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  Artist Title Label Price

Audrey Hall

Format: Vinyl 12 Inch
Genre: Reggae


A Smile
B Smile (Club Mix)

Germain Records

Cat No: DGT 15
Released: 1986


Musical Youth

Format: Vinyl Album
Genre: Reggae

Different Style

A1 007 (3:18)
A2 Yard Stylee (3:39)
A3 Air Taxi (3:51)
A4 Sixteen (3:51)
A5 Incommunicado (3:23)
B1 Tell Me Why (3:13)
B2 She's Trouble (3:09)
B3 Mash It The Youth Man, Mash It (4:22)
B4 Whatcha Talking 'Bout (5:06)
B5 No Strings (3:00)

MCA Records

Cat No: YOU LP 2
Released: 1984


Maxi Priest

Format: Vinyl 12 Inch
Genre: Reggae

In The Springtime (Extended Remix)

A In The Springtime (Extended Remix) (5:01)
B1 Bubble (We Ah Go Bubble) (Short Version) (4:28)
B2 Should I (Roots Remix) (3:21)

10 Records

Cat No: TENT T 127 DJ
Released: 1986



Format: Vinyl 12 Inch
Genre: Reggae

Hanging Out

A1 Hanging Out (Jazzwad Main Mix)
A2 Hanging Out (City-Hifi Mix)
B Don't Lie (Main Mix)

Jamdown UK

Cat No: JAMUKS 002
Released: 2003



Format: Vinyl 12 Inch
Genre: Reggae

Don't Turn Around

A Don't Turn Around (Remix) (7:02)
B1 Woman (4:28)
B2 Don't Turn Around (3:25)

Mango Records

Cat No: 12 IS 341
Released: 1988


Ziggy Marley And The Melody Makers

Format: Vinyl Double 12 Inch
Genre: Reggae

Everyone Wants To Be

A1 Everyone Wants To Be (Radio Edit) (3:47)
A2 Everyone Wants To Be (Album Version) (3:44)
B1 Everyone Wants To Be (Midfield General Vocal Mix) (6:02)
B2 Everyone Wants To Be (Midfield General Dub) (6:22)
C1 Everyone Wants To Be (Radio Now Mix) (4:38)
C2 Everyone Wants To Be (Approx Funky Mix) (4:28)
D1 Everyone Wants To Be (Gods Of Prophet Will Power Mix) (4:37)
D2 Everyone Wants To Be (Gods Of Prophet Dark Red Mix) (5:56)


Cat No: SAM 3049


Private Tabby

Format: Vinyl 12 Inch
Genre: Reggae

Jailhouse / If You Leave Me

A1 Jailhouse
A2 Jailhouse (Version)
AA If You Leave Me

Trojan Records

Cat No: TROT 9087
Released: 1986
Out Of Stock

Black Slate

Format: Vinyl 12 Inch
Genre: Reggae

Boom Boom / Legalize Collie Herb

A Boom Boom
B Legalize Collie Herb


Cat No: ENY 4712
Released: 1980


General Levy

Format: Vinyl 12 Inch
Genre: Reggae

The Wig

A1 The Wig (Chaos Mix)
A2 The Wig (Ragga Mix)
AA1 The Wig (Syrup Mix)
AA2 The Wig (Acapella)

Fashion Records

Cat No: FAD 105
Released: 1992


Bob Marley & The Wailers

Format: Vinyl Album
Genre: Reggae


A1 Natural Mystic (3:11)
A2 So Much Things To Say (3:08)
A3 Guiltiness (3:20)
A4 The Heathen (2:52)
A5 Exodus (7:38)
B1 Jamming (3:32)
B2 Waiting In Vain (4:03)
B3 Turn Your Lights Down Low (3:40)
B4 Three Little Birds (3:01)
B5 One Love / People Get Ready (2:50)

Island Records

Cat No: ILPS 9498
Released: 1977
Out Of Stock

Beres Hammond

Format: Vinyl 12 Inch
Genre: Reggae

Tempted To Touch

A Tempted To Touch
B Version

Penthouse Records

Cat No: PH 50
Released: 1990


Boris Gardiner

Format: Vinyl 12 Inch
Genre: Reggae

I Want To Wake Up With You

A I Want To Wake Up With You
B I Want To Wake Up With You (Version)

Revue Records

Cat No: REV 033



Format: Vinyl 12 Inch
Genre: Reggae


A1 Ultimatum (3:33)
A2 Broadway (2:35)
B1 Ultimatum (Dwayne Shippy Remix) (3:57)
B2 Ultimatum (Dwayne Shippy Remix Instrumental) (3:57)

Geffen Records

Cat No: WMCST40447
Released: 2006


Frankie Oliver

Format: Vinyl 12 Inch
Genre: Reggae

Who's Gonna Do It

A1 Who`s Gonna Do It (4:19)
A2 Who`s Gonna Do It(Dub) (4:19)
B1 Look How Long (4:24)
B2 Look How Long(Dub) (4:25)

