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  Artist Title Label Price

Billy Ocean

Format: Vinyl 12 Inch
Genre: Soul & Funk

Mystery Lady

A Mystery Lady (Extended Version) (6:48)
B1 Mystery Lady (Club Mix) (6:34)
B2 Suddenly (3:53)


Cat No: JIVE T 98
Released: 1984


Soul II Soul

Format: Vinyl 12 Inch
Genre: Soul & Funk

Get A Life

A1 Get A Life (Club Mix)
A2 Get A Life (Bonus Beats)
B1 Jazzie's Groove (New Version)
B2 Jazzie's Groove (Piano Version)

10 Records

Cat No: TEN X 284
Released: 1989


Jackie Wilson

Format: Vinyl 12 Inch
Genre: Soul & Funk

I Get The Sweetest Feeling

A1 I Get The Sweetest Feeling (Extended Version)
A2 (Your Love Keeps Lifting Me) Higher And Higher
B1 Who Who Song
B2 Whispers (Gettin' Louder)
B3 Nothing But Blue Skies

SMP (2)

Cat No: SKM 12 1
Released: 1985



Format: Vinyl Album
Genre: Soul & Funk

One Night Stand

A1 One Night Stand (2:40)
A2 Thief In The Night (3:48)
A3 Hard Man (Bless My Soul) (3:56)
A4 Hard Headed Woman (3:28)
A5 I Would Never Leave (5:21)
B1 Dancer (3:33)
B2 Little Cherie (4:05)
B3 Late Nights (3:15)
B4 Two Time Loser (4:29)
B5 Ain't No Way (3:48)


Cat No: AFL1-3245
Released: 1979



Format: Vinyl Album
Genre: Soul & Funk

Street Of Dreams

A1 She Takes The Night (3:52)
A2 What's Your Name (3:50)
A3 Under The Gun (4:43)
A4 Run Away With Me (4:41)
B1 Emotions (4:07)
B2 Out Of Time (3:52)
B3 Love Me A Little Bit More (3:54)
B4 Rosa Lee (4:07)
B5 Familiar Stranger (3:58)


Cat No: SD 19235
Released: 1979


LeBlanc & Carr

Format: Vinyl Album
Genre: Soul & Funk

Midnight Light

A1 Something About You (3:16)
A2 Falling (3:08)
A3 How Does It Feel (To Be In Love) (3:45)
A4 Midnight Light (3:30)
A5 Stronger Love (3:40)
B1 Johnny Too Bad (3:10)
B2 Desperado (4:34)
B3 Coming And Going (3:05)
B4 I Need To Know (3:30)
B5 I Believe That We (4:18)

Big Tree Records

Cat No: K 50474
Released: 1978


Friends Again

Format: Vinyl Album
Genre: Soul & Funk

Trapped And Unwrapped

A1 Lucky Star (3:28)
A2 Sunkissed (3:38)
A3 Lullaby No. 2 (3:52)
A4 Vaguely Yours (3:44)
A5 Skip The Gold Rush (3:31)
A6 Tomboy (4:01)
B1 State Of Art (3:53)
B2 Swallows In The Rain (3:24)
B3 South Of Love (3:28)
B4 Old Flame (5:15)
B5 Honey At The Core (Reprise) (3:55)
B6 Moon 3 (2:13)


Cat No: 836 895-1
Released: 1989
Out Of Stock

New Riders Of The Purple Sage

Format: Vinyl Album
Genre: Soul & Funk

New Riders

A1 Fifteen Days Under The Hood (2:42)
A2 Annie May (3:25)
A3 You Never Can Tell (3:53)
A4 Hard To Handle (3:38)
A5 Dead Flowers (4:00)
B1 Don't Put Her Down (4:12)
B2 Honky Tonkin' (I Guess I Done Me Some) (2:47)
B3 She's Looking Better Every Beer (2:38)
B4 Can't Get Over You (2:03)
B5 The Swimming Song (2:08)

MCA Records

Cat No: MCA 2196
Released: 1976


Dr. Hook

Format: Vinyl 12 Inch
Genre: Soul & Funk

Sexy Eyes

A Sexy Eyes (3:01)
B1 When You're In Love With A Beautiful Woman (Long Version) (5:13)
B2 Help Me Mama (3:57)

