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Artist | Title | Label | Price | |
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ParamistFormat: Vinyl 12 InchGenre: Techno |
Release MeA1 Release Me (Vocal Mix)B1 Release Me (Moon Mix) B2 Release Me (Instrumental Mix) |
Planet Four CommunicationsCat No: P4CT3Released: 1992 |
£20.00 |
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SubterfugeFormat: Vinyl 12 InchGenre: Techno |
Liquid PoetryA1 Liquid PoetryA2 The City AA1 Almost In A Dream AA2 Liquid Remix |
InfonetCat No: INF 008TReleased: 1992 |
£4.00 |
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SubterfugeFormat: Vinyl 12 InchGenre: Techno |
Liquid PoetryA1 Liquid PoetryA2 The City AA1 Almost In A Dream AA2 Liquid Remix |
InfonetCat No: INF 008TReleased: 1992 |
£4.00 |
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Subculture (4)Format: Vinyl 12 InchGenre: Techno |
CaligularA Caligular (3:40)B Untitled (5:12) |
786 ApprovedCat No: NAZ 102Released: 1992 |
£6.00 |
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Creative ForceFormat: Vinyl 12 InchGenre: Techno |
Te QuieroA Te Quiero (Bhangra Rave Mix)B Te Quiero (Hands In The Air Mix) |
Hardcore Noise RecordsCat No: HARD 006Released: 1992 |
£5.00 |
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Rodeo JonesFormat: Vinyl 12 InchGenre: Techno |
Natural World (Kevin Saunderson Remixes)A1 Natural World (Organic 12" Mix) (6:21)A2 Natural World (Reese Dream Mix) (5:46) B1 Natural World (Reese Natural Mix) (6:27) B2 Natural World (Reese Deep Mix) (5:51) |
A&M PMCat No: AMY 0165Released: 1993 |
£4.00 |
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The Shamen & Terence McKennaFormat: Vinyl 12 InchGenre: Techno |
Re: EvolutionA1 Re: Evolution (Shamen Vocal Mix) (Edit) (8:21)A2 Re: Evolution (BTP vs. Shamen Vox) (Edit) (8:33) B1 Re: Evolution (Live At The Warfield) (8:25) B2 Re: Evolution (BTP Fixed Tempo Instrumental) (Edit) (7:04) B3 Re: Evolution (Accapella Vox) (Edit) (7:26) |
One Little IndianCat No: 118TP12Released: 1993 |
£4.00 |
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EonFormat: Vinyl 12 InchGenre: Techno |
SpiceSide AAI Spice (Original Mix With Notes) (5:42) Side 1 1I Spice (The Baron's Dub) (5:51) 1II Spice (J. Saul Kane Version) (5:32) |
Vinyl SolutionCat No: STORM 22Released: 1990 |
£4.00 |
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Team DeepFormat: Vinyl 12 InchGenre: Techno |
MorninglightA MorninglightB1 Spang B2 Fever + 41,9 °C |
Premium RecordsCat No: pre 010Released: 1996 |
£6.50 |
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Mad Bas'tardFormat: Vinyl 12 InchGenre: Techno |
I Am The FutureA1 I Am The Future (Crazy Jake Remix)A2 I Am The Future (Radio Bleep Mix) B1 Trance B2 I Am The Future (Strictly Underground Mix) |
Omen RecordingsCat No: ZT 44330Released: 1991 |
£5.00 |
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Apollo 440Format: Vinyl 12 InchGenre: Techno |
BlackoutA Blackout (Black Light Iridium Future Vision Vocal Mix) (6:37)B1 Blackout (Radio Edit) (3:40) B2 Blackout (Driller Killer) (5:55) |
Stealth Sonic RecordingsCat No: RVB T 009Released: 1991 |
£5.00 |
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Beat In TimeFormat: Vinyl 12 InchGenre: Techno |
The Real Time / Opera OneA1 The Real Time (Remix)A2 The Real Time (Short Mix) B1 Opera One (Mix) B2 Opera One (Version) |
Yo*Bro RecordingsCat No: 12 YOBR 15Released: 1990 |
£4.00 |
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RedheadFormat: Vinyl 12 InchGenre: Techno |
Holy MaterialA1 Holy Material (5:31)A2 Blaze (5:46) B1 Scrollers (5:32) B2 Flight 606 (5:32) |
SkunkworksCat No: SKUNK06Released: 2000 |
£5.00 |
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IndustrialFormat: Vinyl 12 InchGenre: Techno |
Tribal Trance / ControlOther SideA Tribal Trance This Side AA Control |
KinetixCat No: KINT1Released: 1992 |
£4.50 |
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PillsFormat: Vinyl 12 InchGenre: Techno |
Rock MeA Rock Me (Extended Original Mix)B Amazing Dread Club |
MercuryCat No: DJP IL-1Released: 1997 |
£5.50 |
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Information on the Techno genre
Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.