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  Artist Title Label Price

Sub Bug

Format: Vinyl 12 Inch
Genre: Progressive

Get To Dub EP

A1 Keep Rockin'
A2 Jam The Nightclub
B1 Getdown
B2 Get To Get It On

Fantastic Records

Cat No: UDIST 008
Released: 1994

£6.00
£3.00

Steve Lawler

Format: Vinyl 12 Inch
Genre: Progressive

Rise In (Promo 1)

A Rise In (Main Vocal)
B Rise In (Dub)

Bedrock Records

Cat No: BEDRT 008P
Released: 2000

£6.00
£3.00

Narcotic Thrust

Format: Vinyl 12 Inch
Genre: Progressive

Safe From Harm

A Safe From Harm (Andy Morris&Stuart Crichton Vocal Mix)
B Safe From Harm (K-Klass Off Limits Mix)

FFRR

Cat No: FX406
Released: 2002

£6.00
£3.00

Punched!

Format: Vinyl 12 Inch
Genre: Progressive

Return To Santrancisco

A Return To Santrancisco
B I Left My Heart In Santrancisco

Global Grooves

Cat No: GLOB 015

£7.00
£3.50

Geoffrey Williams

Format: Vinyl Double 12 Inch
Genre: Progressive

Drive

A Drive (SPS Peruvian Club Mix)
Remix - Self Preservation Society
B Drive (SPS Roundhouse Dub)
Remix - Self Preservation Society
C Drive (Jinx's Nocturnal Mix)
Remix - Jinx
D1 Drive (Myerson Magimix)
Remix - Jamie Myerson
D2 Drive (Jamie Myerson Original Remix)
Remix - Jamie Myerson

Hands On Records

Cat No: 12 HOR 11 DJ1/2
Released: 1996

£10.00
£5.00

Dubstar

Format: Vinyl 12 Inch
Genre: Progressive

Not So Manic Now

A1 Not So Manic Now (Way Out West Remix)
Remix - Way Out West
A2 Not So Manic Now (Way Out West Prophecy Dub)
Remix - Way Out West
B1 Not So Manic Now (Mother's Moonshine Mix)
Remix - Mother
B2 Not So Manic Now (Mother's Whole Dub)
Remix - Mother
B3 Not So Manic Now
Listen

Food

Cat No: 12 FOOD 71
Released: 1995

£6.00
£3.00

M Factor

Format: Vinyl 12 Inch
Genre: Progressive

Mother

A Mother (Original Mix) (6:29)
AA1 Mother (Are You Ready To Play?) (Dirty Vegas Vocal Mix) (6:43)
Remix - Dirty Vegas Vocals - Steve Edwards
AA2 Mother (Altitude Remix) (6:32)
Remix - Altitude

Serious Records

Cat No: SERR042-12
Released: 2002

£6.00
£3.00

Faithless

Format: Vinyl Double 12 Inch
Genre: Progressive

Tarantula

A Tarantula (Rollo&Sister Bliss Big Mix) (7:19)
B Tarantula (Rollo&Sister Bliss Funky As F*** Mix) (8:27)
C Tarantula (Hiver&Hammer Remix) (7:02)
D Tarantula (Tiësto Remix) (9:19)

Cheeky Records

Cat No: CHEEKY011AB, 74321 90671 1
Released: 2001

£6.00
£3.00

Harry

Format: Vinyl 12 Inch
Genre: Progressive

I Want Out (I Can't Believe)

A1 I Want Out (I Can't Believe) (The Cricket Mix) (8:36)
B1 I Want Out (I Can't Believe) (Ian Wilkie Hard Mix) (7:44)
Remix - Ian Wilkie

Perfecto

Cat No: PERF022T
Released: 2001

£7.00
£3.50

Disco Citizens

Format: Vinyl 12 Inch
Genre: Progressive

Nagasaki Badger

A Nagasaki Badger (Original Mix)
AA Nagasaki Badger (Chicane Remix)

Xtravaganza Recordings

Cat No: 0091580 EXT-DJ
Released: 1998

£6.00
£3.00

Supereal

Format: Vinyl 12 Inch
Genre: Progressive

One Nation

A1 One Nation (Unity Mix)
A2 One Nation (Universal Mix)
AA1 One Nation (Eunified Chant Mix)
AA2 One Nation (Eunified Dub Mix)

Guerilla

Cat No: GRRR37
Released: 1992

£6.00
£3.00

If?

