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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: Soul & Funk


A Nightshift (5:03)
B I Keep Running (4:12)


Cat No: TMGT 1371
Released: 1984


Joyce Sims

Format: Vinyl 12 Inch
Genre: Soul & Funk

Come Into My Life

A Come Into My Life (Club Version)
B1 Come Into My Life (Dub Version)
B2 Lifetime Love/All In All (Megamix)

London Records

Cat No: LONX 161
Released: 1987


Whitney Houston

Format: Vinyl Album
Genre: Soul & Funk


A1 I Wanna Dance With Somebody (Who Loves Me) (4:50)
A2 Just The Lonely Talking Again (5:30)
A3 Love Will Save The Day (5:20)
A4 Didn't We Almost Have It All (5:05)
A5 So Emotional (4:53)
B1 Where You Are (4:10)
B2 Love Is A Contact Sport (4:16)
B3 You're Still My Man (4:15)
B4 For The Love Of You (5:29)
B5 Where Do Broken Hearts Go (4:37)
B6 I Know Him So Well (4:26)


Cat No: 208 141
Released: 1987


Rose Royce

Format: Vinyl 12 Inch
Genre: Soul & Funk

Magic Touch

A Magic Touch (Extended Version) (5:50)
B Safe And Warm (4:46)


Cat No: MKHAN 21
Released: 1984


The Drifters

Format: Vinyl Album
Genre: Soul & Funk

There Goes My First Love

A1 There Goes My First Love
A2 If You're Gonna Love Me
A3 The Cut Is Deep
A4 I Can't Get Away From You
A5 Hello Happiness
A6 Harlem Child
B1 Love Games
B2 I'm Ready (To Make A Fool Of Myself Again)
B3 A Blessing In Disguise
B4 If It Feels Good, Do It
B5 I Can't Live Without You
B6 I'm Free For The Rest Of Your Life

Music For Pleasure

Cat No: MFP 50352
Released: 1975


The Stylistics

Format: Vinyl Album
Genre: Soul & Funk

The Best Of The Stylistics Volume II - Weekend

A1 Can't Give You Anything (But My Love)
A2 Hey Girl, Come And Get It
A3 Sixteen Bars
A4 The Miracle
A5 Love Is The Answer
A6 You Are Beautiful
B1 Can't Help Falling In Love
B2 Sing Baby Sing
B3 Star On A T.V. Show
B4 Na Na Is The Saddest Word
B5 Thank You Baby
B6 Funky Weekend

H & L Records

Cat No: 9109 010
Released: 1976



Format: Vinyl Compilation
Genre: Soul & Funk

Mounting Excitement

A1 Gibson Brothers Mariana
A2 Sheena Easton 9 To 5
A3 Roxy Music Oh Yeah
A4 Hot Chocolate Are You Getting Enough Of What Makes You Happy
A5 Stacy Lattisaw Jump To The Beat
A6 Gene Chandler Does She Have A Friend
A7 Grace Jones Private Life
A8 Average White Band Let's Go Round Again
A9 Tom Browne Funkin' For Jamaica (N.Y.)
A10 Odyssey (2) Use It Up, Wear It Out
B1 Sue Wilkinson (2) You Gotta Be A Hustler If You Wanna Get On
B2 Bad Manners Lip Up Fatty
B3 UB40 My Way Of Thinking
B4 Jona Lewie You'll Always Find Me In The Kitchen At Parties
B5 Cozy Powell Heidi Comes To Town
B6 B. A. Robertson To Be Or Not To Be
B7 Racey Rest Of My Life
B8 Surface Noise The Scratch
B9 Darts Let's Hang On
B10 The Piranhas Tom Hark


Cat No: NE 1091
Released: 1980



Format: Vinyl Compilation
Genre: Soul & Funk

Midnight Hustle

A1 Boney M. Brown Girl In The Ring
A2 Exile (7) Kiss You All Over
A3 Hi-Tension British Hustle
A4 Herbie Hancock I Thought It Was You
A5 Frankie Miller Darlin'
A6 The Dooleys A Rose Has To Die
A7 ABBA Name Of The Game
A8 Bilbo (6) She's Gonna Win
A9 The Motors Forget About You
A10 Status Quo Again & Again
B1 10cc Dreadlock Holiday
B2 Clout Substitute
B3 The Boomtown Rats Like Clockwork
B4 Flash & The Pan And The Band Played On
B5 Boney M. Daddy Cool
B6 Kilburn & The High Roads & Ian Dury Billy Bentley
B7 Kandidate Don't Want To Say Goodnight
B8 Darts It's Raining
B9 Blondie Presence Dear
B10 City Boy 5-7-0-5


