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Artist | Title | Label | Price | |
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The UnderwolvesFormat: Vinyl 12 InchGenre: Trip Hop |
So Blue It's BlackA So Blue It's Black (Restless Soul Peaktime Mix) (8:14)B1 So Blue It's Black (Heavy Manners Mix) (5:39) B2 So Blue It's Black (Radio Edit) (3:54) |
Blue (Island)Cat No: 12 PFA 5Released: 2000 |
£4.00 |
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NicoletteFormat: Vinyl 12 InchGenre: Trip Hop |
We Never KnowA We Never Know Except.... (Roni Size Remix) (5:57)B1 We Never Know Except.... (Roni Size Remix Instrumental) (5:50) B2 We Never Know (5:10) |
Talkin' LoudCat No: TLDJ 19Released: 1996 |
£4.00 |
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BlownFormat: Vinyl 12 InchGenre: Trip Hop |
Je T'Aime...Moi Non PlusA1 Je T'aime...Moi Non Plus (Extended Album Mix)A2 In Between The Sheets B1 Send A Message B2 Je T'Aime...Moi Non Plus (I Dub You) |
EMICat No: 12 EMDJ 344 |
£3.00 |
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The Dysfunctional Psychedelic WaltonsFormat: Vinyl 12 InchGenre: Trip Hop |
Payback TimeA1 Payback Time (Nellee Hooper Master Mix)A2 Payback Time (K-Paul Remix) B1 Payback Time (Jacques Lu Cont's TWD Mix) B2 Payback Time (A Deadly Avenger Mix) |
Sony Music UKCat No: 673762 6Released: 2003 |
£4.00 |
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Naked FunkFormat: Vinyl 12 InchGenre: Trip Hop |
EarthquakeA1 Alien Groove SensationAA1 Earthquake AA2 Tawny Peaks |
PussyfootCat No: PUSSYFOOT 005Released: 1995 |
Out Of Stock |
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PortisheadFormat: Vinyl 12 InchGenre: Trip Hop |
Glory BoxA1 Glory BoxA2 Glory Box (Toy Box) B1 Glory Box (Scorn) B2 Glory Box (Sheared Box) |
Go! DiscsCat No: GODX 120Released: 1994 |
£16.00 |
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Massive AttackFormat: Vinyl 12 InchGenre: Trip Hop |
Unfinished SympathyA1 Unfinished Sympathy (Paul Oakenfold Mix) (5:18)A2 Unfinished Sympathy (Paul Oakenfold Instrumental Mix) (5:18) AA1 Unfinished Sympathy (Original) (5:12) AA2 Unfinished Sympathy (Instrumental) (4:08) |
Wild Bunch RecordsCat No: WBRT 2Released: 1991 |
Out Of Stock |
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Godhead & TriadFormat: Vinyl 12 InchGenre: Trip Hop |
Surface Tension E.P.A1 Godhead (2) Travelling RoadA2 Godhead (2) Detour A3 Godhead (2) Lalo's Speedboat B1 Triad Prequel ![]() |
FragmentsCat No: FRAG 002Released: 1997 |
£7.00 |
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DJ ShadowFormat: Vinyl Double AlbumGenre: Trip Hop |
Endtroducing.....A1 Best Foot ForwardA2 Building Steam With A Grain Of Salt A3 The Number Song B1.1 Changeling B1.2 **Transmission 1 B2 Stem/Long Stem C1.1 **Transmission 2 C1.2 Mutual Slump C2 Organ Donor C3 Why Hip Hop Sucks In 96 C4 Midnight In A Perfect World D1 Napalm Brain/Scatter Brain D2.1 What Does Your Soul Look Like (Part 1 - Blue Sky Revisit) D2.2 **Transmission3 |
Mo WaxCat No: 0600753351604Released: 2011 |
Out Of Stock |
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Morcheeba & Slick RickFormat: Vinyl 12 InchGenre: Trip Hop |
Women Lose WeightA1 Women Lose Weight (Alchemist Remix) (4:48)A2 Women Lose Weight (Alchemist Instrumental) (4:48) B1 Women Lose Weight (Morcheeba Spare Tyre Remix) (3:48) B2 Women Lose Weight (4:15) B3 Women Lose Weight (Acapella) (3:47) |
Reprise RecordsCat No: 0927-48633-0Released: 2002 |
£5.00 |
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DJ CamFormat: Vinyl Double 12 InchGenre: Trip Hop |
Meera Remix CollectionA1 Meera (Radio Edit)A2 Meera (Late Evening Dub) B1 Meera (Hip Hop Revolution Vocal Remix) B2 Meera (Hip Hop Revolution Dub) C1 Meera (Child's View Remix Pt.1) C2 Meera (Child's View Remix Pt.2) D Meera (Dark Angel Remix) |
ColumbiaCat No: COL 663717 6Released: 1997 |
£5.00 |
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WhaleFormat: Vinyl 12 InchGenre: Trip Hop |
I'll Do YaA1 I'll Do YaA2 The Now Thing B1 Sexy M.M. (4:32) B2 I'll Do Ya |
Hut RecordingsCat No: HUTT51Released: 1995 |
£5.00 |
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Da Cheeba HawksFormat: Vinyl 12 InchGenre: Trip Hop |
Tic TocA1 Tic Toc (85 Flavor Mix) (4:28)A2 ILL Blunt Story (Sparked Up Vocal) (3:50) A3 ILL Blunt Bonus Beats (2:24) B1 Butters - Another Fat Joint (Blunted 3 AM Pass) (3:22) B2 Botanu Dance Step (After Hours Mix) (3:18) |
AV8 RecordsCat No: AV06Released: 1995 |
£5.00 |
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DobieFormat: Vinyl 12 InchGenre: Trip Hop |
