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  Artist Title Label Price

Heights Of Abraham

Format: Vinyl 12 Inch
Genre: Trip Hop

Scenic Vibe EP

A1 The Cleric
A2 Boogie Heights
AA1 700 Channels
AA2 Sunyatta

Pork Recordings

Cat No: Pork 022
Released: 1995



Format: Vinyl 12 Inch
Genre: Trip Hop

Inside Mixes

A1 Inside (Original Mix) (5:07)
A2 Inside (Radio Edit) (4:50)
B1 Inside (Nasty Mix) (5:07)
B2 Inside (Sure Shot Phat Mix) (5:43)
C Inside (Old Skool D.J. Party Mix) (7:43)
D1 Inside (C. Funk Club Mix) (6:12)
D2 Inside (Sure Shot Dark Dub) (5:53)

Funkasaurus Records

Cat No: FUNKR 004



Format: Vinyl 12 Inch
Genre: Trip Hop

Flying Squad

A Flying Squad
AA Burning Waterfall

Narcotix Inc

Cat No: NARC 2
Released: 1996


Howie B.

Format: Vinyl 12 Inch
Genre: Trip Hop


A1 Butt Meat
B1 Chewin' Bacco
B2 Undercover


Cat No: 5751871
Released: 1996


Depth Charge

Format: Vinyl Double 12 Inch
Genre: Trip Hop

Disko Airlines

A Disko Airlines (6:56)
B1 Disko Airlines (Drum Part 1) (4:55)
B2 Disko Airlines (Drum Part 2) (4:38)
C Disko Airlines (T.E.T. Air Mix) (8:47)
D Pyschophone Voices (5:21)

D.C. Recordings

Cat No: DC09
Released: 1998



Format: Vinyl 12 Inch
Genre: Trip Hop

オアシス / あれから

A1 オアシス (6:36)
A2 オアシス (北大中 Version) (5:52)
B1 あれから (5:47)
B2 オアシス (Instrumental) (6:36)

Real Eyes

Cat No: AIJT5084
Released: 2000


The Woodshed

Format: Vinyl 12 Inch
Genre: Trip Hop

Tales From The Woodshed Vol. 3

B Radio Woodshed
BB Sideways On My Mind

Cloak And Dagger Records

Cat No: none
Released: 1995
Out Of Stock


Format: Vinyl 12 Inch
Genre: Trip Hop


A1 Mysterons
A2 Sour Times
A3 Strangers
A4 It Could Be Sweet
A5 Wandering Star
B1 Numb
B2 Roads
B3 Pedestal
B4 Biscuit
B5 Glory Box

Go! Beat

Cat No: 828522-1
Released: 2008


DHS & DJ Slip

Format: Vinyl 12 Inch
Genre: Trip Hop

The House Of God

A The House Of God (Reinterpreted By DJ Slip In Minneapolis) (8:38)

Missile Records

Cat No: Missile 13.5
Released: 1996



Format: Vinyl Album
Genre: Trip Hop


A1 Cowboys (4:38)
A2 All Mine (3:59)
B1 Undenied (4:18)
B2 Half Day Closing (3:49)
B3 Over (4:00)
C1 Humming (6:02)
C2 Mourning Air (4:11)
C3 Seven Months (4:15)
D1 Only You (4:59)
D2 Elysium (5:54)
D3 Western Eyes (3:57)

Go! Beat

Cat No: 314-539 189-1


Massive Attack

Format: Vinyl Double Album
Genre: Trip Hop


A1 Angel (6:18)
A2 Risingson (4:58)
A3 Teardrop (5:29)
B1 Inertia Creeps (5:56)
B2 Exchange (4:11)
B3 Dissolved Girl (6:07)
C1 Man Next Door (5:55)
C2 Black Milk (6:20)
C3 Mezzanine (5:54)
D1 Group Four (8:13)
D2 (Exchange) (4:08)


Cat No: 0602537540433
Released: 2014


DJ Shadow

Format: Vinyl Double Album
Genre: Trip Hop


A1 Best Foot Forward
A2 Building Steam With A Grain Of Salt
A3 The Number Song
B1.1 Changeling
B1.2 **Transmission 1
B2 Stem/Long Stem
C1.1 **Transmission 2
C1.2 Mutual Slump
C2 Organ Donor
C3 Why Hip Hop Sucks In 96
C4 Midnight In A Perfect World
D1 Napalm Brain/Scatter Brain
D2.1 What Does Your Soul Look Like (Part 1 - Blue Sky Revisit)
D2.2 **Transmission3