Cat No: NE 1037
Released: 1978


The Stylistics

Format: Vinyl Album
Genre: Soul & Funk

The Best Of The Stylistics Volume II - Weekend

A1 Can't Give You Anything (But My Love)
A2 Hey Girl, Come And Get It
A3 Sixteen Bars
A4 The Miracle
A5 Love Is The Answer
A6 You Are Beautiful
B1 Can't Help Falling In Love
B2 Sing Baby Sing
B3 Star On A T.V. Show
B4 Na Na Is The Saddest Word
B5 Thank You Baby
B6 Funky Weekend

H & L Records

Cat No: 9109 010
Released: 1976


The New World Philharmonic

Format: Vinyl 12 Inch
Genre: Soul & Funk

Body Talk

A Body Talk
B1 Only He Has The Power To Move Me
B2 Theme From Skytrain

Red Bus Records

Cat No: RBUSL 96
Released: 1984


Sister Sledge

Format: Vinyl Album
Genre: Soul & Funk

When The Boys Meet The Girls

A1 When The Boys Meet The Girls (5:28)
A2 Dancing On The Jagged Edge (5:44)
A3 Frankie (4:16)
A4 You're Fine (5:23)
B1 Hold Out Poppy (3:57)
B2 The Boy Most Likely (4:12)
B3 You Need Me (4:43)
B4 Following The Leader (5:06)
B5 Peer Pressure (3:20)


Cat No: 781 255-1
Released: 1985


Gap Band, The

Format: Vinyl 12 Inch
Genre: Soul & Funk

How Music Came About

A1 How Music Came About
A2 I Owe It To Myself (Dub)
B I Owe It To Myself (Remix)

Total Experience Records

Cat No: FT 49756
Released: 1986


Luther Vandross

Format: Vinyl 12 Inch
Genre: Soul & Funk

I Gave It Up (When I Fell In Love)

A1 I Gave It Up (When I Fell In Love) (4:44)
A2 She's A Super Lady (5:08)
Luther In Love - Megamix (9:34)
B1 Never Too Much
B2 I Really Didn't Mean It
B3 It's Over Now
B4 I Wanted Your Love
B5 For The Sweetness Of Your Love
B6 I'll Let You Slide


Cat No: LUTH T6
Released: 1986


George Benson

Format: Vinyl Album
Genre: Soul & Funk

In Flight

A1 Nature Boy (5:58)
A2 The Wind And I (5:04)
A3 The World Is A Ghetto (9:41)
B1 Gonna Love You More (4:37)
B2 Valdez In The Country (4:29)
B3 Everything Must Change (8:07)

Warner Bros. Records

Cat No: K56327
Released: 1977


The Jonzun Crew

Format: Vinyl Album
Genre: Soul & Funk

Down To Earth

A1 Tonight's The Night (4:04)
A2 We're Going All The Way (4:50)
A3 Lovin' (5:18)
A4 You Got The Lovin' (3:59)
B1 Mechanism (4:58)
B2 The Wizard Of Space (3:59)
B3 Time Is Running Out (4:05)
B4 Ugly Thing (4:04)


Cat No: 825 167-1
Released: 1984


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Information on the Soul & Funk genre

Funk is an American music genre that originated in the late 1960s when African American musicians blended soul music, soul jazz and R&B into a rhythmic, danceable new form of music. Funk de-emphasizes melody and harmony and brings a strong rhythmic groove of electric bass and drums to the foreground. Funk songs are often based on an extended vamp on a single chord, distinguishing it from R&B and soul songs centered around chord progressions.

Like much African-inspired music, funk typically consists of a complex groove with rhythm instruments such as electric guitar, electric bass, Hammond organ, and drums playing interlocking rhythms. Funk bands sometimes have a horn section of several saxophones, trumpets, and in some cases, a trombone, which plays rhythmic "hits".


From the early 1970s onwards, funk has developed various subgenres. While George Clinton and the Parliament were making a harder variation of funk, bands such as Kool and The Gang, Ohio Players and Earth, Wind and Fire were making disco-influenced funk music.


