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Artist | Title | Label | Price | |
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JackassFormat: Vinyl 12 InchGenre: Techno |
UltrawaveA UltrawaveB Free |
TronikCat No: tronik 003Released: 1997 |
£23.00 |
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ChancellorFormat: Vinyl 12 InchGenre: Techno |
Heatseeker EPA The Unknown Future (4:59)B1 Digital Drome (4:47) B2 Heatseeker (5:16) |
Missile RecordsCat No: Missile 21Released: 1997 |
£5.00 |
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NormanFormat: Vinyl 12 InchGenre: Techno |
Troll EPA Coast (6:25)B Balance (6:06) |
SynewaveCat No: SW25Released: 1996 |
£6.00 |
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DJ TuttleFormat: Vinyl 12 InchGenre: Techno |
Subsounds 008A1 Psichatric ToonsA2 The Emotion Of Life B1 Tabatha & The Schpeak B2 Tribal Hells |
SubsoundsCat No: PDS 6230/1Released: 1997 |
£15.00 |
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HardfloorFormat: Vinyl 12 InchGenre: Techno |
Respected RemixesOther SideA1 Mahogany Roots (Work Remix) (6:26) A2 Mahogany Roots (Slam Invasion Mix) (7:30) This Side B1 Kangaroos & Bubbles (Armando's Darkside Mix) (6:08) B2 Kangaroos & Bubbles (Mike Dearborn's Unpredictable Remix) (6:28) |
HarthouseCat No: HH?008Released: 1995 |
£6.00 |
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Madame DuboisFormat: Vinyl 12 InchGenre: Techno |
Road RageA Road Rage MkIB Road Rage MkII |
ReactCat No: 12 REACT 96Released: 1996 |
£6.00 |
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Empire Bass BuildingFormat: Vinyl 12 InchGenre: Techno |
Come On Get HereA1 Come On Get Here (Techno Vocal Dub)A2 Come On Get Here (Vocal Dub 7" Edit) B1 Come On Get Here (Extended Club Remix) B2 Come On Get Here (Extended Version) |
The Brothers OrganisationCat No: 12 CUMON 1Released: 1992 |
£5.00 |
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Cloud 9 (2)Format: Vinyl 12 InchGenre: Techno |
DementiaA1 Dementia (Crazy Mix) (4:37)A2 Dementia (Hardcore Mix) (3:43) AA Dementia (Final Mix) (4:54) |
Byte RecordsCat No: BYTE 12009Released: 1992 |
£7.00 |
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Eskimos & EgyptFormat: Vinyl 12 InchGenre: Techno |
UKRecord 2 UK MixesA1 UK-USA (Full Circle) A2 UK-USA (Heavy Club Guitar) AA1 UK-USA (Cheetham Mix) AA2 UK-USA (Moss Side) |
One Little IndianCat No: 99 TP 12Released: 1993 |
£4.00 |
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Fierce Ruling DivaFormat: Vinyl 12 InchGenre: Techno |
Rubb It In (Remixes)A1 Rubb It In (Keep Moving In Time Vocal Mix) (5:04)B1 Rubb It In (Absolute Modulation Mix) (4:32) B2 Rubb It In (Ruling Radio Mix) (3:49) |
ReactCat No: 12 REACT R3Released: 1992 |
£4.00 |
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Utah SaintsFormat: Vinyl 12 InchGenre: Techno |
I Want YouA1 I Want You (Extended Mix)A2 I Want You (DJ Tim's Funky Bliss Mix #1) A3 I Want You (DJ Tim's Funky Bliss Mix #2) B1 I Want You (Sabres 130) B2 I Want You (Sabres 110) |
FFRRCat No: FX 213Released: 1993 |
£5.00 |
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Utah SaintsFormat: Vinyl 12 InchGenre: Techno |
I Want YouA1 I Want You (Extended Mix)A2 I Want You (DJ Tim's Funky Bliss Mix #1) A3 I Want You (DJ Tim's Funky Bliss Mix #2) B1 I Want You (Sabres 130) B2 I Want You (Sabres 110) |
FFRRCat No: FX 213Released: 1993 |
£5.00 |
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GTOFormat: Vinyl 12 InchGenre: Techno |
PureA Pure (Pure Energy)B1 Pure (Journey Mix) B2 Pure (Beautiful Mix) |
CooltempoCat No: COOLX 218Released: 1990 |
£4.00 |
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R.N.D. TechnologiesFormat: Vinyl Double 12 InchGenre: Techno |
Propulsion E.P.A1 Mental Propulsion (8:07)AA1 Water Jet (8:08) |
Primate RecordingsCat No: PRMT 011Released: 1997 |
£6.00 |
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Utah SaintsFormat: Vinyl 12 InchGenre: Techno |
Something GoodA1 Something GoodA2 Anything Can Happen B1 Something Good (051 Mix By John Kelly) B2 Trance Atlantic Flight (33 Or 45rpm mix) |
FFRRCat No: FX 187Released: 1992 |
Out Of Stock |
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Information on the Techno genre
Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.