Format: Vinyl 12 Inch
Genre: Progressive

Open Up Your Head

A Open Up Your Head (Vocalfield Mix)
B1 Open Up Your Head (Trancefield Dub Mix)
B2 Open Up Your Head (Stringfield Dub Mix)

MCA Records Ltd.

Cat No: MCST 1583
Released: 1991

£6.00
£3.00

Isha-D

Format: Vinyl 12 Inch
Genre: Progressive

Stay

A Stay (Andy Ling's Vamped Vox Mix)
Mixed By - Andy Ling
B Stay (Greenlight Vocal Mix)
Remix - Victor Imbres

Satellite Records (UK)

Cat No: 74321 49821 1
Released: 1997

£7.00
£3.50

Lithium

Format: Vinyl 12 Inch
Genre: Progressive

Ride A Rocket

A Ride A Rocket (Lithium 12" Vocal Mix)
B Ride A Rocket (Disco Citizens Vocal Remix)
Remix - Disco Citizens


(supplied by Decman)

FFRR

Cat No: FX 293

£7.00
£3.50

Dominion

Format: Vinyl 12 Inch
Genre: Progressive

The Gate

A The Gate (Original Mix)
B The Gate (Renaissance Mix)

(supplied by Decman)

Whoop! Records

Cat No: WHO15

£7.00
£3.50

Page of 44 next >>

Information on the Progressive genre

Progressive house is a style of house music that is noted for musical progression within melodies and basslines. The term was coined by Mixmag editor Dom Phillips. It has similar elements to both electro-house and trance. It has its origins in Great Britain in the early 1990s, with the output of Guerilla Records and Leftfield's first singles (particularly "Song of Life"). The music itself was produced with the 4-to-4 beat of house music and deeper dub-influenced basslines, with greater emphasis on emotion before structural considerations. Often, it featured elements from many different genres mixed together. Song of Life, for instance, has a trip-hop like down-pitched breakbeat and a high-energy Roland TB-303 riff at various stages.

In 1992, the dance club Renaissance opened in Mansfield where DJs Sasha and John Digweed were instrumental in popularizing its early sound. Other notable Progressive House DJs and producers include: Nathan Fake, James Holden, Dave Seaman, Nick Warren, Jason Jollins, Hernan Cattaneo, Danny Howells, Anthony Pappa, and Deadmau5. Notable active progressive house labels include Baroque Records, Bedrock Records, Renaissance, Audiotherapy, Global Underground and Source of Gravity.

Progressive trance is a popular sub-genre in trance music and contains elements of house, techno, and ambient music. By the late 1990s, trance became more focused on the anthemic qualities and melodies, moving away from arpeggiated analog synth patterns. Acoustic elements and spacey pads became popular with compositions leaned towards incremental changes à la progressive structures. Progressive trance contains distinctive sounds in many tracks, such as unusual basslines or original synthesized sounds, which generally makes it more "catchy". Phrases are usually a power of two number of bars in most typical progressive trance tracks. Phrases usually begin with the introduction of a new or different melody or rhythm.

Compared to trance, the progressive wing is usually deeper and more abstract, featuring a lower average bpm (around 125-135 instead of 130-160) and a recurrent melodic structure. This structure is intuitively described as consisting of three major structural elements: build-up; breakdown ; climax. These three structural elements are expressed either temporally or in their intensity, if not both. A 'build-up' sequence can sometimes last up to 3 or even 4 minutes. Subtle incremental/decremental acoustic variations (i.e., gradual addition/subtraction of instruments) anticipate the transition to each subsequent structural element of the track. The initial build-up and the final break-down are generally very similar, adding a feel of symmetry to the general structure of the melody. Furthermore, a progressive trance track is usually longer than a regular trance track, ranging in length from 5-6 to even 12–13 minutes.

Although there is a general and increasing tendency to associate progressive trance with progressive house (or vice-versa), virtually rendering these two sub-genres identical, there are however distinctive characteristics apart from the strong similitudes between them: progressive trance inherits from its parent genre (trance) a wider melodic flexibility, while progressive house is usually darker and more minimal.

Some of the most representative names that currently work in this sub-genre are Laurent Veronnez, Sasha, Mike Dierickx, Matt Darey, Vibrasphere, Armin van Buuren, Brian Transeau (aka BT), Christopher Lawrence and more recently, Markus Schulz.