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Artist | Title | Label | Price | |
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Force Mass MotionFormat: Vinyl 12 InchGenre: Techno |
State Of MindThat SideA State Of Mind This Side B1 KinEtix B2 Layer-8 |
Rabbit City RecordsCat No: CUT 024Released: 1995 |
£5.00 |
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Subcode (2)Format: Vinyl 12 InchGenre: Techno |
Work / Rhodes TrackA WorkAA Rhodes Track |
Universal CodeCat No: uni02Released: 1995 |
£5.00 |
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KeroseneFormat: Vinyl 12 InchGenre: Techno |
Worthless / Everybody's IconA Worthless (Hypnotist Mix)B Everybody's Icon |
Warner Music UK Ltd.Cat No: YZ760TXReleased: 1993 |
£6.00 |
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KeroseneFormat: Vinyl 12 InchGenre: Techno |
Worthless / Everybody's IconA Worthless (Hypnotist Mix)B Everybody's Icon |
Warner Music UK Ltd.Cat No: YZ760TXReleased: 1993 |
£
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Bizarre IncFormat: Vinyl 12 InchGenre: Techno |
Such A FeelingA Such A Feeling (5:41)B1 Raise Me (Maximum Height Mix) (4:44) B2 Frenzy (Recorded Live In Brighton) (3:09) |
Vinyl SolutionCat No: STORM 32Released: 1991 |
£4.00 |
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The 25th Of MayFormat: Vinyl 12 InchGenre: Techno |
It's All RightA1 It's All Right (Hysteria Mix) (6:04)B1 It's All Right (Inertia Mix) (5:20) B2 It's All Right (7 Inch Mix) (3:36) |
AristaCat No: 614 442Released: 1991 |
£4.00 |
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KameraFormat: Vinyl 12 InchGenre: Techno |
WorkA1 Work (Original Version) (5:07)A2 Work (Hard Evolution Mix) (4:55) B1 Work (Angry Evolution Mix) (4:54) B2 Work (Tribal Evolution Mix) (4:26) |
Flying RecordsCat No: FLY057Released: 1991 |
£4.00 |
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K-KlassFormat: Vinyl 12 InchGenre: Techno |
The Wildlife E.P.A1 Into The NightA2 Wildlife B1 Loafman B2 Athletico |
F.R.O. RecordsCat No: FRO 104TReleased: 1990 |
£10.00 |
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Si-{cut}.dbFormat: Vinyl 12 InchGenre: Techno |
Hi PointA Hi PointB Low Point |
Suburbs Of HellCat No: SOH 010 EPReleased: 1991 |
£15.00 |
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OvermanFormat: Vinyl 12 InchGenre: Techno |
The ResultThat SideA The Result This Side B1 I'm Late B2 Time To Burn |
Black Market RecordsCat No: BMPT001Released: 1990 |
£25.00 |
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PlezFormat: Vinyl 12 InchGenre: Techno |
Can't StopPhase 007A1 Can't Stop (Sub Sub Mix) (4:36) A2 Can't Stop (Bitch Mix) (7:52) Phase 008 B1 Can't Stop (Sweet Mercy Mix) (6:51) B2 Can't Stop (Classic Original Mix) (6:43) |
BushCat No: Bush 1004 |
£5.00 |
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Jonny LFormat: Vinyl 12 InchGenre: Techno |
Make Me Work (Turn Me Around)A Make Me Work (Turn Me Round) (Primal Urge Mix) (5:50)AA1 Make Me Work (Turn Me Round) (Vocal Excitement Mix) (6:15) AA2 Mother (5:38) |
XL RecordingsCat No: XLT 49 DJReleased: 1994 |
£6.00 |
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Subway LinkFormat: Vinyl 12 InchGenre: Techno |
Hypnopompic HallucinationA Hypnopompic Hallucination (6:06)B1 Clinical Introduction (7:09) B2 Mind's Eye (6:14) |
Me RecordsCat No: ME 014-5Released: 1995 |
£6.00 |
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WavelabFormat: Vinyl 12 InchGenre: Techno |
Inertia E.P.A1 Out Of ControlA2 Butterfly B1 Pheonix B2 Whitewash |
Bellboy RecordsCat No: BL005Released: 1995 |
£6.00 |
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Patrick SjerenFormat: Vinyl 12 InchGenre: Techno |
Blue X-Volume 1A X=1 (6:29)B1 X=2 (5:29) B2 X=3 (5:20) |
Underground Wisdom RecordingsCat No: UWBLUE 101Released: 1995 |
£6.00 |
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Information on the Techno genre
Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.