B4 Hawkwind Silver Machine
B5 Jeff Wayne & Justin Hayward Eve Of The War
B6 Sheila & B. Devotion Spacer
B7 Justin Hayward Forever Autumn
B8 Dollar Shooting Star
B9 Atmosfear Dancing In Outer Space
B10 Space Magic Fly


Cat No: RTL 2051
Released: 1980



Format: Vinyl 12 Inch
Genre: New Wave

Heart Of Glass

A Heart Of Glass (5:50)
B Heart Of Glass (Instrumental) (5:17)


Cat No: CDS-2275
Released: 1978



Format: Vinyl 12 Inch
Genre: New Wave

In The Flat Field

A1 Double Dare (4:57)
A2 In The Flat Field (4:00)
A3 A God In An Alcove (4:07)
A4 Dive (2:10)
A5 The Spy In The Cab (4:27)
B1 Small Talk Stinks (3:35)
B2 St. Vitus Dance (3:30)
B3 Stigmata Martyr (3:37)
B4 Nerves (7:10)


Cat No: CAD 13
Released: 1980
Out Of Stock

Talking Heads

Format: Vinyl Album
Genre: New Wave

Fear Of Music

A1 I Zimbra (3:06)
A2 Mind (4:12)
A3 Paper (2:36)
A4 Cities (4:05)
A5 Life During Wartime (3:41)
A6 Memories Can't Wait (3:30)
B1 Air (3:33)
B2 Heaven (4:01)
B3 Animals (3:29)
B4 Electric Guitar (2:59)
B5 Drugs (5:13)


Cat No: SRK 6076NP SPA
Released: 1979
Out Of Stock

Blue Zoo

Format: Vinyl 12 Inch
Genre: New Wave

Cry Boy Cry

A Cry Boy Cry (6:00)
B Off To Market (Dub) (4:00)


Cat No: 12 MAG 234
Released: 1982


Tom Tom Club

Format: Vinyl 12 Inch
Genre: New Wave

Wordy Rappinghood

A Wordy Rappinghood
B Elephant

Island Records

Cat No: 12WIP 6694
Released: 1981


Bow Wow Wow

Format: Vinyl 12 Inch
Genre: New Wave

See Jungle! (Jungle Boy) (Re-Mixed Version)

A See Jungle! (Jungle Boy) (Re-Mixed Version)
B (I'm A) TV Savage


Cat No: RCAT 220
Released: 1982


Fun Boy Three

Format: Vinyl 12 Inch
Genre: New Wave

The Tunnel Of Love

A The Tunnel Of Love (3:08)
B The Lunacy Legacy (3:53)


Cat No: CHS 12 2678
Released: 1983
Out Of Stock

Culture Club

Format: Vinyl Album
Genre: New Wave

Colour By Numbers

A1 Karma Chameleon (4:11)
A2 It's A Miracle (3:25)
A3 Black Money (5:19)
A4 Changing Every Day (3:18)
A5 That's The Way (I'm Only Trying To Help You) (2:46)
B6 Church Of The Poison Mind (3:29)
B7 Miss Me Blind (4:31)
B8 Mister Man (3:36)
B9 Stormkeeper (2:47)
B10 Victims (4:56)


Cat No: V 2285
Released: 1983


Page of 33 next >>

Information on the New Wave genre

New Wave is a genre of music that emerged in the mid to late 1970s alongside punk rock. The term at first generally was synonymous with punk rock before being considered a genre in its own right that incorporated aspects of electronic and experimental music, mod subculture, and disco and 1960s pop music, as well as much of the original punk rock sound and ethos, such as an emphasis on short and punchy songs. The 1990s and 2000s have seen revivals, and a number of acts that have been influenced by a variety of New Wave styles.