In the 1970s and early 1980s, a new group of musicians further developed the "funk rock" approach innovated by George Clinton, with his main bands Parliament and, later, Funkadelic. Together, they produced a new kind of funk sound heavily influenced by jazz and psychedelic rock. The two groups had members in common and often are referred to collectively as "Parliament-Funkadelic." The breakout popularity of Parliament-Funkadelic gave rise to the term "P-Funk," which referred to the music by George Clinton's bands, and defined a new subgenre.
"P-funk" also came to mean something in its quintessence, of superior quality, or sui generis, as in the lyrics from "P-Funk (Wants to Get Funked Up)" a hit single from Parliament's album "Mothership Connection":

Funk rock

Funk rock (also written as funk-rock or funk/rock) fuses funk and rock elements. Its earliest incarnation was heard in the late '60s through the mid-'70's by musicians such as Jimi Hendrix, Frank Zappa, Herbie Hancock, Gary Wright, David Bowie, as well as Mother's Finest, and Funkadelic on their earlier albums.

Many instruments may be incorporated into funk-rock, but the overall sound is defined by a definitive bass or drum beat and electric guitars. The bass and drum rhythms are influenced by funk music but with more intensity, while the guitar can be funk-or-rock-influenced, usually with distortion. Prince, Jesse Johnson, and Fishbone are major artists in funk rock.

Electro music

Electro music is a hybrid of electronic music and funk. It essentially follows the same form as funk, and retains funk's characteristics, but is made entirely (or partially) with a use of electronic instruments such as the TR-808. Vocoders are often used. Early artists include Herbie Hancock, Zapp (band), Afrika Bambaataa and Vaughn Mason & Crew.


Funkcore is a fusion of hardcore punk and funk created in the 1980s. Hard, loud and fast guitars are featured, but unlike in most rock music, it does not overpower the bass, which is heavy and driving. Drums are often funk-influenced, but with intense hardcore-styled pounding. Synthesizers or horn sections sometimes make an appearance, although they are not integral. Examples of funkcore bands are Jungle Fever, Adequate Seven, Dance Gavin Dance and Big Boys.


Punk-funk (or funk-punk) is a mix of punk or post-punk songs with funk elements, very similar to dance-punk. Some times, the punk influence is replaced by an alternative rock influence. The first appearance of this subgenre was in 1979, when Gang Of Four released their debut album, Entertainment!. In the 1980s, bands such as made punk-funk become more famous. The style was revitalized by "The New New York Underground Scene", starting to mix their usual punk-funk with house, dub and hip-hop.

Funk metal

Funk metal (sometimes typeset differently such as funk-metal) is a fusion genre of music which emerged in the 1980s. It typically incorporates elements of funk and heavy metal. It features hard-driving heavy metal guitar riffs, the pounding bass rhythms characteristic of funk, and sometimes hip hop-style rhymes into an alternative rock approach to songwriting.


G-Funk is a fusion genre of music which combines gangsta rap and funk. It is generally considered to have been invented by Dr.Dre.

Funk jam

Funk jam is a fusion genre of music which emerged in the 2000s. It typically incorporates elements of funk and often exploratory guitar, along with extended cross genre improvisations; often including elements of jazz, ambient, electronic, americana, and hip hop including improvised lyrics.

Christian funk

Christian funk is not as prominent as other forms of Christian music. However, TobyMac, one of Christian music's most recognized artists, integrates funk into many of his songs such as "Feelin' So Fly" and "Funky Jesus Music", his new single. Also, "Toddy Funk", a member of the Diverse City Band, is a huge fan of funk and, therefore, their music shows it.

Soul music is a music genre originating in the United States combining elements of gospel music and rhythm and blues. According to the Rock and Roll Hall of Fame, soul is "music that arose out of the black experience in America through the transmutation of gospel and rhythm & blues into a form of funky, secular testifying.


Detroit (Motown) soul

Dominated by Berry Gordy's Motown Records empire, Detroit soul is strongly rhythmic and influenced by gospel music. The Motown sound often includes hand clapping, a powerful bass line, violins and bells. Motown Records' house band was The Funk Brothers.

Deep soul and southern soul

The terms deep soul and southern soul generally refer to a driving, energetic soul style combining R&B's energy with pulsating southern United States gospel music sounds. Memphis, Tennessee label Stax Records nurtured a distinctive sound, which included putting vocals further back in the mix than most contemporary R&B records, using vibrant horn parts in place of background vocals, and a focus on the low end of the frequency spectrum. The vast majority of Stax releases were backed by house bands Booker T and the MGs (with Booker T. Jones, Steve Cropper, Duck Dunn, and Al Jackson) and the Memphis Horns (the splinter horn section of the Mar-Keys).

