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  Artist Title Label Price

The Underwolves

Format: Vinyl 12 Inch
Genre: Trip Hop

So Blue It's Black

A So Blue It's Black (Restless Soul Peaktime Mix) (8:14)
B1 So Blue It's Black (Heavy Manners Mix) (5:39)
B2 So Blue It's Black (Radio Edit) (3:54)

Blue (Island)

Cat No: 12 PFA 5
Released: 2000



Format: Vinyl 12 Inch
Genre: Trip Hop

We Never Know

A We Never Know Except.... (Roni Size Remix) (5:57)
B1 We Never Know Except.... (Roni Size Remix Instrumental) (5:50)
B2 We Never Know (5:10)

Talkin' Loud

Cat No: TLDJ 19
Released: 1996



Format: Vinyl 12 Inch
Genre: Trip Hop

Je T'Aime...Moi Non Plus

A1 Je T'aime...Moi Non Plus (Extended Album Mix)
A2 In Between The Sheets
B1 Send A Message
B2 Je T'Aime...Moi Non Plus (I Dub You)


Cat No: 12 EMDJ 344


The Dysfunctional Psychedelic Waltons

Format: Vinyl 12 Inch
Genre: Trip Hop

Payback Time

A1 Payback Time (Nellee Hooper Master Mix)
A2 Payback Time (K-Paul Remix)
B1 Payback Time (Jacques Lu Cont's TWD Mix)
B2 Payback Time (A Deadly Avenger Mix)

Sony Music UK

Cat No: 673762 6
Released: 2003


Naked Funk

Format: Vinyl 12 Inch
Genre: Trip Hop


A1 Alien Groove Sensation
AA1 Earthquake
AA2 Tawny Peaks


Released: 1995
Out Of Stock


Format: Vinyl 12 Inch
Genre: Trip Hop

Glory Box

A1 Glory Box
A2 Glory Box (Toy Box)
B1 Glory Box (Scorn)
B2 Glory Box (Sheared Box)

Go! Discs

Cat No: GODX 120
Released: 1994


Massive Attack

Format: Vinyl 12 Inch
Genre: Trip Hop

Unfinished Sympathy

A1 Unfinished Sympathy (Paul Oakenfold Mix) (5:18)
A2 Unfinished Sympathy (Paul Oakenfold Instrumental Mix) (5:18)
AA1 Unfinished Sympathy (Original) (5:12)
AA2 Unfinished Sympathy (Instrumental) (4:08)

Wild Bunch Records

Cat No: WBRT 2
Released: 1991
Out Of Stock

Godhead & Triad

Format: Vinyl 12 Inch
Genre: Trip Hop

Surface Tension E.P.

A1 Godhead (2) Travelling Road
A2 Godhead (2) Detour
A3 Godhead (2) Lalo's Speedboat
B1 Triad Prequel



Cat No: FRAG 002
Released: 1997


DJ Shadow

Format: Vinyl Double Album
Genre: Trip Hop


A1 Best Foot Forward
A2 Building Steam With A Grain Of Salt
A3 The Number Song
B1.1 Changeling
B1.2 **Transmission 1
B2 Stem/Long Stem
C1.1 **Transmission 2
C1.2 Mutual Slump
C2 Organ Donor
C3 Why Hip Hop Sucks In 96
C4 Midnight In A Perfect World
D1 Napalm Brain/Scatter Brain
D2.1 What Does Your Soul Look Like (Part 1 - Blue Sky Revisit)
D2.2 **Transmission3

Mo Wax

Cat No: 0600753351604
Released: 2011
Out Of Stock

Morcheeba & Slick Rick

Format: Vinyl 12 Inch
Genre: Trip Hop

Women Lose Weight

A1 Women Lose Weight (Alchemist Remix) (4:48)
A2 Women Lose Weight (Alchemist Instrumental) (4:48)
B1 Women Lose Weight (Morcheeba Spare Tyre Remix) (3:48)
B2 Women Lose Weight (4:15)
B3 Women Lose Weight (Acapella) (3:47)

Reprise Records

Cat No: 0927-48633-0
Released: 2002


DJ Cam

Format: Vinyl Double 12 Inch
Genre: Trip Hop

Meera Remix Collection

A1 Meera (Radio Edit)
A2 Meera (Late Evening Dub)
B1 Meera (Hip Hop Revolution Vocal Remix)
B2 Meera (Hip Hop Revolution Dub)
C1 Meera (Child's View Remix Pt.1)
C2 Meera (Child's View Remix Pt.2)
D Meera (Dark Angel Remix)


Cat No: COL 663717 6
Released: 1997



Format: Vinyl 12 Inch
Genre: Trip Hop

I'll Do Ya

A1 I'll Do Ya (3:57)
A2 The Now Thing (5:35)
B1 Sexy M.M. (4:32)
B2 I'll Do Ya (8:25)