Coming Up For AirA1 Coming Up For Air (7" Mix)A2 Coming Up For Air (Full Mix) B1 1, 2, 3 And...? B2 Coming Up For Air (Instrumental Mix) |
PussyfootCat No: PUSSY 024Released: 1998 |
£4.00 |
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CrustationFormat: Vinyl 12 InchGenre: Trip Hop |
PurpleA1 Purple (12" Master) (6:00)A2 Purple (A Tribe Called Quest Edit) (4:21) B1 Purple (La Femme D'Argent Mix) (3:07) B2 Purple (Mr Scruff Mix) (6:46) |
JiveCat No: JIVE T 401Released: 1997 |
Out Of Stock |
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Information on the Trip Hop genre
Trip-hop is a music genre also known as the Bristol sound. The trip-hop description was applied to the musical trend in the mid-1990s of downtempo electronic music that grew out of England's hip hop and house scenes. It has been described as "Europe's alternative of choice in the second half of the '90s", and a one-up fusion "of Hip-Hop and Electronica until neither genre is recognizable." It is thus categorized as a fairly experimental genre, and sometimes with elements of Dance.The style is characterized by the reliance on breakbeats and a sample-heavy, often moody sound pioneered by Coldcut's remix of Eric B. & Rakim's Paid in Full. Trip hop gained notice via popular artists such as Massive Attack, Portishead, Tricky, Björk, Goldfrapp, Moloko, Thievery Corporation, Amon Tobin, and rock-influenced sound groups such as Ruby, Bristol's band Ilya, California's DJ Shadow, Cut Chemist, Unkle, and the UK's Gorillaz, Howie B., Morcheeba, originating from Hythe in Kent, Londoners Glideascope, New York's Bowery Electric, and Seattle's Anomie Belle are also often associated with this sound. Massive Attack's debut album Blue Lines, is seen as the "blueprint" for the genre. Various American hip hop artists and albums have been influenced by trip hop. Examples include the Deltron 3030 (album), artists Cannibal Ox, Mos Def, DJ Two14, Kanye West, Kid Cudi, and producers Dan The Automator and Madlib.
Trip hop originated in the mid '90s in Bristol, England, during a time when American hip hop started to gain increasing popularity in Europe along with the then well established House music and dance scene.[citation needed] British DJs decided to put a local spin on the international phenomenon and developed hip hop into a different style, marking the birth of trip hop. The name is meant to suggest the spacey, down-tempo feeling of trip hop music. Originators in Bristol modified hip hop by adding a laid-back beat ("down tempo") – Bristol's signature sound in hip hop (trip hop's predecessor) was characterized by its emphasis on slow and heavy drum beats and a sound drawing heavily on acid jazz, Jamaican and dub music. Trip hop took root in Bristol partly because of its deeply rooted sound system culture and its relationship with a black identity. It is important to note that, as an important slave-trading centre in the 18th century, Bristol's black community has influenced black British identity for centuries. Under the influence of American hip hop from the 1980s both black and white British youth became consumers of hip hop. Hip hop in the UK was immediately fused with black soul and elements of dancehall.
The term "Trip hop" was coined by music journalist Andy Pemberton in the June 1994 issue of UK magazine Mixmag to describe the hip hop instrumental "In/Flux", a 1993 single by DJ Shadow, and other similar tracks released on the Mo' Wax label and being played in London clubs at the time. "In/Flux", with its mixed up bpms, spoken word samples, strings, melodies, bizarre noises, prominent bass, and slow beats, gave the listener the impression they were on a musical trip, according to Pemberton. James Brendall termed the experience of trip-hop with the combination of "computers and dope".
Massive Attack's first album Blue Lines in 1991, is often seen as the first manifestation of the "Bristol hip hop movement" (known as the "First Coming of Bristol Sound"). 1994 and '95 saw trip hop near the peak of its popularity. Massive Attack released their second album entitled Protection. Those years also marked the rise of Portishead, Tricky and Red Snapper (although from London). Portishead's female lead singer Beth Gibbons' sullen voice was mixed with samples of music from the '60s and '70s, as well as sound effects from LPs, giving the group a distinctive style. Tricky's style was characterized by murmuring and low-pitched singing. Artists and groups like Portishead and Tricky led the second wave of the Bristol Movement. This second wave produced music that was dreamy and atmospheric, and sometimes deep and gloomy.