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  Artist Title Label Price

Dr. Baker

Format: Vinyl 12 Inch
Genre: Techno


A1 Kaos (Baby Mix) (5:35)
A2 Kaos (Radio Mix) (3:26)
B1 Kaos (2 Danes On Acid Mix) (5:03)
B2 Kaos (Original German Sausage Mix) (5:40)

Desire Records

Cat No: WANT X 28
Released: 1990


Tony Crooks

Format: Vinyl 12 Inch
Genre: Techno

Experiment 69

A Experiment 69 (The Jackal Mix)
B Experiment 69

Strategy Records

Cat No: STRAT 27
Released: 1994


The Timelords

Format: Vinyl 7 Inch
Genre: Techno

Doctorin' The Tardis

A Doctorin' The Tardis (Radio) (3:30)
Minimal Side
B Doctorin' The Tardis (Minimal) (4:25)

KLF Communications

Cat No: KLF 003
Released: 1988



Format: Vinyl 7 Inch
Genre: Techno


A LFO (The Leeds Warehouse Mix) (3:57)
B Track 4 (3:53)

Warp Records

Cat No: 7 WAP 5
Released: 1990



Format: Vinyl 7 Inch
Genre: Techno


A Satan (Industry Standard Edit) (3:42)
A Satan (Industry Standard Edit) (3:42)


Cat No: LIE 37
Released: 1996


808 State

Format: Vinyl 7 Inch
Genre: Techno

Cübik / Olympic

A Cübik (Original Mix) (3:31)
AA Olympic (Flutey Mix) (4:04)


Cat No: ZANG 5
Released: 1990


Bhab & Cas Stewart

Format: Vinyl 12 Inch
Genre: Techno

Two Thumbs

A1 Radiate (4:17)
A2 Pulsiv (4:31)
B1 Racing (4:34)
B2 Big Steps (4:31)

Mikki House

Cat No: HPF 914
Released: 1992


Circus Of Sphere

Format: Vinyl 12 Inch
Genre: Techno

Stir The Pulses / Spiral Up

Pulse Side
A1 Stir The Pulses (Siren Touch) (5:00)
A2 Stir The Pulses (Into The Blue) (4:18)
Spiral Side
B Spiral Up (4:32)

Big Time International

Cat No: BTI 9201
Released: 1992



Format: Vinyl 12 Inch
Genre: Techno

Acid Science Trax Vol. 1

A1 Elevator Re-Gained (5:51)
A2 Darkside (5:16)
A3 Access (7:37)
B1 Dissin' You (4:24)
B2 Nancy Reso (6:28)
B3 Crush (5:14)

Labworks Germany

Cat No: LAB 03
Released: 1992


MC Tunes

Format: Vinyl 12 Inch
Genre: Techno

Primary Rhyming

A Primary Rhyming (Extended Mix)
B Primary Rhyming (Extended Instrumental Mix)


Cat No: ZANG 10 TW
Released: 1990


Reel X

Format: Vinyl 12 Inch
Genre: Techno


A Orca (7:55)
B1 Solaire (6:21)
B2 Passage D.E. (5:22)

Influence Recordings

Cat No: IR 004-12
Released: 1992



Format: Vinyl 12 Inch
Genre: Techno

Freedom, ? & Ecstasy

A Freedom, ? & Ecstasy (6:42)
B Davaricz (5:58)

No Respect Records

Cat No: NR 003
Released: 1992



Format: Vinyl 12 Inch
Genre: Techno


A1 MiiA (15:04)
A2 The Ticket (8:43)
B1 Tastes Like A Peach (12:12)
B2 Brighton Terrace SW2 (2:33)
B3 Wireless (7:01)

Aphelion Recordings

Cat No: APH002
Released: 1996



Format: Vinyl 12 Inch
Genre: Techno


A1 Godlike (Club Mix)
A2 Godlike (The Sensory Element)
B1 Godlike (Trillick Towers)
B2 Godlike (Bonus Beats)

Obtuse Recordings

Cat No: OB12001
Released: 1994



Format: Vinyl 12 Inch
Genre: Techno

Liquid Poetry

A1 Liquid Poetry
A2 The City
AA1 Almost In A Dream
AA2 Liquid Remix


Cat No: INF 008T
Released: 1992


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Information on the Techno genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.