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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: Trip Hop


A1 Yeah?
A2 Yeah? (The Danny Saber Mix)
B1 Yeah? (The Gucci Mix)
B2 Yeah? (Small Axe Mix)

Mother Records

Cat No: 12 MUM 72
Released: 1996



Format: Vinyl 12 Inch
Genre: Trip Hop


A1 GodDevil
A2 Amputate
B1 Blood In Transit
B2 GodDevil

Nation Records

Cat No: NAT 77T
Released: 1996



Format: Vinyl 12 Inch
Genre: Trip Hop

Charming Demons

A1 Charming Demons
A2 Charming Demons (Keep On Dreaming Vocal Mix)
B1 Charming Demons (The DJ Awe Mix)
B2 Charming Demons (Keep On Dreaming Dub Mix)


Cat No: topp045t
Released: 1996


The Herbaliser & What? What?

Format: Vinyl 12 Inch
Genre: Trip Hop

The Blend

A1 Herbal Blend
A2 Cuban Blend
B1 Peanut Butter Blend
B2 Mrs. Chombee Takes The Plunge

Ninja Tune

Cat No: ZEN 1254
Released: 1997



Format: Vinyl Album
Genre: Trip Hop


A1 Cowboys (4:38)
A2 All Mine (3:59)
B1 Undenied (4:18)
B2 Half Day Closing (3:49)
B3 Over (4:00)
C1 Humming (6:02)
C2 Mourning Air (4:11)
C3 Seven Months (4:15)
D1 Only You (4:59)
D2 Elysium (5:54)
D3 Western Eyes (3:57)

Go! Beat

Cat No: 314-539 189-1



Format: Vinyl 12 Inch
Genre: Trip Hop

Gary Super Macho

A1 Barry Super Macho (Dust Brothers Remix)
A2 Gary Super Macho (The Dirty Sanchez Mix)
B1 Gary Super Macho (Major Force West Remix)
B2 Gary Super Macho (Single Edit)

Mo Wax

Cat No: MW 081
Released: 1997



Format: Vinyl 12 Inch
Genre: Trip Hop

Rolling With Rai / Rhama

A1 Rolling With Rai
A2 Rolling Instrumental
A3 Arapella
B1 Rhama (Vocal)
B2 Rhama (Drum Mix)
B3 Rhama (Bass Mix)

Gee Street

Cat No: GEET18
Released: 1989



Format: Vinyl 12 Inch
Genre: Trip Hop

Inside (Original Mixes)

A1 Inside (Radio Edit) (4:50)
A2 Inside (Nasty Mix) (5:07)
A3 Inside (Sure Shot Fat Mix) (5:43)
B1 Inside (Old Skool DJ Party Mix) (7:43)
B2 Inside (C. Funk Club Mix) (6:12)

Ninja Tune

Cat No: ZEN 1227
Released: 1995


Fresh 'N' Funky & Carol McCleod

Format: Vinyl 12 Inch
Genre: Trip Hop

Chill Me

A1 Chill Me (Storming Mix)
A2 Chill Me (New School Mix)
AA1 Chill Me (Radio Mix)
AA2 Chill Me (Soul Mix)

Fresh 'N' Funky

Cat No: FRESH 1
Released: 1993



Format: Vinyl 12 Inch
Genre: Trip Hop

Airlock! 4 tracker

A1 Airlock!
A2 Airlock Squeeze
B1 Unlocked
B2 Airlock Dub


Cat No: SIRK 024
Released: 2001


La Mouche

Format: Vinyl 12 Inch
Genre: Trip Hop

The High And The Mighty

A1 The High And The Mighty
A2 Tombstones
B1 Strong Love
B2 You've Changed

Memphis Industries

Cat No: MI003T
Released: 2000


Naked Funk

Format: Vinyl 12 Inch
Genre: Trip Hop


A1 Alien Groove Sensation
AA1 Earthquake
AA2 Tawny Peaks

Pussyfoot Records

Released: 1995



Format: Vinyl Double 12 Inch
Genre: Trip Hop

Sincerely Yours, The DJ Edition

A1 Markus Kienzl Top Dog
A2 MUM Bounce
A3 I-Wolf/Electric Band Hard To Buy
B1 Albin Janoska Eleo
B2 Seelenluft Music For The Stars (New Version)
B3 Humbucker (2) Cincinnati Hawks
C1 MUM Miss Defied (Miss De-phied Remix)
C2 Mika Tramplin
D1 Senor Piccolino Mad Beans
D2 UKO Teleroc

