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7135 Records Match your Search
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| Artist | Title | Label | Price | |
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FreurFormat: Vinyl 12 InchGenre: Synth Pop |
Doot-Doot (Special Extended 12Inch Mix)A Doot-Doot (Extended Version) (6:00)B Hold Me Mother (Extended Version) (5:40) |
CBSCat No: A13 3141Released: 1983 |
£6.00 |
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Jon & VangelisFormat: Vinyl AlbumGenre: Synth Pop |
Private CollectionA1 Italian Song (2:55)A2 And When The Night Comes (4:31) A3 Deborah (4:55) A4 Polonaise (5:25) A5 He Is Sailing (6:55) B Horizon (22:47) |
PolydorCat No: POLH 4Released: 1983 |
£6.00 |
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TiffanyFormat: Vinyl AlbumGenre: Synth Pop |
TiffanyA1 Should've Been Me (3:39)A2 Danny (3:59) A3 Spanish Eyes (3:56) A4 Feelings Of Forever (3:52) A5 Kid On A Corner (4:02) B1 I Saw Him Standing There (4:12) B2 Johnny's Got The Inside Moves (3:20) B3 Promises Made (4:50) B4 I Think We're Alone Now (3:47) B5 Could've Been (3:30) |
MCA RecordsCat No: MCF 3415Released: 1988 |
£10.00 |
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Bonnie PointerFormat: Vinyl 12 InchGenre: Synth Pop |
The Beast In Me / Tight Blue JeansA The Beast In Me (7:27)B Tight Blue Jeans (3:43) |
Private I RecordsCat No: 4Z9 05166Released: 1984 |
£4.50 |
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BrosFormat: Vinyl 12 InchGenre: Synth Pop |
Chocolate BoxA Chocolate Box (Swing Mix) (6:16)B1 Chocolate Box (House Mix) (6:29) B2 Chocolate Box (Rap Mix) (4:24) |
CBSCat No: ATOM T8Released: 1989 |
£4.00 |
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Orchestral Manoeuvres In The DarkFormat: Vinyl AlbumGenre: Synth Pop |
Architecture & MoralityA1 The New Stone Age (3:20)A2 She's Leaving (3:26) A3 Souvenir (3:37) A4 Sealand (7:42) B1 Joan Of Arc (3:46) B2 Joan Of Arc (Maid Of Orleans) (4:12) B3 Architecture And Morality (3:31) B4 Georgia (3:21) B5 The Beginning And The End (3:45) |
DindiscCat No: DID12Released: 1981 |
£14.00 |
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ABCFormat: Vinyl AlbumGenre: Synth Pop |
The Lexicon Of LoveA1 Show MeA2 Poison Arrow A3 Many Happy Returns A4 Tears Are Not Enough A5 Valentine's Day B1 The Look Of Love (Part One) B2 Date Stamp B3 All Of My Heart B4 4 Ever 2 Gether B5 The Look Of Love (Part Four) |
Neutron RecordsCat No: NTRS 1Released: 1982 |
£10.00 |
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One O'Clock GangFormat: Vinyl 12 InchGenre: Synth Pop |
Carry MeA Carry Me (6:30)B You Are On My Side (4:20) |
AristaCat No: JOIN 121Released: 1984 |
£2.00 |
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Malcolm McLarenFormat: Vinyl 12 InchGenre: Synth Pop |
CarmenA1 Carmen (L'Oiseau Rebelle) (4:55)A2 Death Of Butterfly (Tu Tu Piccolo) (4:58) B Carmen (L'Oiseau Rebelle) (Instrumental Remix) |
CharismaCat No: MALC 612Released: 1984 |
£4.00 |
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Living In A BoxFormat: Vinyl 12 InchGenre: Synth Pop |
Living In A Box (The Bootleg Mix)A Living In A Box (The Bootleg Mix) (6:03)B1 So The Story Goes (3:50) B2 The Liam McCoy (3:01) |
ChrysalisCat No: LIBB 3Released: 1987 |
£5.00 |
