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  Artist Title Label Price

Stiff Little Fingers

Format: Vinyl Album
Genre: Punk

Inflammable Material

A1 Suspect Device (2:29)
A2 State Of Emergency (2:23)
A3 Here We Are Nowhere (0:56)
A4 Wasted Life (3:03)
A5 No More Of That (2:03)
A6 Barbed Wire Love (2:29)
A7 White Noise (1:42)
A8 Breakout (3:02)
B1 Law And Order (3:10)
B2 Rough Trade (2:29)
B3 Johnny Was (8:06)
B4 Alternative Ulster (2:41)
B5 Closed Groove (4:04)


Cat No: 202 687


The Undertones

Format: Vinyl Album
Genre: Punk


A1 More Songs About Chocolate And Girls (2:38)
A2 There Goes Norman (2:22)
A3 Hypnotised (2:27)
A4 See That Girl (2:21)
A5 Whizz Kids (2:17)
A6 Under The Boardwalk (2:22)
A7 The Way Girls Talk (2:28)
A8 Hard Luck (3:36)
B1 My Perfect Cousin (2:34)
B2 Boys Will Be Boys (1:28)
B3 Tearproof (2:16)
B4 Wednesday Week (2:14)
B5 Nine Times Out Of Ten (2:35)
B6 Girls That Don't Talk (2:24)
B7 What's With Terry? (3:11)


Cat No: SRK 6088
Released: 1980
Out Of Stock

The Danse Society

Format: Vinyl Album
Genre: Punk


A1 Godsend (4:53)
A2 My Heart (4:19)
A3 Falling Apart (4:13)
A4 Danse/Move (4:51)
B1 Ambition (6:35)
B2 In Heaven (Everything Is Fine) (7:39)

Society Records

Cat No: SOC 882
Released: 1982


We've Got A Fuzzbox And We're Gonna Use It

Format: Vinyl 12 Inch
Genre: Punk

Rules And Regulations

AA1 Rules And Regulations (Splendiferous Mix) (3:02)
AA2 X X Sex (1:51)
AA3 Do I Want To? (1:47)
AA4 She (1:16)
AA5 Aaarrrggghhh!!! (2:20)

Vindaloo Records

Cat No: UGH 11T
Released: 1986


Joy Division

Format: Coloured Vinyl 7 Inch
Genre: Punk

Love Will Tear Us Apart

A Love Will Tear Us Apart (3:17)
B Leaders Of Men (2:20)


Cat No: CLP 2201
Released: 2015



Format: Vinyl 12 Inch
Genre: Punk

Don't Fall In Love (I Said)

A Don't Fall In Love (I Said)
B1 Snow Covers The Kiss
B2 Kiss The Devil


Cat No: TX 6160
Released: 1985


Siouxsie & The Banshees

Format: Vinyl 12 Inch
Genre: Punk


Other Side
A Candyman (3:43)
This Side
B1 Lullaby (3:33)
B2 Umbrella (4:14)


Cat No: SHEX 10
Released: 1986
Out Of Stock

The Stranglers

Format: Vinyl Album
Genre: Punk

Stranglers IV (Rattus Norvegicus)

A1 Sometimes (4:50)
A2 Goodbye Toulouse (3:12)
A3 London Lady (2:25)
A4 Princess Of The Streets (4:34)
A5 Hanging Around (4:25)
B1 Peaches (4:03)
B2 (Get A) Grip (On Yourself) (3:55)
B3 Ugly (4:03)
Down In The Sewer (7:30)

United Artists Records

Cat No: UAG 30045
Released: 1977


The Dictators

Format: Vinyl 12 Inch
Genre: Punk

Search & Destroy / Sleepin' With The TV On

A Search & Destroy (3:28)
B Sleepin' With The TV On (4:14)

Asylum Records

Cat No: K 13091
Released: 1977


Captain Sensible

Format: Vinyl Album
Genre: Punk

The Power Of Love

A1 I'm A Spider (4:11)
A2 I Love Her (2:36)
A3 Stop The World (4:33)
A4 Sir Donald's Son (2:56)
A5 It's Hard To Believe I'm Not (3:08)
A6 Thanks For The Night (4:07)
B1 Glad It's All Over (4:06)
B2 Royal Rave Up (5:06)
B3 Secrets (4:32)
B4 It Would Be So NIce (3:39)
B5 The Power Of Love (3:54)
B6 I Love You (2:31)

A&M Records

Cat No: AMLX 68561
Released: 1983
Out Of Stock

Solar Race

Format: Vinyl 12 Inch
Genre: Punk

Solar Race EP

A1 Get Ahead (4:21)
A2 Good Enough (3:25)
AA1 Juvinile (2:21)
AA2 Drink My Piss (4:40)

Silvertone Records

Cat No: ORE T 79
Released: 1996


Kim Wilde

Format: Vinyl Album
Genre: Punk


A1 Ego
A2 Words Fell Down
A3 Action City
A4 View From A Bridge
A5 Just A Feeling
B1 Chaos At The Airport
B2 Take Me Tonight
B3 Can You Come Over
B4 Wendy Sadd
B5 Cambodia - Reprise


Cat No: SRAK 548
Released: 1982



Format: Vinyl 12 Inch
Genre: Punk

Hand On My Heart

A Hand On My Heart (5:54)
B1 Suck (5:38)
B2 Nerve (2:47)


Cat No: shrk 121
Released: 1984


New Model Army

Format: Vinyl 12 Inch
Genre: Punk

Better Than Them (The Acoustic E.P.)