Memphis soul

Memphis soul is a shimmering, sultry style of soul music produced in the 1960s and 1970s at Stax Records and Hi Records in Memphis, Tennessee. It featured melancholic and melodic horns, organ, bass, and drums, as heard in recordings by Hi's Al Green and Stax's Booker T. & the M.G.'s. The latter group also sometimes played in the harder-edged Southern soul style. The Hi Records house band (Hi Rhythm Section) and producer Willie Mitchell developed a surging soul style heard in the label's 1970s hit recordings. Some Stax recordings fit into this style, but had their own unique sound.

New Orleans soul

The New Orleans soul scene directly came out of the rhythm and blues era, when such artists as Little Richard, Fats Domino, and Huey Piano Smith made a huge impact on the pop and R&B charts and a huge directly influence for the birth of the Funk music . The principal architect of Crescent City’s soul was songwriter, arranger, and producer Allen Toussaint. He worked with such artists as Irma Thomas (“the Soul Queen of New Orleans”), Jessie Hill, Kris Kenner, Benny Spellman, and Ernie K. Doe on the Minit/Instant label complex to produced a distinctive New Orleans soul sound generating a passel of national hits. Other notable New Orleans hits came from Robert Parker, Betty Harris, and Aaron Neville. While record labels in New Orleans largely disappeared by the mid-1960s, producers in the city continued to record New Orleans soul artists for other mainly New York and Los Angeles record labels—notably Lee Dorsey for New York–based Amy Records and the Meters for New York–based Josie and then LA-based Reprise.

Chicago soul

Chicago soul generally had a light gospel-influenced sound, but the large number of record labels based in the city tended to produce a more diverse sound than other cities. Vee Jay Records, which lasted until 1966, produced recordings by Jerry Butler, Betty Everett, Dee Clark, and Gene Chandler. Chess Records, mainly a blues and rock and roll label, produced a number of major soul artists. Mayfield not only scored many hits with his group, the The Impressions, but wrote many hit songs for Chicago artists and produced hits on his own labels for The Fascinations and the Five Stairsteps.

Philadelphia soul

Psychedelic soul was a blend of psychedelic rock and soul music in the late 1960s, which paved the way for the mainstream emergence of funk music a few years later.

Blue-eyed soul

Blue-eyed soul is a term used to describe R&B or soul music performed by white artists. The term doesn't refer to a distinct style of music, and the meaning of blue-eyed soul has evolved over decades. Originally the term was associated with mid-1960s white artists who performed soul and R&B that was similar to the music released by Motown Records and Stax Records. The term continued to be used in the 1970s and 1980s, particularly by the British media to describe a new generation of singers who adopted elements of the Stax and Motown sounds. To a lesser extent, the term has been applied to singers in other music genres that are influenced by soul music.

British soul

Soul has been a major influence on British popular music since the 1960s including bands of the British Invasion, most significantly The Beatles.[5] There were a handful of significant British Blue-eyed soul acts, including Dusty Springfield and Tom Jones. American soul was extremely popular among some youth sub-cultures like the Northern soul and Modern soul movements, but a clear genre of British soul did not emerge until the 1980s when a number of artists including George Michael, Sade, Simply Red, Lisa Stansfield and Soul II Soul enjoyed some commercial success. The popularity of British soul artists in the U.S., most notably Amy Winehouse, Estelle, Joss Stone and Leona Lewis led to talk of a third British Invasion or soul invasion in the 2000s.

Neo soul

The term neo soul is a marketing phrase coined by producer and record label executive Kedar Massenburg to describe a musical blend of 1970s soul-style vocals and instrumentation with contemporary R&B sounds, hip hop beats and poetic interludes. The style was developed in the early to mid 1990s. A key element in neo soul is a heavy dose of Fender Rhodes or Wurlitzer electric piano pads over a mellow, grooving interplay between the drums (usually with a rim shot snare sound) and a muted, deep funky bass. The Fender Rhodes piano sound gives the music a warm, organic character.

Northern soul and Modern soul

The phrase northern soul was coined by journalist Dave Godin and popularised in 1970 through his column in Blues and Soul magazine. The term refers to rare soul music that was played by DJs at nightclubs in northern England. The playlists originally consisted of obscure 1960s and early 1970s American soul recordings with an uptempo beat, such as those on Motown Records and more obscure labels such as Okeh Records. Modern soul developed when northern soul DJs began looking in record shops in the United States and United Kingdom for music that was more complex and contemporary. What emerged was a richer sound that was more advanced in terms of Hi-Fi and FM radio technology.

Nu jazz and Electronica

Many artists in various genres of electronic music (such as house, drum n bass, UK garage, and downtempo) are heavily influenced by soul, and have produced many soul-inspired compositions.