Stock Level:
[ reset ]
113 Records Match your Search
[ Change Stock Level above to view In Stock, Latest & Sale Items, and the other search fields to narrow down your Search ]
Page of 8 next >>
  Artist Title Label Price

Snow White

Format: Vinyl 10 Inch
Genre: Punk

Stop Anything

A1 Stop Anything
A2 Attack: Form
B1 Walking Past 27 Pictures Of An Ex-Girlfriend
B2 I Read Kissinger

White Heat

Cat No: OPE007
Released: 2005


Sex Gang Children

Format: Vinyl 12 Inch
Genre: Punk


A1 Beasts
A2 Sense Of Elation
B1 Times Of Our Lives
B2 Cannibal Queen

Illuminated Records

Cat No: ILL 1112
Released: 1982



Format: Vinyl 12 Inch
Genre: Punk

Revenge Of The Killer Pussies (Blood On The Cats #2)

A1 Sunglasses After Dark (2) Hellhag Shuffle
A2 The Guana Batz Werewolf Blues
A3 The Brilliant Corners She's Got Fever
A4 The Sting-Rays Escalator
A5 Bonesaurus Wrecks Long Necked Daddyo
A6 Thee Milkshakes The Red Monkey
A7 The Vibes Alligator Wine
A8 The Meteors (2) Hills Have Eyes
B1 The Bananamen Psychotic Reaction
B2 The Very Things Shearing Machine
B3 Sic Kidz She's My Witch
B4 Tall Boys Dawn Of The Flies
B5 Turkey Bones & The Wild Dogs Goldfish
B6 King Kurt Zulu Beat
B7 Blubbery Hellbellies I Don't Wanna Get Thin
B8 Turnpike Cruisers I Wanna Be Like You

Anagram Records

Cat No: GRAM 17
Released: 1984


The Monks (4)

Format: Vinyl 7 Inch
Genre: Punk

I Ain't Gettin' Any

A I Ain't Gettin' Any
B Inter-City Kitty


Cat No: EMI 2972
Released: 1979


The Clash

Format: Vinyl Album
Genre: Punk

The Singles

A1 White Riot (1:58)
A2 Remote Control (3:00)
A3 Complete Control (3:10)
A4 Clash City Rockers (3:38)
A5 (White Man) In Hammersmith Palais (3:50)
A6 Tommy Gun (3:13)
A7 English Civil War (2:34)
A8 I Fought The Law (2:36)
A9 London Calling (3:13)
B1 Train In Vain (3:11)
B2 Bankrobber (4:30)
B3 The Call Up (5:23)
B4 Hitsville UK (4:20)
B5 The Magnificent Seven (4:27)
B6 This Is Radio Clash (4:04)
B7 Know Your Rights (3:38)
B8 Rock The Casbah (3:42)
B9 Should I Stay Or Should I Go (3:06)


Cat No: 468946 1
Released: 1991
Out Of Stock

Basement 5

Format: Vinyl Album
Genre: Punk

1965 - 1980

A1 Riot
A2 No Ball Games
A3 Hard Work
A4 Immigration
B1 Last White Christmas
B2 Heavy Traffic
B3 Union Games
B4 Too Soon
B5 Omega Man

Island Records

Cat No: ILPS 9641*
Released: 1980



Format: Vinyl 12 Inch
Genre: Punk

Thunder In The Mountains

A Thunder In The Mountains
B1 Street Addict
B2 Voodoo Doll

Safari Records

Cat No: SAFE L 38
Released: 1981


Sleaford Mods

Format: CD Album
Genre: Punk

English Tapas

1 Army Nights (3:02)
2 Just Like We Do (2:54)
3 Moptop (2:38)
4 Messy Anywhere (3:12)
5 Time Sands (3:10)
6 Snout (2:44)
7 Drayton Manored (3:36)
8 Carlton Touts (2:52)
9 Cuddly (3:44)
10 Dull (2:41)
11 B.H.S. (3:48)
12 I Feel So Wrong (3:10)