A1 Better Than Them (3:09)
A2 No Sense (2:40)
B1 Adrenalin (3:47)
B2 Trust (2:26)


Cat No: 12 NMA 2
Released: 1985
Out Of Stock

The Stranglers

Format: Vinyl 12 Inch
Genre: Punk

Grip '89 (Get A) Grip (On Yourself)

A1 Grip '89 (Grippin' Stuff Mix)
A2 Grip '89 (Get A) Grip (On Yourself) (Single Mix)
B1 Waltzinblack
B2 Tomorrow Was The Hereafter


Cat No: 12 EM 84
Released: 1989


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Information on the Punk genre

Punk rock is a rock music genre that developed between 1974 and 1976 in the United States, the United Kingdom and Australia. Rooted in garage rock and other forms of what is now known as protopunk music, punk rock bands eschewed the perceived excesses of mainstream 1970s rock. They created fast, hard-edged music, typically with short songs, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY (do it yourself) ethic, with many bands self-producing their recordings and distributing them through informal channels.

By late 1976, bands such as the Ramones, in New York City, and the Sex Pistols and The Clash, in London, were recognized as the vanguard of a new musical movement. The following year saw punk rock spreading around the world. Punk quickly, though briefly, became a major cultural phenomenon in the United Kingdom. For the most part, punk took root in local scenes that tended to reject association with the mainstream. An associated punk subculture emerged, expressing youthful rebellion and characterized by distinctive styles of clothing and adornment and a variety of anti-authoritarian ideologies.

By the beginning of the 1980s, faster, more aggressive styles such as hardcore and Oi! had become the predominant mode of punk rock. Musicians identifying with or inspired by punk also pursued a broad range of other variations, giving rise to post-punk and the alternative rock movement. By the turn of the century, pop punk had been adopted by the mainstream, with bands such as Green Day and The Offspring bringing the genre widespread popularity.

The first wave of punk rock aimed to be aggressively modern, distancing itself from the bombast and sentimentality of early 1970s rock. According to Ramones drummer Tommy Ramone, "In its initial form, a lot of [1960s] stuff was innovative and exciting. Unfortunately, what happens is that people who could not hold a candle to the likes of Hendrix started noodling away. Soon you had endless solos that went nowhere. By 1973, I knew that what was needed was some pure, stripped down, no bullshit rock 'n' roll." John Holmstrom, founding editor of Punk magazine, recalls feeling "punk rock had to come along because the rock scene had become so tame that like Billy Joel and Simon and Garfunkel were being called rock and roll, when to me and other fans, rock and roll meant this wild and rebellious music." In critic Robert Christgau's description, "It was also a subculture that scornfully rejected the political idealism and Californian flower-power silliness of hippie myth."[5] Patti Smith, in contrast, suggests in the documentary 25 Years of Punk that the hippies and the punk rockers were linked by a common anti-establishment mentality.

Throughout punk rock history, technical accessibility and a DIY spirit have been prized. In the early days of punk rock, this ethic stood in marked contrast to what those in the scene regarded as the ostentatious musical effects and technological demands of many mainstream rock bands. Musical virtuosity was often looked on with suspicion. According to Holmstrom, punk rock was "rock and roll by people who didn't have very much skills as musicians but still felt the need to express themselves through music". In December 1976, the English fanzine Sideburns published a now-famous illustration of three chords, captioned "This is a chord, this is another, this is a third. Now form a band." The title of a 1980 single by New York punk band The Stimulators, "Loud Fast Rules!", inscribed a catchphrase for punk's basic musical approach.

Some of British punk rock's leading figures made a show of rejecting not only contemporary mainstream rock and the broader culture it was associated with, but their own most celebrated predecessors: "No Elvis, Beatles or the Rolling Stones in 1977", declared The Clash song "1977". The previous year, when the punk rock revolution began in Great Britain, was to be both a musical and a cultural "Year Zero". Even as nostalgia was discarded, many in the scene adopted a nihilistic attitude summed up by the Sex Pistols slogan "No Future"; in the later words of one observer, amid the unemployment and social unrest in 1977, "punk's nihilistic swagger was the most thrilling thing in England." While "self-imposed alienation" was common among "drunk punks" and "gutter punks", there was always a tension between their nihilistic outlook and the "radical leftist utopianism" of bands such as Crass, who found positive, liberating meaning in the movement. As a Clash associate describes singer Joe Strummer's outlook, "Punk rock is meant to be our freedom. We're meant to be able to do what we want to do."

The issue of authenticity is important in the punk subculture—the pejorative term "poseur" is applied to those who associate with punk and adopt its stylistic attributes but are deemed not to share or understand the underlying values and philosophy. Scholar Daniel S. Traber argues that "attaining authenticity in the punk identity can be difficult"; as the punk scene matured, he observes, eventually "everyone got called a poseur".