Island Jamaica

Cat No: IJA 2016
Released: 1997


Saint & Campbell

Format: Vinyl 12 Inch
Genre: Reggae

A Little Bit Of Magic

A1 A Little Bit Of Magic (7'' Radio Mix)
A2 A Little Bit Of Magic (Tappa Magic Mix)
B1 A Little Bit Of Magic (Summer Breeze Mix)
B2 No Money, No Love (J.A. Mix)

Copasetic Records

Cat No: Cop X 0016
Released: 1995


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Information on the Reggae genre

Reggae is a music genre first developed in Jamaica in the late 1960s. While sometimes used in a broader sense to refer to most types of Jamaican music, the term reggae more properly denotes a particular music style that originated following on the development of ska and rocksteady.

Reggae is based on a rhythmic style characterized by accents on the off-beat, known as the skank. Reggae is normally slower than ska but faster than rocksteady. Reggae usually accents the second and fourth beat in each bar, with the rhythm guitar also either emphasising the third beat or holding the chord on the second beat until the fourth is played. It is mainly this "third beat", its speed and the use of complex bass lines that differentiated reggae from rocksteady, although later styles incorporated these innovations separately.

The shift from rocksteady to reggae was illustrated by the organ shuffle pioneered by Bunny Lee, and featured in the transitional singles "Say What You're Saying" (1967) by Clancy Eccles, and "People Funny Boy" (1968) by Lee "Scratch" Perry. The Pioneers' 1967 track "Long Shot Bus' Me Bet" has been identified as the earliest recorded example of the new rhythm sound that became known as reggae. Early 1968 was when the first genuine reggae records came into being: "Nanny Goat" by Larry Marshall and "No More Heartaches" by The Beltones. American artist Johnny Nash's 1968 hit "Hold Me Tight" has been credited with first putting reggae in the American listener charts.. Also in 1968 was "The Israelites" by Desmond Dekker of Jamaica. Reggae was starting to surface in rock music; an example of a rock song featuring reggae rhythm is 1968's "Ob-La-Di , Ob-La-Da." by The Beatles.

The Wailers, a band that was started by Bob Marley, Peter Tosh, and Bunny Wailer in 1963, are generally agreed to be the most easily recognised group worldwide that made the transition through all three stages — from ska hits like "Simmer Down", through slower rocksteady, to reggae. In addition to the Wailers, other significant pioneers include Prince Buster, Desmond Dekker, Jackie Mittoo and several others.

Jamaican producers were influential in the development of ska into rocksteady and reggae in the 1960s. Some of the many notable Jamaican producers who were highly influential in the development of ska into rocksteady and reggae in the 1960s include Coxsone Dodd, Lee "Scratch" Perry, Leslie Kong, Duke Reid, Joe Gibbs and King Tubby. An early producer was Chris Blackwell, who founded Island Records in Jamaica in 1960, then relocated to England in 1962, where he continued to promote Jamaican music. He formed a partnership with Trojan Records, founded by Lee Gopthal in 1968. Trojan released recordings by reggae artists in the UK until 1974, when Saga bought the label.

Another well-known producer of Jamaican music is Vincent Chin, who received his first taste of the music business maintaining jukeboxes at bars. This led him to start selling old records from jukeboxes he repaired, that would otherwise be discarded for new ones. In 1958, the success of Chin's jukebox record venture led him to open a retail store in downtown Kingston. In 1969, Chin and his wife Pat opened a studio called Randy's Studio 17, where Bob Marley & The Wailers recorded their album Catch A Fire, and Peter Tosh recorded his first two solo albums Legalize It and Equal Rights. Around the corner from the studio was a small street that was affectionately dubbed Idler's Rest, where reggae artists hung out and producers picked up musicians and singers for recording. Chin's eldest son Clive Chin earned his status as a producer. In 1971 or 1972, he launched the dub label Impact Records, and with Augustus Pablo, produced and recorded at Studio 17 the first ever dub album, Java.

The 1972 film The Harder They Come, starring Jimmy Cliff, generated considerable interest and popularity for reggae in the United States, and Eric Clapton's 1974 cover of the Bob Marley song "I Shot the Sheriff" helped bring reggae into the mainstream. By the mid 1970s, reggae was getting radio play in the UK on John Peel's radio show, and Peel continued to play reggae on his show throughout his career. What is called the "Golden Age of Reggae" corresponds roughly to the heyday of roots reggae. In the second half of the 1970s, the UK punk rock scene was starting to form, and some punk DJs played reggae songs during their sets. Some punk bands incorporated reggae influences into their music. At the same time, reggae began to enjoy a revival in the UK that continued into the 1980s, exemplified by groups like Steel Pulse, Aswad, UB40, and Musical Youth. Other artists who enjoyed international appeal in the early 1980s include Third World, Black Uhuru and Sugar Minott. The Grammy Awards introduced the Best Reggae Album category in 1985.