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  Artist Title Label Price

Force Mass Motion

Format: Vinyl 12 Inch
Genre: Techno

State Of Mind

That Side
A State Of Mind
This Side
B1 KinEtix
B2 Layer-8

Rabbit City Records

Cat No: CUT 024
Released: 1995

£5.00

Subcode (2)

Format: Vinyl 12 Inch
Genre: Techno

Work / Rhodes Track

A Work
AA Rhodes Track

Universal Code

Cat No: uni02
Released: 1995

£5.00

Kerosene

Format: Vinyl 12 Inch
Genre: Techno

Worthless / Everybody's Icon

A Worthless (Hypnotist Mix)
B Everybody's Icon

Warner Music UK Ltd.

Cat No: YZ760TX
Released: 1993

£6.00

Kerosene

Format: Vinyl 12 Inch
Genre: Techno

Worthless / Everybody's Icon

A Worthless (Hypnotist Mix)
B Everybody's Icon

Warner Music UK Ltd.

Cat No: YZ760TX
Released: 1993

£6.00
£3.00

Bizarre Inc

Format: Vinyl 12 Inch
Genre: Techno

Such A Feeling

A Such A Feeling (5:41)
B1 Raise Me (Maximum Height Mix) (4:44)
B2 Frenzy (Recorded Live In Brighton) (3:09)

Vinyl Solution

Cat No: STORM 32
Released: 1991

£4.00

The 25th Of May

Format: Vinyl 12 Inch
Genre: Techno

It's All Right

A1 It's All Right (Hysteria Mix) (6:04)
B1 It's All Right (Inertia Mix) (5:20)
B2 It's All Right (7 Inch Mix) (3:36)

Arista

Cat No: 614 442
Released: 1991

£4.00

Kamera

Format: Vinyl 12 Inch
Genre: Techno

Work

A1 Work (Original Version) (5:07)
A2 Work (Hard Evolution Mix) (4:55)
B1 Work (Angry Evolution Mix) (4:54)
B2 Work (Tribal Evolution Mix) (4:26)

Flying Records

Cat No: FLY057
Released: 1991

£4.00

K-Klass

Format: Vinyl 12 Inch
Genre: Techno

The Wildlife E.P.

A1 Into The Night
A2 Wildlife
B1 Loafman
B2 Athletico

F.R.O. Records

Cat No: FRO 104T
Released: 1990

£10.00

Si-{cut}.db

Format: Vinyl 12 Inch
Genre: Techno

Hi Point

A Hi Point
B Low Point

Suburbs Of Hell

Cat No: SOH 010 EP
Released: 1991

£15.00

Overman

Format: Vinyl 12 Inch
Genre: Techno

The Result

That Side
A The Result
This Side
B1 I'm Late
B2 Time To Burn

Black Market Records

Cat No: BMPT001
Released: 1990

£25.00

Plez

Format: Vinyl 12 Inch
Genre: Techno

Can't Stop

Phase 007
A1 Can't Stop (Sub Sub Mix) (4:36)
A2 Can't Stop (Bitch Mix) (7:52)
Phase 008
B1 Can't Stop (Sweet Mercy Mix) (6:51)
B2 Can't Stop (Classic Original Mix) (6:43)

Bush

Cat No: Bush 1004

£5.00

Jonny L

Format: Vinyl 12 Inch
Genre: Techno

Make Me Work (Turn Me Around)

A Make Me Work (Turn Me Round) (Primal Urge Mix) (5:50)
AA1 Make Me Work (Turn Me Round) (Vocal Excitement Mix) (6:15)
AA2 Mother (5:38)

XL Recordings

Cat No: XLT 49 DJ
Released: 1994

£6.00

Subway Link

Format: Vinyl 12 Inch
Genre: Techno

Hypnopompic Hallucination

A Hypnopompic Hallucination (6:06)
B1 Clinical Introduction (7:09)
B2 Mind's Eye (6:14)

Me Records

Cat No: ME 014-5
Released: 1995

£6.00

Wavelab

Format: Vinyl 12 Inch
Genre: Techno

Inertia E.P.

A1 Out Of Control
A2 Butterfly
B1 Pheonix
B2 Whitewash

Bellboy Records

Cat No: BL005
Released: 1995

£6.00

Patrick Sjeren

Format: Vinyl 12 Inch
Genre: Techno

Blue X-Volume 1

A X=1 (6:29)
B1 X=2 (5:29)
B2 X=3 (5:20)

Underground Wisdom Recordings

Cat No: UWBLUE 101
Released: 1995

£6.00

Page of 136 next >>

Information on the Techno genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.