Klein Records

Cat No: KL 029
Released: 2001


Bedlam Ago Go

Format: Vinyl Double 12 Inch
Genre: Trip Hop

Season No. 5

A Season No.5 (Album Version) (6:17)
B Season No.5 (Regular Fries Mix) (5:31)
C Season No.5 (Forest Fire Dub) (6:39)
D Season No.5 (Remainder Dub) (7:27)

Sony Soho Square

Cat No: BDLMP2 12
Released: 1998


DJ Shadow

Format: Vinyl Double Album
Genre: Trip Hop


A1 Best Foot Forward
A2 Building Steam With A Grain Of Salt
A3 The Number Song
B1.1 Changeling
B1.2 **Transmission 1
B2 Stem/Long Stem
C1.1 **Transmission 2
C1.2 Mutual Slump
C2 Organ Donor
C3 Why Hip Hop Sucks In 96
C4 Midnight In A Perfect World
D1 Napalm Brain/Scatter Brain
D2.1 What Does Your Soul Look Like (Part 1 - Blue Sky Revisit)
D2.2 **Transmission3

Mo Wax

Cat No: 0600753351604
Released: 2011


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Information on the Trip Hop genre

Trip-hop is a music genre also known as the Bristol sound. The trip-hop description was applied to the musical trend in the mid-1990s of downtempo electronic music that grew out of England's hip hop and house scenes. It has been described as "Europe's alternative of choice in the second half of the '90s", and a one-up fusion "of Hip-Hop and Electronica until neither genre is recognizable." It is thus categorized as a fairly experimental genre, and sometimes with elements of Dance.

The style is characterized by the reliance on breakbeats and a sample-heavy, often moody sound pioneered by Coldcut's remix of Eric B. & Rakim's Paid in Full. Trip hop gained notice via popular artists such as Massive Attack, Portishead, Tricky, Björk, Goldfrapp, Moloko, Thievery Corporation, Amon Tobin, and rock-influenced sound groups such as Ruby, Bristol's band Ilya, California's DJ Shadow, Cut Chemist, Unkle, and the UK's Gorillaz, Howie B., Morcheeba, originating from Hythe in Kent, Londoners Glideascope, New York's Bowery Electric, and Seattle's Anomie Belle are also often associated with this sound. Massive Attack's debut album Blue Lines, is seen as the "blueprint" for the genre. Various American hip hop artists and albums have been influenced by trip hop. Examples include the Deltron 3030 (album), artists Cannibal Ox, Mos Def, DJ Two14, Kanye West, Kid Cudi, and producers Dan The Automator and Madlib.

Trip hop originated in the mid '90s in Bristol, England, during a time when American hip hop started to gain increasing popularity in Europe along with the then well established House music and dance scene.[citation needed] British DJs decided to put a local spin on the international phenomenon and developed hip hop into a different style, marking the birth of trip hop. The name is meant to suggest the spacey, down-tempo feeling of trip hop music. Originators in Bristol modified hip hop by adding a laid-back beat ("down tempo") – Bristol's signature sound in hip hop (trip hop's predecessor) was characterized by its emphasis on slow and heavy drum beats and a sound drawing heavily on acid jazz, Jamaican and dub music. Trip hop took root in Bristol partly because of its deeply rooted sound system culture and its relationship with a black identity. It is important to note that, as an important slave-trading centre in the 18th century, Bristol's black community has influenced black British identity for centuries. Under the influence of American hip hop from the 1980s both black and white British youth became consumers of hip hop. Hip hop in the UK was immediately fused with black soul and elements of dancehall.

The term "Trip hop" was coined by music journalist Andy Pemberton in the June 1994 issue of UK magazine Mixmag to describe the hip hop instrumental "In/Flux", a 1993 single by DJ Shadow, and other similar tracks released on the Mo' Wax label and being played in London clubs at the time. "In/Flux", with its mixed up bpms, spoken word samples, strings, melodies, bizarre noises, prominent bass, and slow beats, gave the listener the impression they were on a musical trip, according to Pemberton. James Brendall termed the experience of trip-hop with the combination of "computers and dope".

Massive Attack's first album Blue Lines in 1991, is often seen as the first manifestation of the "Bristol hip hop movement" (known as the "First Coming of Bristol Sound"). 1994 and '95 saw trip hop near the peak of its popularity. Massive Attack released their second album entitled Protection. Those years also marked the rise of Portishead, Tricky and Red Snapper (although from London). Portishead's female lead singer Beth Gibbons' sullen voice was mixed with samples of music from the '60s and '70s, as well as sound effects from LPs, giving the group a distinctive style. Tricky's style was characterized by murmuring and low-pitched singing. Artists and groups like Portishead and Tricky led the second wave of the Bristol Movement. This second wave produced music that was dreamy and atmospheric, and sometimes deep and gloomy.