Capitol Records

Cat No: 12 CL 16127
Released: 1979



Format: Vinyl Compilation
Genre: Soul & Funk

The Very Best Of Entertainment From The USA

A1 Whitney Houston Saving All My Love For You
A2 Aretha Franklin Who's Zoomin' Who?
A3 Mr. Mister Broken Wings
A4 Daryl Hall & John Oates Method Of Modern Love
A5 Kool & The Gang Joanna
A6 Ashford & Simpson Solid
A7 Foreigner Waiting For A Girl Like You
A8 Colonel Abrams Trapped
B1 Huey Lewis & The News The Power Of Love
B2 Starship (2) We Built This City
B3 Tina Turner Let's Stay Together
B4 Freddie Jackson You Are My Lady
B5 Far Corporation Stairway To Heaven
B6 Katrina And The Waves Walking On Sunshine
B7 John Waite Missing You
B8 Maria Vidal Body Rock

Stylus Music

Cat No: SMR 8612
Released: 1986


Ashford & Simpson

Format: Vinyl Album
Genre: Soul & Funk

Is It Still Good To Ya

A1 It Seems To Hang On (5:08)
A2 Is It Still Good To Ya (3:49)
A3 The Debt Is Settled (3:50)
A4 Ain't It A Shame (4:54)
B1 Get Up And Do Something (4:52)
B2 You Always Could (3:32)
B3 Flashback (3:55)
B4 As Long As It Holds You (3:58)

Warner Bros. Records

Cat No: K 56547
Released: 1978


Level 42

Format: Vinyl 12 Inch
Genre: Soul & Funk

To Be With You Again (A.D.S.C. Mix)

A To Be With You Again (A.D.S.C. Mix) (6:04)
B1 To Be With You Again (Dub) (5:45)
B2 Micro Kid (Live) (4:07)


Cat No: POSPA 855
Released: 1987



Format: Vinyl 12 Inch
Genre: Soul & Funk

Love In The First Degree

A Love In The First Degree (Jailers Mix)
B1 Love In The First Degree (Escapee Instrumental)
B2 Mr. Sleaze

London Records

Cat No: NANX 14
Released: 1987


Lionel Richie

Format: Vinyl 12 Inch
Genre: Soul & Funk


A1 Hello (4:07)
A2 Running With The Night (Instrumental) (6:52)
B All Night Long (All Night) (Instrumental) (6:42)


Cat No: TMGT 1330
Released: 1983


Michael Jackson

Format: Vinyl Album
Genre: Soul & Funk


A1 Wanna Be Startin' Somethin' (6:02)
A2 Baby Be Mine (4:20)
A3 The Girl Is Mine (3:42)
A4 Thriller (5:57)
B1 Beat It (4:17)
B2 Billie Jean (4:57)
B3 Human Nature (4:05)
B4 P.Y.T. (Pretty Young Thing) (3:58)
B5 The Lady In My Life (4:57)


Cat No: EPC 85930
Released: 1982
Out Of Stock
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Information on the Soul & Funk genre

Funk is an American music genre that originated in the late 1960s when African American musicians blended soul music, soul jazz and R&B into a rhythmic, danceable new form of music. Funk de-emphasizes melody and harmony and brings a strong rhythmic groove of electric bass and drums to the foreground. Funk songs are often based on an extended vamp on a single chord, distinguishing it from R&B and soul songs centered around chord progressions.

Like much African-inspired music, funk typically consists of a complex groove with rhythm instruments such as electric guitar, electric bass, Hammond organ, and drums playing interlocking rhythms. Funk bands sometimes have a horn section of several saxophones, trumpets, and in some cases, a trombone, which plays rhythmic "hits".


From the early 1970s onwards, funk has developed various subgenres. While George Clinton and the Parliament were making a harder variation of funk, bands such as Kool and The Gang, Ohio Players and Earth, Wind and Fire were making disco-influenced funk music.


In the 1970s and early 1980s, a new group of musicians further developed the "funk rock" approach innovated by George Clinton, with his main bands Parliament and, later, Funkadelic. Together, they produced a new kind of funk sound heavily influenced by jazz and psychedelic rock. The two groups had members in common and often are referred to collectively as "Parliament-Funkadelic." The breakout popularity of Parliament-Funkadelic gave rise to the term "P-Funk," which referred to the music by George Clinton's bands, and defined a new subgenre.
"P-funk" also came to mean something in its quintessence, of superior quality, or sui generis, as in the lyrics from "P-Funk (Wants to Get Funked Up)" a hit single from Parliament's album "Mothership Connection":

Funk rock

Funk rock (also written as funk-rock or funk/rock) fuses funk and rock elements. Its earliest incarnation was heard in the late '60s through the mid-'70's by musicians such as Jimi Hendrix, Frank Zappa, Herbie Hancock, Gary Wright, David Bowie, as well as Mother's Finest, and Funkadelic on their earlier albums.