Hut Recordings

Cat No: HUTT51
Released: 1995


Da Cheeba Hawks

Format: Vinyl 12 Inch
Genre: Trip Hop

Tic Toc

A1 Tic Toc (85 Flavor Mix) (4:28)
A2 ILL Blunt Story (Sparked Up Vocal) (3:50)
A3 ILL Blunt Bonus Beats (2:24)
B1 Butters - Another Fat Joint (Blunted 3 AM Pass) (3:22)
B2 Botanu Dance Step (After Hours Mix) (3:18)

AV8 Records

Cat No: AV06
Released: 1995



Format: Vinyl 12 Inch
Genre: Trip Hop

Coming Up For Air

A1 Coming Up For Air (7" Mix)
A2 Coming Up For Air (Full Mix)
B1 1, 2, 3 And...?
B2 Coming Up For Air (Instrumental Mix)


Cat No: PUSSY 024
Released: 1998



Format: Vinyl 12 Inch
Genre: Trip Hop


A1 Purple (12" Master) (6:00)
A2 Purple (A Tribe Called Quest Edit) (4:21)
B1 Purple (La Femme D'Argent Mix) (3:07)
B2 Purple (Mr Scruff Mix) (6:46)


Cat No: JIVE T 401
Released: 1997
Out Of Stock
Page of 26 next >>

Information on the Trip Hop genre

Trip-hop is a music genre also known as the Bristol sound. The trip-hop description was applied to the musical trend in the mid-1990s of downtempo electronic music that grew out of England's hip hop and house scenes. It has been described as "Europe's alternative of choice in the second half of the '90s", and a one-up fusion "of Hip-Hop and Electronica until neither genre is recognizable." It is thus categorized as a fairly experimental genre, and sometimes with elements of Dance.

The style is characterized by the reliance on breakbeats and a sample-heavy, often moody sound pioneered by Coldcut's remix of Eric B. & Rakim's Paid in Full. Trip hop gained notice via popular artists such as Massive Attack, Portishead, Tricky, Björk, Goldfrapp, Moloko, Thievery Corporation, Amon Tobin, and rock-influenced sound groups such as Ruby, Bristol's band Ilya, California's DJ Shadow, Cut Chemist, Unkle, and the UK's Gorillaz, Howie B., Morcheeba, originating from Hythe in Kent, Londoners Glideascope, New York's Bowery Electric, and Seattle's Anomie Belle are also often associated with this sound. Massive Attack's debut album Blue Lines, is seen as the "blueprint" for the genre. Various American hip hop artists and albums have been influenced by trip hop. Examples include the Deltron 3030 (album), artists Cannibal Ox, Mos Def, DJ Two14, Kanye West, Kid Cudi, and producers Dan The Automator and Madlib.

Trip hop originated in the mid '90s in Bristol, England, during a time when American hip hop started to gain increasing popularity in Europe along with the then well established House music and dance scene.[citation needed] British DJs decided to put a local spin on the international phenomenon and developed hip hop into a different style, marking the birth of trip hop. The name is meant to suggest the spacey, down-tempo feeling of trip hop music. Originators in Bristol modified hip hop by adding a laid-back beat ("down tempo") – Bristol's signature sound in hip hop (trip hop's predecessor) was characterized by its emphasis on slow and heavy drum beats and a sound drawing heavily on acid jazz, Jamaican and dub music. Trip hop took root in Bristol partly because of its deeply rooted sound system culture and its relationship with a black identity. It is important to note that, as an important slave-trading centre in the 18th century, Bristol's black community has influenced black British identity for centuries. Under the influence of American hip hop from the 1980s both black and white British youth became consumers of hip hop. Hip hop in the UK was immediately fused with black soul and elements of dancehall.

The term "Trip hop" was coined by music journalist Andy Pemberton in the June 1994 issue of UK magazine Mixmag to describe the hip hop instrumental "In/Flux", a 1993 single by DJ Shadow, and other similar tracks released on the Mo' Wax label and being played in London clubs at the time. "In/Flux", with its mixed up bpms, spoken word samples, strings, melodies, bizarre noises, prominent bass, and slow beats, gave the listener the impression they were on a musical trip, according to Pemberton. James Brendall termed the experience of trip-hop with the combination of "computers and dope".

Massive Attack's first album Blue Lines in 1991, is often seen as the first manifestation of the "Bristol hip hop movement" (known as the "First Coming of Bristol Sound"). 1994 and '95 saw trip hop near the peak of its popularity. Massive Attack released their second album entitled Protection. Those years also marked the rise of Portishead, Tricky and Red Snapper (although from London). Portishead's female lead singer Beth Gibbons' sullen voice was mixed with samples of music from the '60s and '70s, as well as sound effects from LPs, giving the group a distinctive style. Tricky's style was characterized by murmuring and low-pitched singing. Artists and groups like Portishead and Tricky led the second wave of the Bristol Movement. This second wave produced music that was dreamy and atmospheric, and sometimes deep and gloomy.