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  Artist Title Label Price

Nik Kershaw

Format: Vinyl 12 Inch
Genre: Synth Pop

I Won't Let The Sun Go Down On Me

A I Won't Let The Sun Go Down On Me (Extended Remix By Simon Boswell) (6:35)
B Dark Glasses (4:12)

MCA Records

Cat No: NIK T 4
Released: 1984



Format: Vinyl 12 Inch
Genre: Synth Pop

99 Luftballons / Just A Dream

A 99 Luftballons (3:32)
B Just A Dream (3:31)


Cat No: 49-04109
Released: 1983


Alison Moyet

Format: Vinyl Album
Genre: Synth Pop


A1 Love Resurrection
A2 Honey For The Bees
A3 For You Only
A4 Invisible
A5 Steal Me Blind
B1 All Cried Out
B2 Money Mile
B3 Twisting The Knife
B4 Where Hides Sleep


Cat No: CBS 26229
Released: 1984


Rick Astley

Format: Vinyl 12 Inch
Genre: Synth Pop

Never Gonna Give You Up

A Never Gonna Give You Up (Cake Mix) (5:47)
B1 Never Gonna Give You Up (Instrumental) (6:21)
B2 Never Gonna Give You Up (3:32)


Cat No: PT 41448
Released: 1987



Format: Vinyl 12 Inch
Genre: Synth Pop


A1 Bad Boys (3:18)
A2 A Ray Of Sunshine (4:43)
A3 Love Machine (3:19)
A4 Wham Rap! (Enjoy What You Do?) (6:35)
B1 Club Tropicana (4:24)
B2 Nothing Looks The Same In The Light (5:50)
B3 Come On! (4:21)
B4 Young Guns (Go For It!) (3:50)

Inner Vision

Cat No: IVL 25328
Released: 1983


Man 2 Man & Man Parrish

Format: Vinyl 12 Inch
Genre: Synth Pop

Male Stripper

A Male Stripper (UK Love Mix) (9:27)
B Male Stripper (Original US Remix) (8:12)

Bolts Records

Cat No: BOLTS 4/12
Released: 1986


The Communards

Format: Vinyl 12 Inch
Genre: Synth Pop

You Are My World

A You Are My World (8:03)
B1 Breadline Britain (2:30)
B2 Sentimental Journey (3:40)

London Records

Cat No: LONX 77
Released: 1985


Culture Club

Format: Vinyl 12 Inch
Genre: Synth Pop

Do You Really Want To Hurt Me

A1 Do You Really Want To Hurt Me (4:25)
A2 Dub Version (3:34)
B Love Is Cold (You Were Never No Good) (4:23)


Cat No: VS 518-12
Released: 1982


Howard Jones

Format: Vinyl 12 Inch
Genre: Synth Pop

New Song

A New Song (Extended)
B1 Change The Man
B2 Conditioning


Cat No: HOW 1T
Released: 1983


Vanessa Paradis

Format: Vinyl 12 Inch
Genre: Synth Pop

Joe Le Taxi

A Joe Le Taxi (Extended Remix) (5:30)
B1 Joe Le Taxi (3:54)
B2 Varvara Pavlovna (3:28)


Cat No: POSPX 902
Released: 1988


Thompson Twins

Format: Vinyl 12 Inch
Genre: Synth Pop

Rap Boy Rap (Extended Version Of Love On Your Side) / No Talkin' (Extended Version Of Lies)

A Rap Boy Rap (Extended Version Of Love On Your Side) (7:22)
B No Talkin' (Extended Version Of Lies) (6:18)

Old Gold

Cat No: OG 4016
Released: 1987


The Blow Monkeys

Format: Vinyl 12 Inch
Genre: Synth Pop

Digging Your Scene

A1 Digging Your Scene (Long)
A2 I Backed A Winner (In You)
B1 Digging Your Scene (Short)
B2 Digging Your Scene (Longer)


Cat No: PT 40600
Released: 1986


Spandau Ballet

Format: Vinyl 12 Inch
Genre: Synth Pop

Paint Me Down

A Paint Me Down (7:06)
B Reā€¢Paint (6:54)


Cat No: CHS 12 2560
Released: 1981



Format: Vinyl 12 Inch
Genre: Synth Pop

Stay On These Roads (Extended Remix)

A Stay On These Roads (Extended Remix)
B Soft Rains Of April (Original Mix)

Warner Bros. Records

Cat No: W 7936 (T)
Released: 1988


Tina Turner

Format: Vinyl 12 Inch
Genre: Synth Pop

Typical Male (Dance Mix)

A1 Typical Male (Dance Mix) (7:07)
A2 Typical Male (Single Version) (4:14)
B1 Typical Male (Dub Mix) (6:20)
B2 Don't Turn Around (4:16)

Capitol Records

Cat No: 12CL 419
Released: 1986


Page of 283 next >>

Information on the Synth Pop genre

Synthpop is a genre of pop music in which the synthesizer is the dominant musical instrument. It originated as part of the New Wave movement of the late 1970s and to mid-1980s, and it has continued to exist and develop ever since. It has seen a rise in popularity in the 21st century.