Rough Trade

Cat No: rtradcd925
Released: 2017


Fall Out Boy

Format: CD Album
Genre: Punk

From Under The Cork Tree

1 Our Lawyer Made Us Change The Name Of This Song So We Wouldn't Get Sued (3:08)
2 Of All The Gin Joints In All The World (3:11)
3 Dance, Dance (3:00)
4 Sugar, We're Goin Down (3:49)
5 Nobody Puts Baby In The Corner (3:20)
6 I've Got A Dark Alley And A Bad Idea That Says You Should Shut Your Mouth (Summer Song) (3:10)
7 7 Minutes In Heaven (Atavan Halen) (3:02)
8 Sophomore Slump Or Comeback Of The Year (3:23)
9 Champagne For My Real Friends, Real Pain For My Sham Friends (3:23)
10 I Slept With Someone In Fall Out Boy And All I Got Was This Stupid Song Written About Me (3:31)
11 A Little Less Sixteen Candles, A Little More "Touch Me" (2:49)
12 Get Busy Living Or Get Busy Dying (Do Your Part To Save The Scene And Stop Going To Shows) (3:27)
13 XO (3:40)


Cat No: 9880014(11)
Released: 2005


Sex Pistols

Format: CD Album
Genre: Punk

Never Mind The Bollocks Here's The Sex Pistols

1 Holidays In The Sun (3:10)
2 Bodies (3:00)
3 No Feelings (2:48)
4 Liar (2:39)
5 God Save The Queen (3:18)
6 Problems (4:09)
7 Seventeen (2:01)
8 Anarchy In The U.K. (3:32)
9 Sub•Mission (4:10)
10 Pretty Vacant (3:15)
11 New York (3:03)
12 EMI Unlimited Edition (3:09)


Cat No: CDVX2086


Deaf Aids

Format: Vinyl 12 Inch
Genre: Punk


A1 Heroes
A2 Bored Christine
B1 Bristol Stomp
B2 The Dog

Conspiracy Records

Cat No: CONS 1-12
Released: 1980
Out Of Stock

The Clash

Format: CD Album
Genre: Punk

London Calling

1 London Calling (3:18)
2 Brand New Calling (2:09)
3 Jimmy Jazz (3:55)
4 Hateful (2:47)
5 Rudie Can't Fail (3:27)
6 Spanish Bombs (3:18)
7 The Right Profile (3:53)
8 Lost In The Supermarket (3:47)
9 Clampdown (3:50)
10 The Guns Of Brixton (3:12)
11 Wrong 'Em Boyo (Including Stagger Lee) (3:10)
12 Death Or Glory (3:55)
13 Koka Kola (1:49)
14 The Card Cheat (3:50)
15 Lover's Rock (4:01)
16 Four Horsemen (3:00)
17 I'm Not Down (3:00)
18 Revolution Rock (5:36)
19 Train In Vain (3:10)


Cat No: 4953472
Released: 1999



Format: Vinyl Album
Genre: Punk

Sheep Farming In Barnet

A1 Neon Womb (4:24)
A2 Indecision (2:47)
A3 Waiting (3:16)
A4 Computer (3:06)
A5 Victims Of The Riddle (3:38)
A6 Elusive Stranger (4:51)
B1 Our Movie (3:04)
B2 Danced (5:13)
B3 Last Goodbye (3:01)
B4 Victims Of The Riddle (Vivisection) (3:57)
B5 Race Through Space (3:15)

Safari Records

Cat No: 1C 064
Released: 1979



Format: CD Album
Genre: Punk

I Love NY Punk!

1 New York Dolls Trash (3:07)
2 The Electric Chairs Fuck Off (3:04)
3 Blondie Rip Her To Shreds (4:19)
4 Mink DeVille She's So Tough (2:42)
5 Richard Hell & The Voidoids Going Going Gone (2:31)
6 The Real Kids All Kindsa Girls (3:35)
7 The Heartbreakers (2) Chinese Rocks (2:53)
8 Bush Tetras Cowboys In Africa (2:51)
9 Destroy All Monsters Bored (3:55)
10 Suicide Keep Your Dreams (Live) (3:13)
11 The Dictators The Next Big Thing (4:33)
12 Television See No Evil (3:22)
13 Bad Brains Sailin' On (1:54)
14 The Stimulators Loud And Fast Rules (3:39)
15 James Chance & The Contortions King Heroin (9:52)

Mojo Magazine

Cat No: November 2005
Released: 2005


Stiff Little Fingers

Format: Vinyl Album
Genre: Punk

Inflammable Material

A1 Suspect Device (2:29)
A2 State Of Emergency (2:23)
A3 Here We Are Nowhere (0:56)
A4 Wasted Life (3:03)
A5 No More Of That (2:03)
A6 Barbed Wire Love (2:29)
A7 White Noise (1:42)
A8 Breakout (3:02)
B1 Law And Order (3:10)
B2 Rough Trade (2:29)
B3 Johnny Was (8:06)
B4 Alternative Ulster (2:41)
B5 Closed Groove (4:04)


Cat No: 202 687
Out Of Stock
Page of 8 next >>

Information on the Punk genre

Punk rock is a rock music genre that developed between 1974 and 1976 in the United States, the United Kingdom and Australia. Rooted in garage rock and other forms of what is now known as protopunk music, punk rock bands eschewed the perceived excesses of mainstream 1970s rock. They created fast, hard-edged music, typically with short songs, stripped-down instrumentation, and often political, anti-establishment lyrics. Punk embraces a DIY (do it yourself) ethic, with many bands self-producing their recordings and distributing them through informal channels.