The term "New Wave" itself has been a source of much confusion and controversy. It was used in 1976 in the UK by punk fanzines such as Sniffin' Glue, and then by the professional music press. In a November 1976 article in Melody Maker, Caroline Coon used Malcolm McLaren's term "New Wave" to designate music by bands not exactly punk, but related and part of the same musical scene. For a period of time in 1976 and 1977 the two terms were interchangeable. By the end of 1977, "New Wave" had replaced "Punk" as the definition for new underground music in the UK.

In the United States, Sire Records needed a term by which it could market its newly signed bands, who had frequently played the club CBGB. Because radio consultants in the United States had advised their clients that punk rock was a fad, they settled on the term "New Wave". Like those film makers, its new artists, such as the Ramones and Talking Heads, were anti-corporate and experimental. At first most American writers exclusively used the term "New Wave" to describe British punk acts. Starting in December 1976, The New York Rocker, which was suspicious of the term "punk," became the first American journal to enthusiastically use the term starting with British acts, and later appropriating it to acts associated with the CBGB scene.
Talking Heads performing in Toronto in 1978.

Music historian Vernon Joynson states that new wave emerged in the U.K. in late 1976, when many bands began disassociating themselves from punk.[9] Music that followed the anarchic garage band ethos of the Sex Pistols was distinguished as "punk", while music that tended toward experimentation, lyrical complexity, or more polished production, came to be categorized as "New Wave". This came to include musicians who had come to prominence in the British pub rock scene of the mid-1970s, such as Ian Dury, Nick Lowe, Eddie and the Hot Rods and Dr Feelgood; and according to allmusic "angry, intelligent" singer-songwriters who "approached pop music with the sardonic attitude and tense, aggressive energy of punk" such as Elvis Costello, Joe Jackson, and Graham Parker. In the U.S., the first New Wavers were the not-so-punk acts associated with the New York club CBGB, such as Talking Heads, Mink DeVille and Blondie. CBGB owner Hilly Kristal, referring to the first show of the band Television at his club in March 1974, said, "I think of that as the beginning of new wave." Furthermore, many artists who would have originally been classified as punk were also termed New Wave. A 1977 Phonogram Records compilation album of the same name (New Wave) features US artists including the Dead Boys, Ramones, Talking Heads and The Runaways.

Talking Heads set the template for the New Wave sound of this era. This sound represented a break from the smooth-oriented blues and rock & roll sounds of late 1960s to mid 1970s rock music. According to music journalist Simon Reynolds, the music had a twitchy, agitated feel to it. New Wave musicians often played choppy rhythm guitars with fast tempos. Keyboards were common as were stop-and-start song structures and melodies. Reynolds noted that New Wave vocalists sounded high-pitched, geeky and suburban.

Power Pop, a genre that started before punk at the very beginning of the 1970s, became associated with New Wave at the end of the decade because their brief catchy songs fit into the mood of the era. The Romantics, The Records, The Motors, Cheap Trick, and 20/20 were groups that had success playing this style. Helped by the success of the power pop group, The Knack, skinny ties became fashionable among New Wave musicians.

A revival of ska music led by The Specials, Madness and the English Beat added humor and a strong dance beat to New Wave.

Later still, "New Wave" came to imply a less noisy, often synthesizer-based, pop sound. The term post-punk was coined to describe the darker, less pop-influenced groups, such as Gang of Four, Joy Division, The Cure, and Siouxsie and the Banshees, some of which did later adopt synths. Although distinct, punk, New Wave, and post-punk all shared common ground: an energetic reaction to the supposedly overproduced, uninspired popular music of the 1970s.

Allmusic explained that New Wave's stylistic diversity occurred because New Wave "retained the fresh vigor and irreverence of punk music, as well as a fascination with electronics, style, and art". This diversity extended to the numerous one hit wonders that came out of the genre.

The term fell out of favour in the United Kingdom during the early 1980s because its usage had become too general. Conventional wisdom holds that the genre "died" in the middle of the 1980s. Theo Cateforis, Assistant Professor of Music History and Cultures at Syracuse University, contends New Wave "receded" during this period when advances in synthesizer technology caused New Wave groups and mainstream pop and rock groups to sound more alike.