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  Artist Title Label Price

Blancmange

Format: Vinyl 12 Inch
Genre: Synth Pop

Don't Tell Me

A Don't Tell Me
B Get Out Of That

London Records

Cat No: BLANX7
Released: 1984

£7.00

Double

Format: Vinyl 12 Inch
Genre: Synth Pop

The Captain Of Her Heart / Your Prayer Takes Me Off Part II (Dub)

A The Captain Of Her Heart (Extended Mix) (4:35)
B Your Prayer Takes Me Off Part II (Dub) (4:04)

Polydor

Cat No: POSPX 779
Released: 1985

£5.00

Paul Gascoigne & Lindisfarne

Format: Vinyl 12 Inch
Genre: Synth Pop

Fog On The Tyne (Revisited)

A Fog On The Tyne (Revisited) (Extended) (6:02)
B Fog On The Tyne (Revisited) (Instrumental, Extended) (5:54)

Best Records

Cat No: ZT 44084
Released: 1990

£4.00

Re-Flex

Format: Vinyl 12 Inch
Genre: Synth Pop

The Politics Of Dancing

A The Politics Of Dancing (Extended Version) (6:36)
B Cruel World (Extended Version) (5:30)

EMI

Cat No: 12FLEX 2
Released: 1984

£5.00

allSTARS

Format: Vinyl 12 Inch
Genre: Synth Pop

Is There Something I Should Know / Things That Go Bump In The Night

A1 Is There Something I Should Know (Mothership Mix)
A2 Is There Something I Should Know (Almighty Mix)
B1 Is There Something I Should Know (K Boys Club Mix)
B2 Is There Something I Should Know (Radio Edit)

Island Records

Cat No: 12 IS 783DJ
Released: 2001

£3.00

Michael Elphick

Format: Vinyl 12 Inch
Genre: Synth Pop

Gotcha!

A Gotcha! (Extended Butterfly Mix)
B Gotcha! (Instrumental Mix)



A.1. Records

Cat No: 12A1302
Released: 1987

£4.00

Various

Format: Vinyl Compilation
Genre: Synth Pop

Dance Decade - Dance Hits Of The 80s

A1 The Communards Don't Leave Me This Way
A2 Frankie Goes To Hollywood Relax
A3 Fine Young Cannibals Good Thing
A4 Soft Cell Tainted Love
A5 Swing Out Sister Breakout
A6 Bananarama Love In The First Degree
A7 Dollar Oh L' Amour
A8 The Art Of Noise & Tom Jones Kiss
B1 Yazz & The Plastic Population The Only Way Is Up
B2 Salt 'N' Pepa Push It
B3 The Cookie Crew Got To Keep On
B4 Coldcut People Hold On
B5 Krush House Arrest
B6 Steve "Silk" Hurley Jack Your Body
B7 Fat Boys Wipe Out
B8 Run-DMC Walk This Way
C1 Bronski Beat Smalltown Boy
C2 ABC Poison Arrow
C3 Shannon Let The Music Play
C4 Lipps, Inc. Funkytown
C5 Animotion Obsession
C6 Visage Night Train
C7 Michael Sembello Maniac
C8 Irene Cara Fame
D1 Donna Summer She Works Hard For The Money
D2 James Brown Living In America
D3 Cameo Word Up
D4 Kool & The Gang Get Down On It
D5 The Gap Band Oops Upside Your Head
D6 Gwen Guthrie Ain't Nothin' Goin' On But The Rent
D7 Was (Not Was) Walk The Dinosaur
D8 Junior (2) Mama Used To Say

London Records

Cat No: DDTV 1
Released: 1989

£5.00

Climie Fisher

Format: Vinyl 12 Inch
Genre: Synth Pop

I Won't Bleed For You

A I Won't Bleed For You (High Velocity Mix) (6:46)
B1 Climbing Up The Ladder
B2 I Won't Bleed For You (7'' Version)

EMI

Cat No: 12EM 66
Released: 1988

£3.00

Climie Fisher

Format: Vinyl 12 Inch
Genre: Synth Pop

Rise To The Occasion (Hip Hop Remix)

A Rise To The Occasion (Hip Hop Remix)
B1 Rise To The Occasion
B2 Mental Block

EMI

Cat No: 12 EMX 33
Released: 1987

£4.00

The Farmer's Boys

Format: Vinyl Album
Genre: Synth Pop

Get Out & Walk

A1 Matter Of Fact
A2 Probably One Of The Best Investments I Ever Made
A3 More Than A Dream
A4 Woke Up This Morning
A5 The Way You Made Me Cry
A6 A Promise You Can't Keep
B1 Soft Drink
B2 The Wailing Wail
B3 For You
B4 Torn In Two
B5 Who Needs It?
C1 For You (12" Version)
C2 Muck It Out (12" Version)
D1 Probably One Of The Best Investments I Ever Made (12" Version)
D2 Soft Drink (12" Version)

EMI

Cat No: EMC 1077993
Released: 1983

£11.00

Richard X & Liberty X

Format: Vinyl 12 Inch
Genre: Synth Pop

Being_Nobody

A Being_Nobody (Main Mix) (3:37)
B1 Being_Nobody (Richard X Remix) (4:25)
B2 Being_Nobody (X-Strumental) (3:38)

Virgin

Cat No: RXT1
Released: 2003

£5.00

Swing Out Sister

Format: Vinyl 12 Inch
Genre: Synth Pop

Breakout

A Breakout (N.A.D. Mix) (7:00)
B1 Breakout (7" Version) (3:48)
B2 Dirty Money (4:05)