Many instruments may be incorporated into funk-rock, but the overall sound is defined by a definitive bass or drum beat and electric guitars. The bass and drum rhythms are influenced by funk music but with more intensity, while the guitar can be funk-or-rock-influenced, usually with distortion. Prince, Jesse Johnson, and Fishbone are major artists in funk rock.

Electro music

Electro music is a hybrid of electronic music and funk. It essentially follows the same form as funk, and retains funk's characteristics, but is made entirely (or partially) with a use of electronic instruments such as the TR-808. Vocoders are often used. Early artists include Herbie Hancock, Zapp (band), Afrika Bambaataa and Vaughn Mason & Crew.


Funkcore is a fusion of hardcore punk and funk created in the 1980s. Hard, loud and fast guitars are featured, but unlike in most rock music, it does not overpower the bass, which is heavy and driving. Drums are often funk-influenced, but with intense hardcore-styled pounding. Synthesizers or horn sections sometimes make an appearance, although they are not integral. Examples of funkcore bands are Jungle Fever, Adequate Seven, Dance Gavin Dance and Big Boys.


Punk-funk (or funk-punk) is a mix of punk or post-punk songs with funk elements, very similar to dance-punk. Some times, the punk influence is replaced by an alternative rock influence. The first appearance of this subgenre was in 1979, when Gang Of Four released their debut album, Entertainment!. In the 1980s, bands such as made punk-funk become more famous. The style was revitalized by "The New New York Underground Scene", starting to mix their usual punk-funk with house, dub and hip-hop.

Funk metal

Funk metal (sometimes typeset differently such as funk-metal) is a fusion genre of music which emerged in the 1980s. It typically incorporates elements of funk and heavy metal. It features hard-driving heavy metal guitar riffs, the pounding bass rhythms characteristic of funk, and sometimes hip hop-style rhymes into an alternative rock approach to songwriting.


G-Funk is a fusion genre of music which combines gangsta rap and funk. It is generally considered to have been invented by Dr.Dre.

Funk jam

Funk jam is a fusion genre of music which emerged in the 2000s. It typically incorporates elements of funk and often exploratory guitar, along with extended cross genre improvisations; often including elements of jazz, ambient, electronic, americana, and hip hop including improvised lyrics.

Christian funk

Christian funk is not as prominent as other forms of Christian music. However, TobyMac, one of Christian music's most recognized artists, integrates funk into many of his songs such as "Feelin' So Fly" and "Funky Jesus Music", his new single. Also, "Toddy Funk", a member of the Diverse City Band, is a huge fan of funk and, therefore, their music shows it.

Soul music is a music genre originating in the United States combining elements of gospel music and rhythm and blues. According to the Rock and Roll Hall of Fame, soul is "music that arose out of the black experience in America through the transmutation of gospel and rhythm & blues into a form of funky, secular testifying.


Detroit (Motown) soul

Dominated by Berry Gordy's Motown Records empire, Detroit soul is strongly rhythmic and influenced by gospel music. The Motown sound often includes hand clapping, a powerful bass line, violins and bells. Motown Records' house band was The Funk Brothers.

Deep soul and southern soul

The terms deep soul and southern soul generally refer to a driving, energetic soul style combining R&B's energy with pulsating southern United States gospel music sounds. Memphis, Tennessee label Stax Records nurtured a distinctive sound, which included putting vocals further back in the mix than most contemporary R&B records, using vibrant horn parts in place of background vocals, and a focus on the low end of the frequency spectrum. The vast majority of Stax releases were backed by house bands Booker T and the MGs (with Booker T. Jones, Steve Cropper, Duck Dunn, and Al Jackson) and the Memphis Horns (the splinter horn section of the Mar-Keys).

Memphis soul

Memphis soul is a shimmering, sultry style of soul music produced in the 1960s and 1970s at Stax Records and Hi Records in Memphis, Tennessee. It featured melancholic and melodic horns, organ, bass, and drums, as heard in recordings by Hi's Al Green and Stax's Booker T. & the M.G.'s. The latter group also sometimes played in the harder-edged Southern soul style. The Hi Records house band (Hi Rhythm Section) and producer Willie Mitchell developed a surging soul style heard in the label's 1970s hit recordings. Some Stax recordings fit into this style, but had their own unique sound.