First wave: 1977-1990
Depeche Mode, one of the most successful synthpop bands of all time.

Giorgio Moroder paired up with Donna Summer in 1977 to release the electronic disco song I Feel Love. While a disco song first and foremost, the programmed, arpeggiated beats had a profound impact on the bands which would soon be known as synthpop. That same year, Ultravox member Warren Cann purchased a Roland TR-77 drum machine, which was first featured in their October 1977 single release Hiroshima Mon Amour.

In 1978, the first incarnation of the Human League of Sheffield, England released their debut single "Being Boiled". In the United States, Devo, who had been using synthesizers since their beginnings in 1975, moved towards a more electronic sound.

In the UK, the original synthesizer bands had a sound that was generally dark, moody and robotic and were more founded in an avant-garde, art rock aesthetic. In 1979, Tubeway Army, a little known outfit from West London, who dropped their initial punk rock image and topped the UK charts in the summer of 1979 with the single "Are Friends Electric?" and their album Replicas. This prompted the singer/songwriter, Gary Numan to go solo and in the same year he released the Kraftwerk inspired album, The Pleasure Principle which was another number one album, and he topped the singles charts for the second time with "Cars".

This Zeitgeist of revolution in electronic music performance and recording/production was encapsulated by then would be record producer, Trevor Horn of The Buggles in the international hit "Video Killed the Radio Star".

Giorgio Moroder collaborated with the band Sparks on their album, No. 1 In Heaven. Others were soon to follow, including Frank Tovey, who performed under the name Fad Gadget. Tovey who was signed to Daniel Miller's Mute Records and made use of "found objects" in his recordings such as bottles and razors. Daniel Miller himself had a role in the emerging futurist movement as a performer under the name The Normal which released a one-off single Warm Leatherette. Although the single did not chart, it became a cult favorite and has been covered by many artists since its release, including Grace Jones, Duran Duran and Nine Inch Nails.

The sounds of synthesizers came to dominate the pop music of the early 1980s as well as replacing disco in dance clubs in Europe. Other successful synthpop artists of this era included Soft Cell, Depeche Mode, Yazoo, Heaven 17, Japan, Eurythmics, and Tears For Fears (though the latter two would branch out into a wider rock/pop sound). Real Life, Camouflage, Real Life, Modern Talking, Bananarama and others are bands of Synthpop style.

In early synthpop the synthesizer stood out and the music sounded eerie, sterile and slightly menacing. By the mid 1980's the technology had improved to the point that synthpop acts used the instrument to create a sound that resembled many instruments and allowed mainstream rock and pop acts to incorporate the synthesizer into their sound. At this point the synthesizer did not stand out and the differences between synthpop and mainstream music started to decrease. According to music writer Simon Reynolds the hallmark of original synthpop was its "emotional, at times operatic singers" such as Mark Almond, Alison Moyet and Annie Lennox.

In the United States, where synthpop is considered a sub genre of New Wave, the genre became popular in large part due to the cable music channel MTV. Real Life, Camuoflage, Real Life, Modern Talking, Bananarama and others are bands of Synthpop style.

Second wave, 2004 to present
Lights, Canadian synthpop singer who became popular in the late 2000s.
La Roux, British synthpop duo who achieved critical acclaim with their eponymous debut album in 2009.

Synthpop has also begun to re-emerge as some indie artists have incorporated the sound, slowly increasing the popularity of the genre. Some of the bands during the early-to-mid 2000s that helped the development of the genre have included Goldfrapp, The Postal Service, the Junior Boys, The Knife, and particularly The Killers, whose 2004 debut album Hot Fuss achieved widespread popularity and was considered an authentic throwback to 80s synthpop by many. However, their later works have moved away from the genre. LCD Soundsystem is another key artist in synthpop's development during the 21st century. MGMT's debut album Oracular Spectacular, originally released digitally in late 2007, achieved unprecedented success with their lead single "Kids" and has led the way for chart success for other synthpop and indie electronic acts such as Hot Chip, Cut Copy, Lights, Metric, Owl City (number 1 US single), Phoenix, Passion Pit, La Roux, and even the Yeah Yeah Yeahs, who switched to an almost entirely electronic sound for their 2009 album It's Blitz! after being part of the garage rock revival movement earlier in the decade.

Out of all of the original 80s synthpop bands, New Order, Pet Shop Boys, Duran Duran, and particularly Depeche Mode, although nowhere near the peak of their popularity during the '80s and early '90s, are among the only ones that continue to achieve international success.