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  Artist Title Label Price

Freur

Format: Vinyl 12 Inch
Genre: Synth Pop

Doot-Doot (Special Extended 12Inch Mix)

A Doot-Doot (Extended Version) (6:00)
B Hold Me Mother (Extended Version) (5:40)

CBS

Cat No: A13 3141
Released: 1983

£6.00

Jon & Vangelis

Format: Vinyl Album
Genre: Synth Pop

Private Collection

A1 Italian Song (2:55)
A2 And When The Night Comes (4:31)
A3 Deborah (4:55)
A4 Polonaise (5:25)
A5 He Is Sailing (6:55)
B Horizon (22:47)

Polydor

Cat No: POLH 4
Released: 1983

£6.00

Tiffany

Format: Vinyl Album
Genre: Synth Pop

Tiffany

A1 Should've Been Me (3:39)
A2 Danny (3:59)
A3 Spanish Eyes (3:56)
A4 Feelings Of Forever (3:52)
A5 Kid On A Corner (4:02)
B1 I Saw Him Standing There (4:12)
B2 Johnny's Got The Inside Moves (3:20)
B3 Promises Made (4:50)
B4 I Think We're Alone Now (3:47)
B5 Could've Been (3:30)

MCA Records

Cat No: MCF 3415
Released: 1988

£10.00

Bonnie Pointer

Format: Vinyl 12 Inch
Genre: Synth Pop

The Beast In Me / Tight Blue Jeans

A The Beast In Me (7:27)
B Tight Blue Jeans (3:43)

Private I Records

Cat No: 4Z9 05166
Released: 1984

£4.50

Bros

Format: Vinyl 12 Inch
Genre: Synth Pop

Chocolate Box

A Chocolate Box (Swing Mix) (6:16)
B1 Chocolate Box (House Mix) (6:29)
B2 Chocolate Box (Rap Mix) (4:24)

CBS

Cat No: ATOM T8
Released: 1989

£4.00

Orchestral Manoeuvres In The Dark

Format: Vinyl Album
Genre: Synth Pop

Architecture & Morality

A1 The New Stone Age (3:20)
A2 She's Leaving (3:26)
A3 Souvenir (3:37)
A4 Sealand (7:42)
B1 Joan Of Arc (3:46)
B2 Joan Of Arc (Maid Of Orleans) (4:12)
B3 Architecture And Morality (3:31)
B4 Georgia (3:21)
B5 The Beginning And The End (3:45)

Dindisc

Cat No: DID12
Released: 1981

£14.00

ABC

Format: Vinyl Album
Genre: Synth Pop

The Lexicon Of Love

A1 Show Me
A2 Poison Arrow
A3 Many Happy Returns
A4 Tears Are Not Enough
A5 Valentine's Day
B1 The Look Of Love (Part One)
B2 Date Stamp
B3 All Of My Heart
B4 4 Ever 2 Gether
B5 The Look Of Love (Part Four)

Neutron Records

Cat No: NTRS 1
Released: 1982

£10.00

One O'Clock Gang

Format: Vinyl 12 Inch
Genre: Synth Pop

Carry Me

A Carry Me (6:30)
B You Are On My Side (4:20)

Arista

Cat No: JOIN 121
Released: 1984

£2.00

Malcolm McLaren

Format: Vinyl 12 Inch
Genre: Synth Pop

Carmen

A1 Carmen (L'Oiseau Rebelle) (4:55)
A2 Death Of Butterfly (Tu Tu Piccolo) (4:58)
B Carmen (L'Oiseau Rebelle) (Instrumental Remix)

Charisma

Cat No: MALC 612
Released: 1984

£4.00

Living In A Box

Format: Vinyl 12 Inch
Genre: Synth Pop

Living In A Box (The Bootleg Mix)

A Living In A Box (The Bootleg Mix) (6:03)
B1 So The Story Goes (3:50)
B2 The Liam McCoy (3:01)