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Debbie GibsonFormat: Vinyl AlbumGenre: Synth Pop |
Out Of The BlueA1 Out Of The Blue (3:55)A2 Staying Together (4:07) A3 Only In My Dreams (3:54) A4 Foolish Beat (4:25) A5 Red Hot (3:54) B1 Wake Up To Love (3:42) B2 Shake Your Love (3:44) B3 Fallen Angel (3:43) B4 Play The Field (4:37) B5 Between The Lines (4:42) |
AtlanticCat No: 781 780-1Released: 1987 |
£10.00 |
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Hazell DeanFormat: Vinyl AlbumGenre: Synth Pop |
AlwaysA1 They Say It's Gonna Rain (The Zulu Mix) (7:08)A2 Who's Leaving Who (Bob's Tambourine Mix) (4:45) A3 Turn It Into Love (3:35) A4 You're My Rainbow (5:12) B1 Always Doesn't Mean Forever (7:05) B2 Maybe (We Should Call It A Day) (6:33) B3 Walk In My Shoes (4:19) B4 Nothing In My Life (3:45) B5 Danger (4:58) |
EMICat No: EMC 3546Released: 1988 |
Out Of Stock |
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Howard JonesFormat: Vinyl AlbumGenre: Synth Pop |
Human's LibA1 Conditioning (4:32)A2 What Is Love? (3:45) A3 Pearl In The Shell (4:03) A4 Hide And Seek (5:34) A5 Hunt The Self (3:42) B1 New Song (4:15) B2 Don't Always Look At The Rain (4:13) B3 Equality (4:26) B4 Natural (4:25) B5 Human's Lib (4:03) |
WEACat No: WX1Released: 1984 |
£11.00 |
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Samantha FoxFormat: Vinyl AlbumGenre: Synth Pop |
Samantha FoxA1 (I Can't Get No) Satisfaction (5:36)A2 I Surrender (To The Spirit Of The Night) (3:56) A3 I Promise You (3:54) A4 Naughty Girls (5:10) A5 True Devotion (4:37) B1 Nothing's Gonna Stop Me Now (3:43) B2 If Music Be The Food Of Love (4:49) B3 That Sensation (4:19) B4 Dream City (4:55) B5 The Best Is Yet To Come (4:50) |
JiveCat No: HIP 48Released: 1987 |
£9.00 |
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Jason DonovanFormat: Vinyl AlbumGenre: Synth Pop |
Ten Good ReasonsA1 Too Many Broken Hearts (3:26)A2 Nothing Can Divide Us (3:45) A3 Every Day (I Love You More) (3:24) A4 You Can Depend On Me (3:32) A5 Time Heals (3:08) A6 Sealed With A Kiss (2:30) B1 Question Of Pride (3:19) B2 If I Don't Have You (3:00) B3 Change Your Mind (3:27) B4 Too Late To Say Goodbye (3:15) B5 Especially For You (3:58) |
PWL RecordsCat No: HF 7Released: 1989 |
£8.00 |
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Information on the Synth Pop genre
Synthpop is a genre of pop music in which the synthesizer is the dominant musical instrument. It originated as part of the New Wave movement of the late 1970s and to mid-1980s, and it has continued to exist and develop ever since. It has seen a rise in popularity in the 21st century.First wave: 1977-1990
Depeche Mode, one of the most successful synthpop bands of all time.
Giorgio Moroder paired up with Donna Summer in 1977 to release the electronic disco song I Feel Love. While a disco song first and foremost, the programmed, arpeggiated beats had a profound impact on the bands which would soon be known as synthpop. That same year, Ultravox member Warren Cann purchased a Roland TR-77 drum machine, which was first featured in their October 1977 single release Hiroshima Mon Amour.
In 1978, the first incarnation of the Human League of Sheffield, England released their debut single "Being Boiled". In the United States, Devo, who had been using synthesizers since their beginnings in 1975, moved towards a more electronic sound.