Mo Wax

Cat No: 0600753351604
Released: 2011



Format: Vinyl 12 Inch
Genre: Trip Hop

God Bless

A1 God Bless (5:54)
A2 God Bless (Pulsinger Mix) (7:51)
B1 God Bless (Wagon Christ Mix) (6:03)
B2 God Bless (Godless Mix) (8:22)


Released: 1996



Format: Vinyl 12 Inch
Genre: Trip Hop

In A State

A In A State (DFA Remix)
B In A State (Meat Katie & Elite Force Remix)

Universal Island Records

Cat No: MWU 002TY
Released: 2003
Out Of Stock


Format: Vinyl 12 Inch
Genre: Trip Hop

All I Ask

A1 All I Ask (4:06)
B1 Premonition (5:35)
B2 All I Ask (DJ Spinna Mix) (4:27)

Grand Central Records

Cat No: GC 120
Released: 1999


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Information on the Trip Hop genre

Trip-hop is a music genre also known as the Bristol sound. The trip-hop description was applied to the musical trend in the mid-1990s of downtempo electronic music that grew out of England's hip hop and house scenes. It has been described as "Europe's alternative of choice in the second half of the '90s", and a one-up fusion "of Hip-Hop and Electronica until neither genre is recognizable." It is thus categorized as a fairly experimental genre, and sometimes with elements of Dance.

The style is characterized by the reliance on breakbeats and a sample-heavy, often moody sound pioneered by Coldcut's remix of Eric B. & Rakim's Paid in Full. Trip hop gained notice via popular artists such as Massive Attack, Portishead, Tricky, Björk, Goldfrapp, Moloko, Thievery Corporation, Amon Tobin, and rock-influenced sound groups such as Ruby, Bristol's band Ilya, California's DJ Shadow, Cut Chemist, Unkle, and the UK's Gorillaz, Howie B., Morcheeba, originating from Hythe in Kent, Londoners Glideascope, New York's Bowery Electric, and Seattle's Anomie Belle are also often associated with this sound. Massive Attack's debut album Blue Lines, is seen as the "blueprint" for the genre. Various American hip hop artists and albums have been influenced by trip hop. Examples include the Deltron 3030 (album), artists Cannibal Ox, Mos Def, DJ Two14, Kanye West, Kid Cudi, and producers Dan The Automator and Madlib.

Trip hop originated in the mid '90s in Bristol, England, during a time when American hip hop started to gain increasing popularity in Europe along with the then well established House music and dance scene.[citation needed] British DJs decided to put a local spin on the international phenomenon and developed hip hop into a different style, marking the birth of trip hop. The name is meant to suggest the spacey, down-tempo feeling of trip hop music. Originators in Bristol modified hip hop by adding a laid-back beat ("down tempo") – Bristol's signature sound in hip hop (trip hop's predecessor) was characterized by its emphasis on slow and heavy drum beats and a sound drawing heavily on acid jazz, Jamaican and dub music. Trip hop took root in Bristol partly because of its deeply rooted sound system culture and its relationship with a black identity. It is important to note that, as an important slave-trading centre in the 18th century, Bristol's black community has influenced black British identity for centuries. Under the influence of American hip hop from the 1980s both black and white British youth became consumers of hip hop. Hip hop in the UK was immediately fused with black soul and elements of dancehall.

The term "Trip hop" was coined by music journalist Andy Pemberton in the June 1994 issue of UK magazine Mixmag to describe the hip hop instrumental "In/Flux", a 1993 single by DJ Shadow, and other similar tracks released on the Mo' Wax label and being played in London clubs at the time. "In/Flux", with its mixed up bpms, spoken word samples, strings, melodies, bizarre noises, prominent bass, and slow beats, gave the listener the impression they were on a musical trip, according to Pemberton. James Brendall termed the experience of trip-hop with the combination of "computers and dope".

Massive Attack's first album Blue Lines in 1991, is often seen as the first manifestation of the "Bristol hip hop movement" (known as the "First Coming of Bristol Sound"). 1994 and '95 saw trip hop near the peak of its popularity. Massive Attack released their second album entitled Protection. Those years also marked the rise of Portishead, Tricky and Red Snapper (although from London). Portishead's female lead singer Beth Gibbons' sullen voice was mixed with samples of music from the '60s and '70s, as well as sound effects from LPs, giving the group a distinctive style. Tricky's style was characterized by murmuring and low-pitched singing. Artists and groups like Portishead and Tricky led the second wave of the Bristol Movement. This second wave produced music that was dreamy and atmospheric, and sometimes deep and gloomy.