Chrysalis

Cat No: LIBB 3
Released: 1987

£5.00

Debbie Gibson

Format: Vinyl Album
Genre: Synth Pop

Out Of The Blue

A1 Out Of The Blue (3:55)
A2 Staying Together (4:07)
A3 Only In My Dreams (3:54)
A4 Foolish Beat (4:25)
A5 Red Hot (3:54)
B1 Wake Up To Love (3:42)
B2 Shake Your Love (3:44)
B3 Fallen Angel (3:43)
B4 Play The Field (4:37)
B5 Between The Lines (4:42)

Atlantic

Cat No: 781 780-1
Released: 1987

£10.00

Hazell Dean

Format: Vinyl Album
Genre: Synth Pop

Always

A1 They Say It's Gonna Rain (The Zulu Mix) (7:08)
A2 Who's Leaving Who (Bob's Tambourine Mix) (4:45)
A3 Turn It Into Love (3:35)
A4 You're My Rainbow (5:12)
B1 Always Doesn't Mean Forever (7:05)
B2 Maybe (We Should Call It A Day) (6:33)
B3 Walk In My Shoes (4:19)
B4 Nothing In My Life (3:45)
B5 Danger (4:58)

EMI

Cat No: EMC 3546
Released: 1988
Out Of Stock

Howard Jones

Format: Vinyl Album
Genre: Synth Pop

Human's Lib

A1 Conditioning (4:32)
A2 What Is Love? (3:45)
A3 Pearl In The Shell (4:03)
A4 Hide And Seek (5:34)
A5 Hunt The Self (3:42)
B1 New Song (4:15)
B2 Don't Always Look At The Rain (4:13)
B3 Equality (4:26)
B4 Natural (4:25)
B5 Human's Lib (4:03)

WEA

Cat No: WX1
Released: 1984

£11.00

Samantha Fox

Format: Vinyl Album
Genre: Synth Pop

Samantha Fox

A1 (I Can't Get No) Satisfaction (5:36)
A2 I Surrender (To The Spirit Of The Night) (3:56)
A3 I Promise You (3:54)
A4 Naughty Girls (5:10)
A5 True Devotion (4:37)
B1 Nothing's Gonna Stop Me Now (3:43)
B2 If Music Be The Food Of Love (4:49)
B3 That Sensation (4:19)
B4 Dream City (4:55)
B5 The Best Is Yet To Come (4:50)

Jive

Cat No: HIP 48
Released: 1987

£9.00

Jason Donovan

Format: Vinyl Album
Genre: Synth Pop

Ten Good Reasons

A1 Too Many Broken Hearts (3:26)
A2 Nothing Can Divide Us (3:45)
A3 Every Day (I Love You More) (3:24)
A4 You Can Depend On Me (3:32)
A5 Time Heals (3:08)
A6 Sealed With A Kiss (2:30)
B1 Question Of Pride (3:19)
B2 If I Don't Have You (3:00)
B3 Change Your Mind (3:27)
B4 Too Late To Say Goodbye (3:15)
B5 Especially For You (3:58)

PWL Records

Cat No: HF 7
Released: 1989

£8.00

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Information on the Synth Pop genre

Synthpop is a genre of pop music in which the synthesizer is the dominant musical instrument. It originated as part of the New Wave movement of the late 1970s and to mid-1980s, and it has continued to exist and develop ever since. It has seen a rise in popularity in the 21st century.

First wave: 1977-1990
Depeche Mode, one of the most successful synthpop bands of all time.

Giorgio Moroder paired up with Donna Summer in 1977 to release the electronic disco song I Feel Love. While a disco song first and foremost, the programmed, arpeggiated beats had a profound impact on the bands which would soon be known as synthpop. That same year, Ultravox member Warren Cann purchased a Roland TR-77 drum machine, which was first featured in their October 1977 single release Hiroshima Mon Amour.