In the UK, the original synthesizer bands had a sound that was generally dark, moody and robotic and were more founded in an avant-garde, art rock aesthetic. In 1979, Tubeway Army, a little known outfit from West London, who dropped their initial punk rock image and topped the UK charts in the summer of 1979 with the single "Are Friends Electric?" and their album Replicas. This prompted the singer/songwriter, Gary Numan to go solo and in the same year he released the Kraftwerk inspired album, The Pleasure Principle which was another number one album, and he topped the singles charts for the second time with "Cars".
This Zeitgeist of revolution in electronic music performance and recording/production was encapsulated by then would be record producer, Trevor Horn of The Buggles in the international hit "Video Killed the Radio Star".
Giorgio Moroder collaborated with the band Sparks on their album, No. 1 In Heaven. Others were soon to follow, including Frank Tovey, who performed under the name Fad Gadget. Tovey who was signed to Daniel Miller's Mute Records and made use of "found objects" in his recordings such as bottles and razors. Daniel Miller himself had a role in the emerging futurist movement as a performer under the name The Normal which released a one-off single Warm Leatherette. Although the single did not chart, it became a cult favorite and has been covered by many artists since its release, including Grace Jones, Duran Duran and Nine Inch Nails.
The sounds of synthesizers came to dominate the pop music of the early 1980s as well as replacing disco in dance clubs in Europe. Other successful synthpop artists of this era included Soft Cell, Depeche Mode, Yazoo, Heaven 17, Japan, Eurythmics, and Tears For Fears (though the latter two would branch out into a wider rock/pop sound). Real Life, Camouflage, Real Life, Modern Talking, Bananarama and others are bands of Synthpop style.
In early synthpop the synthesizer stood out and the music sounded eerie, sterile and slightly menacing. By the mid 1980's the technology had improved to the point that synthpop acts used the instrument to create a sound that resembled many instruments and allowed mainstream rock and pop acts to incorporate the synthesizer into their sound. At this point the synthesizer did not stand out and the differences between synthpop and mainstream music started to decrease. According to music writer Simon Reynolds the hallmark of original synthpop was its "emotional, at times operatic singers" such as Mark Almond, Alison Moyet and Annie Lennox.
In the United States, where synthpop is considered a sub genre of New Wave, the genre became popular in large part due to the cable music channel MTV. Real Life, Camuoflage, Real Life, Modern Talking, Bananarama and others are bands of Synthpop style.
Second wave, 2004 to present
Lights, Canadian synthpop singer who became popular in the late 2000s.
La Roux, British synthpop duo who achieved critical acclaim with their eponymous debut album in 2009.
Synthpop has also begun to re-emerge as some indie artists have incorporated the sound, slowly increasing the popularity of the genre. Some of the bands during the early-to-mid 2000s that helped the development of the genre have included Goldfrapp, The Postal Service, the Junior Boys, The Knife, and particularly The Killers, whose 2004 debut album Hot Fuss achieved widespread popularity and was considered an authentic throwback to 80s synthpop by many. However, their later works have moved away from the genre. LCD Soundsystem is another key artist in synthpop's development during the 21st century. MGMT's debut album Oracular Spectacular, originally released digitally in late 2007, achieved unprecedented success with their lead single "Kids" and has led the way for chart success for other synthpop and indie electronic acts such as Hot Chip, Cut Copy, Lights, Metric, Owl City (number 1 US single), Phoenix, Passion Pit, La Roux, and even the Yeah Yeah Yeahs, who switched to an almost entirely electronic sound for their 2009 album It's Blitz! after being part of the garage rock revival movement earlier in the decade.
Out of all of the original 80s synthpop bands, New Order, Pet Shop Boys, Duran Duran, and particularly Depeche Mode, although nowhere near the peak of their popularity during the '80s and early '90s, are among the only ones that continue to achieve international success.
