New Orleans soul

The New Orleans soul scene directly came out of the rhythm and blues era, when such artists as Little Richard, Fats Domino, and Huey Piano Smith made a huge impact on the pop and R&B charts and a huge directly influence for the birth of the Funk music . The principal architect of Crescent City’s soul was songwriter, arranger, and producer Allen Toussaint. He worked with such artists as Irma Thomas (“the Soul Queen of New Orleans”), Jessie Hill, Kris Kenner, Benny Spellman, and Ernie K. Doe on the Minit/Instant label complex to produced a distinctive New Orleans soul sound generating a passel of national hits. Other notable New Orleans hits came from Robert Parker, Betty Harris, and Aaron Neville. While record labels in New Orleans largely disappeared by the mid-1960s, producers in the city continued to record New Orleans soul artists for other mainly New York and Los Angeles record labels—notably Lee Dorsey for New York–based Amy Records and the Meters for New York–based Josie and then LA-based Reprise.

Chicago soul

Chicago soul generally had a light gospel-influenced sound, but the large number of record labels based in the city tended to produce a more diverse sound than other cities. Vee Jay Records, which lasted until 1966, produced recordings by Jerry Butler, Betty Everett, Dee Clark, and Gene Chandler. Chess Records, mainly a blues and rock and roll label, produced a number of major soul artists. Mayfield not only scored many hits with his group, the The Impressions, but wrote many hit songs for Chicago artists and produced hits on his own labels for The Fascinations and the Five Stairsteps.

Philadelphia soul

Psychedelic soul was a blend of psychedelic rock and soul music in the late 1960s, which paved the way for the mainstream emergence of funk music a few years later.

Blue-eyed soul

Blue-eyed soul is a term used to describe R&B or soul music performed by white artists. The term doesn't refer to a distinct style of music, and the meaning of blue-eyed soul has evolved over decades. Originally the term was associated with mid-1960s white artists who performed soul and R&B that was similar to the music released by Motown Records and Stax Records. The term continued to be used in the 1970s and 1980s, particularly by the British media to describe a new generation of singers who adopted elements of the Stax and Motown sounds. To a lesser extent, the term has been applied to singers in other music genres that are influenced by soul music.

British soul

Soul has been a major influence on British popular music since the 1960s including bands of the British Invasion, most significantly The Beatles.[5] There were a handful of significant British Blue-eyed soul acts, including Dusty Springfield and Tom Jones. American soul was extremely popular among some youth sub-cultures like the Northern soul and Modern soul movements, but a clear genre of British soul did not emerge until the 1980s when a number of artists including George Michael, Sade, Simply Red, Lisa Stansfield and Soul II Soul enjoyed some commercial success. The popularity of British soul artists in the U.S., most notably Amy Winehouse, Estelle, Joss Stone and Leona Lewis led to talk of a third British Invasion or soul invasion in the 2000s.

Neo soul

The term neo soul is a marketing phrase coined by producer and record label executive Kedar Massenburg to describe a musical blend of 1970s soul-style vocals and instrumentation with contemporary R&B sounds, hip hop beats and poetic interludes. The style was developed in the early to mid 1990s. A key element in neo soul is a heavy dose of Fender Rhodes or Wurlitzer electric piano pads over a mellow, grooving interplay between the drums (usually with a rim shot snare sound) and a muted, deep funky bass. The Fender Rhodes piano sound gives the music a warm, organic character.

Northern soul and Modern soul

The phrase northern soul was coined by journalist Dave Godin and popularised in 1970 through his column in Blues and Soul magazine. The term refers to rare soul music that was played by DJs at nightclubs in northern England. The playlists originally consisted of obscure 1960s and early 1970s American soul recordings with an uptempo beat, such as those on Motown Records and more obscure labels such as Okeh Records. Modern soul developed when northern soul DJs began looking in record shops in the United States and United Kingdom for music that was more complex and contemporary. What emerged was a richer sound that was more advanced in terms of Hi-Fi and FM radio technology.

Nu jazz and Electronica

Many artists in various genres of electronic music (such as house, drum n bass, UK garage, and downtempo) are heavily influenced by soul, and have produced many soul-inspired compositions.