Mercury

Cat No: SWING 212
Released: 1986

£5.00

Milli Vanilli

Format: Vinyl 12 Inch
Genre: Synth Pop

All Or Nothing

A All Or Nothing (U.S. Megamix)
B1 Dreams To Remember
B2 All Or Nothing (U.S. Remix)

Cooltempo

Cat No: COOLXW 199

£4.50

Malcolm McLaren

Format: Vinyl 12 Inch
Genre: Synth Pop

Madam Butterfly

A Madam Butterfly (Un Bel Di Vedremo) (6:30)
B First Couple Out (Extended Mix) (7:20)

Charisma

Cat No: MALC 512
Released: 1984

£4.00

Soft Cell

Format: Vinyl Album
Genre: Synth Pop

Non Stop Ecstatic Dancing

A1 Memorabilia (5:22)
A2 Where Did Our Love Go (4:12)
A3 What (4:33)
B1 A Man Could Get Lost (4:05)
B2 Chips On My Shoulder (4:26)
B3 Sex Dwarf (5:15)

Some Bizzare

Cat No: BZX 1012
Released: 1982

£6.50

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Information on the Synth Pop genre

Synthpop is a genre of pop music in which the synthesizer is the dominant musical instrument. It originated as part of the New Wave movement of the late 1970s and to mid-1980s, and it has continued to exist and develop ever since. It has seen a rise in popularity in the 21st century.

First wave: 1977-1990
Depeche Mode, one of the most successful synthpop bands of all time.

Giorgio Moroder paired up with Donna Summer in 1977 to release the electronic disco song I Feel Love. While a disco song first and foremost, the programmed, arpeggiated beats had a profound impact on the bands which would soon be known as synthpop. That same year, Ultravox member Warren Cann purchased a Roland TR-77 drum machine, which was first featured in their October 1977 single release Hiroshima Mon Amour.

In 1978, the first incarnation of the Human League of Sheffield, England released their debut single "Being Boiled". In the United States, Devo, who had been using synthesizers since their beginnings in 1975, moved towards a more electronic sound.

In the UK, the original synthesizer bands had a sound that was generally dark, moody and robotic and were more founded in an avant-garde, art rock aesthetic. In 1979, Tubeway Army, a little known outfit from West London, who dropped their initial punk rock image and topped the UK charts in the summer of 1979 with the single "Are Friends Electric?" and their album Replicas. This prompted the singer/songwriter, Gary Numan to go solo and in the same year he released the Kraftwerk inspired album, The Pleasure Principle which was another number one album, and he topped the singles charts for the second time with "Cars".

This Zeitgeist of revolution in electronic music performance and recording/production was encapsulated by then would be record producer, Trevor Horn of The Buggles in the international hit "Video Killed the Radio Star".

Giorgio Moroder collaborated with the band Sparks on their album, No. 1 In Heaven. Others were soon to follow, including Frank Tovey, who performed under the name Fad Gadget. Tovey who was signed to Daniel Miller's Mute Records and made use of "found objects" in his recordings such as bottles and razors. Daniel Miller himself had a role in the emerging futurist movement as a performer under the name The Normal which released a one-off single Warm Leatherette. Although the single did not chart, it became a cult favorite and has been covered by many artists since its release, including Grace Jones, Duran Duran and Nine Inch Nails.

The sounds of synthesizers came to dominate the pop music of the early 1980s as well as replacing disco in dance clubs in Europe. Other successful synthpop artists of this era included Soft Cell, Depeche Mode, Yazoo, Heaven 17, Japan, Eurythmics, and Tears For Fears (though the latter two would branch out into a wider rock/pop sound). Real Life, Camouflage, Real Life, Modern Talking, Bananarama and others are bands of Synthpop style.

In early synthpop the synthesizer stood out and the music sounded eerie, sterile and slightly menacing. By the mid 1980's the technology had improved to the point that synthpop acts used the instrument to create a sound that resembled many instruments and allowed mainstream rock and pop acts to incorporate the synthesizer into their sound. At this point the synthesizer did not stand out and the differences between synthpop and mainstream music started to decrease. According to music writer Simon Reynolds the hallmark of original synthpop was its "emotional, at times operatic singers" such as Mark Almond, Alison Moyet and Annie Lennox.

In the United States, where synthpop is considered a sub genre of New Wave, the genre became popular in large part due to the cable music channel MTV. Real Life, Camuoflage, Real Life, Modern Talking, Bananarama and others are bands of Synthpop style.

Second wave, 2004 to present
Lights, Canadian synthpop singer who became popular in the late 2000s.
La Roux, British synthpop duo who achieved critical acclaim with their eponymous debut album in 2009.

Synthpop has also begun to re-emerge as some indie artists have incorporated the sound, slowly increasing the popularity of the genre. Some of the bands during the early-to-mid 2000s that helped the development of the genre have included Goldfrapp, The Postal Service, the Junior Boys, The Knife, and particularly The Killers, whose 2004 debut album Hot Fuss achieved widespread popularity and was considered an authentic throwback to 80s synthpop by many. However, their later works have moved away from the genre. LCD Soundsystem is another key artist in synthpop's development during the 21st century. MGMT's debut album Oracular Spectacular, originally released digitally in late 2007, achieved unprecedented success with their lead single "Kids" and has led the way for chart success for other synthpop and indie electronic acts such as Hot Chip, Cut Copy, Lights, Metric, Owl City (number 1 US single), Phoenix, Passion Pit, La Roux, and even the Yeah Yeah Yeahs, who switched to an almost entirely electronic sound for their 2009 album It's Blitz! after being part of the garage rock revival movement earlier in the decade.

Out of all of the original 80s synthpop bands, New Order, Pet Shop Boys, Duran Duran, and particularly Depeche Mode, although nowhere near the peak of their popularity during the '80s and early '90s, are among the only ones that continue to achieve international success.