In 1978, the first incarnation of the Human League of Sheffield, England released their debut single "Being Boiled". In the United States, Devo, who had been using synthesizers since their beginnings in 1975, moved towards a more electronic sound.

In the UK, the original synthesizer bands had a sound that was generally dark, moody and robotic and were more founded in an avant-garde, art rock aesthetic. In 1979, Tubeway Army, a little known outfit from West London, who dropped their initial punk rock image and topped the UK charts in the summer of 1979 with the single "Are Friends Electric?" and their album Replicas. This prompted the singer/songwriter, Gary Numan to go solo and in the same year he released the Kraftwerk inspired album, The Pleasure Principle which was another number one album, and he topped the singles charts for the second time with "Cars".

This Zeitgeist of revolution in electronic music performance and recording/production was encapsulated by then would be record producer, Trevor Horn of The Buggles in the international hit "Video Killed the Radio Star".

Giorgio Moroder collaborated with the band Sparks on their album, No. 1 In Heaven. Others were soon to follow, including Frank Tovey, who performed under the name Fad Gadget. Tovey who was signed to Daniel Miller's Mute Records and made use of "found objects" in his recordings such as bottles and razors. Daniel Miller himself had a role in the emerging futurist movement as a performer under the name The Normal which released a one-off single Warm Leatherette. Although the single did not chart, it became a cult favorite and has been covered by many artists since its release, including Grace Jones, Duran Duran and Nine Inch Nails.

The sounds of synthesizers came to dominate the pop music of the early 1980s as well as replacing disco in dance clubs in Europe. Other successful synthpop artists of this era included Soft Cell, Depeche Mode, Yazoo, Heaven 17, Japan, Eurythmics, and Tears For Fears (though the latter two would branch out into a wider rock/pop sound). Real Life, Camouflage, Real Life, Modern Talking, Bananarama and others are bands of Synthpop style.

In early synthpop the synthesizer stood out and the music sounded eerie, sterile and slightly menacing. By the mid 1980's the technology had improved to the point that synthpop acts used the instrument to create a sound that resembled many instruments and allowed mainstream rock and pop acts to incorporate the synthesizer into their sound. At this point the synthesizer did not stand out and the differences between synthpop and mainstream music started to decrease. According to music writer Simon Reynolds the hallmark of original synthpop was its "emotional, at times operatic singers" such as Mark Almond, Alison Moyet and Annie Lennox.

In the United States, where synthpop is considered a sub genre of New Wave, the genre became popular in large part due to the cable music channel MTV. Real Life, Camuoflage, Real Life, Modern Talking, Bananarama and others are bands of Synthpop style.

Second wave, 2004 to present
Lights, Canadian synthpop singer who became popular in the late 2000s.
La Roux, British synthpop duo who achieved critical acclaim with their eponymous debut album in 2009.

Synthpop has also begun to re-emerge as some indie artists have incorporated the sound, slowly increasing the popularity of the genre. Some of the bands during the early-to-mid 2000s that helped the development of the genre have included Goldfrapp, The Postal Service, the Junior Boys, The Knife, and particularly The Killers, whose 2004 debut album Hot Fuss achieved widespread popularity and was considered an authentic throwback to 80s synthpop by many. However, their later works have moved away from the genre. LCD Soundsystem is another key artist in synthpop's development during the 21st century. MGMT's debut album Oracular Spectacular, originally released digitally in late 2007, achieved unprecedented success with their lead single "Kids" and has led the way for chart success for other synthpop and indie electronic acts such as Hot Chip, Cut Copy, Lights, Metric, Owl City (number 1 US single), Phoenix, Passion Pit, La Roux, and even the Yeah Yeah Yeahs, who switched to an almost entirely electronic sound for their 2009 album It's Blitz! after being part of the garage rock revival movement earlier in the decade.

Out of all of the original 80s synthpop bands, New Order, Pet Shop Boys, Duran Duran, and particularly Depeche Mode, although nowhere near the peak of their popularity during the '80s and early '90s, are among the only ones that continue to achieve international success.