By late 1976, bands such as the Ramones, in New York City, and the Sex Pistols and The Clash, in London, were recognized as the vanguard of a new musical movement. The following year saw punk rock spreading around the world. Punk quickly, though briefly, became a major cultural phenomenon in the United Kingdom. For the most part, punk took root in local scenes that tended to reject association with the mainstream. An associated punk subculture emerged, expressing youthful rebellion and characterized by distinctive styles of clothing and adornment and a variety of anti-authoritarian ideologies.

By the beginning of the 1980s, faster, more aggressive styles such as hardcore and Oi! had become the predominant mode of punk rock. Musicians identifying with or inspired by punk also pursued a broad range of other variations, giving rise to post-punk and the alternative rock movement. By the turn of the century, pop punk had been adopted by the mainstream, with bands such as Green Day and The Offspring bringing the genre widespread popularity.

The first wave of punk rock aimed to be aggressively modern, distancing itself from the bombast and sentimentality of early 1970s rock. According to Ramones drummer Tommy Ramone, "In its initial form, a lot of [1960s] stuff was innovative and exciting. Unfortunately, what happens is that people who could not hold a candle to the likes of Hendrix started noodling away. Soon you had endless solos that went nowhere. By 1973, I knew that what was needed was some pure, stripped down, no bullshit rock 'n' roll." John Holmstrom, founding editor of Punk magazine, recalls feeling "punk rock had to come along because the rock scene had become so tame that like Billy Joel and Simon and Garfunkel were being called rock and roll, when to me and other fans, rock and roll meant this wild and rebellious music." In critic Robert Christgau's description, "It was also a subculture that scornfully rejected the political idealism and Californian flower-power silliness of hippie myth."[5] Patti Smith, in contrast, suggests in the documentary 25 Years of Punk that the hippies and the punk rockers were linked by a common anti-establishment mentality.

Throughout punk rock history, technical accessibility and a DIY spirit have been prized. In the early days of punk rock, this ethic stood in marked contrast to what those in the scene regarded as the ostentatious musical effects and technological demands of many mainstream rock bands. Musical virtuosity was often looked on with suspicion. According to Holmstrom, punk rock was "rock and roll by people who didn't have very much skills as musicians but still felt the need to express themselves through music". In December 1976, the English fanzine Sideburns published a now-famous illustration of three chords, captioned "This is a chord, this is another, this is a third. Now form a band." The title of a 1980 single by New York punk band The Stimulators, "Loud Fast Rules!", inscribed a catchphrase for punk's basic musical approach.

Some of British punk rock's leading figures made a show of rejecting not only contemporary mainstream rock and the broader culture it was associated with, but their own most celebrated predecessors: "No Elvis, Beatles or the Rolling Stones in 1977", declared The Clash song "1977". The previous year, when the punk rock revolution began in Great Britain, was to be both a musical and a cultural "Year Zero". Even as nostalgia was discarded, many in the scene adopted a nihilistic attitude summed up by the Sex Pistols slogan "No Future"; in the later words of one observer, amid the unemployment and social unrest in 1977, "punk's nihilistic swagger was the most thrilling thing in England." While "self-imposed alienation" was common among "drunk punks" and "gutter punks", there was always a tension between their nihilistic outlook and the "radical leftist utopianism" of bands such as Crass, who found positive, liberating meaning in the movement. As a Clash associate describes singer Joe Strummer's outlook, "Punk rock is meant to be our freedom. We're meant to be able to do what we want to do."

The issue of authenticity is important in the punk subculture—the pejorative term "poseur" is applied to those who associate with punk and adopt its stylistic attributes but are deemed not to share or understand the underlying values and philosophy. Scholar Daniel S. Traber argues that "attaining authenticity in the punk identity can be difficult"; as the punk scene matured, he observes, eventually "everyone got called a poseur".