Stock Level:
[ reset ]
324 Records Match your Search
[ Change Stock Level above to view In Stock, Latest & Sale Items, and the other search fields to narrow down your Search ]
Page of 22 next >>
  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: Trip Hop

In A State

A In A State (DFA Remix)
B In A State (Meat Katie & Elite Force Remix)

Universal Island Records

Cat No: MWU 002TY
Released: 2003



Format: Vinyl 12 Inch
Genre: Trip Hop

All I Ask

A1 All I Ask (4:06)
B1 Premonition (5:35)
B2 All I Ask (DJ Spinna Mix) (4:27)

Grand Central Records

Cat No: GC 120
Released: 1999


1 Giant Leap

Format: Vinyl 12 Inch
Genre: Trip Hop

Braided Hair

A1 Braided Hair (Album Version)
A2 Braided Hair (Rae & Christian Mix)
B1 Ma' Africa (W.O.S.P. 'Thru The Jungle Mix')

Palm Pictures

Cat No: PP12 7082-1
Released: 2001


Morcheeba & Big Daddy Kane

Format: Vinyl 12 Inch
Genre: Trip Hop

What's Your Name

A What's Your Name (Club Mix)
B What's Your Name (Instrumental)

Not On Label (Morcheeba)

Cat No: 5050466662804


Cyclops 4000

Format: Vinyl 12 Inch
Genre: Trip Hop


A1 Macroscope
A2 Macroscope (Instrumental)
B1 Macroscope (Runaways Remix)
B2 Macroscope (Voyager Remix)

Ultimate Dilemma

Cat No: UDR 013
Released: 1997



Format: Coloured Vinyl 12 Inch
Genre: Trip Hop

Contact From The Underworld

A Weeding
B1 Making A Noise (Midnight Special)
B2 Outskirts (Butter Mix)

Pussyfoot Records

Cat No: SPRO 7087 6 12823 1 3
Released: 1997



Format: Vinyl 12 Inch
Genre: Trip Hop


A1 Fidelity
A2 Stresed Out
B1 Charisma
B2 Vie Eternelle

Eklektik Records

Cat No: EKR200803
Released: 2008


Jaz Klash

Format: Vinyl Double 12 Inch
Genre: Trip Hop

Thru The Haze

A Thru The Haze (Original)
B Thru The Haze (The Angel Remix)
B2 Thru The Haze (Spearhead Blak Militia Remix)
C Thru The Haze (Suv Remix)
D Thru The Haze (More Rockers Remix)

Cup Of Tea Records

Cat No: COT 047
Released: 1997


Dope Fiends

Format: Vinyl Album
Genre: Trip Hop

Helter Skelter

A1 Openeing Sequence - A Crime In Mind
A2 Really In Detroit
A3 Helicopters At Dawn
A4 Love Theme
A5 Intermission
B1 November Rain
B2 Imposter´s Theme
B3 One For The Road
B4 The Chase
B5 End Titles - Reprise

Seven Records (UK)

Cat No: SEVE 007
Released: 1996


Nickodemus & Osiris

Format: Vinyl 12 Inch
Genre: Trip Hop

Why Can't We Live Together?

A1 Why Can't We Live Together? (Full Vocal Version)
A2 Why Can't We Live In Peace? (Beats)
B1 Why Can't We Live Together? (Baby Mammoth Remix)
B2 Why Can't We Live Together? (Original Instrumental Edit)

Giant Step Records

Cat No: GSTP 7024-1
Released: 2002


Children Of Judah

Format: Vinyl 12 Inch
Genre: Trip Hop

To The Bone (Let's Get Stoned)

A To The Bone (Let's Get Stoned)
B1 To The Bone (Version)
B2 To The Bone (Version Instrumental)

13th Tribe Music

Cat No: Tribe 001
Released: 1993


Innerface & Beverley-C

Format: Vinyl 12 Inch
Genre: Trip Hop


A1 Lies (Original Version)
A2 Lies (Original Instrumental)
B1 Lies (Unsung Remix)
B2 Lies (Unsung Instrumental)

Scenario Records

Cat No: SC005


Deep Freeze Productions

Format: Vinyl Album
Genre: Trip Hop

If They Move Kill Em

A1 Who The Hell
A2 Indasoupe
A3 Let Sleeping Dogs Lie
A4 5th Dimension
B1 Instant Mayhem
B2 Burnt Sienna
B3 Indasoupe (2nd Mix)
B4 Beat The Hell

Sure Shot Records

Cat No: SSR LP 002
Released: 1997


Mr. Electric Triangle

Format: Vinyl 12 Inch
Genre: Trip Hop

Is The 'erb Dope

A1 Is The 'Erb Dope
A2 Is The 'Erb Dope (Is The 'Erb Dub)
B1 Laters
B2 Under The Sun
B3 Bonus Track

2 Kool

Cat No: TKT 15
Released: 1995



Format: Vinyl 12 Inch
Genre: Trip Hop


A1 Music Box
A2 Piano Player
B1 Rocket To Da Moon
B2 Jazz Ov Da Funk

Prohibit Records

Cat No: PHB 002
Released: 1998


Page of 22 next >>

Information on the Trip Hop genre

Trip-hop is a music genre also known as the Bristol sound. The trip-hop description was applied to the musical trend in the mid-1990s of downtempo electronic music that grew out of England's hip hop and house scenes. It has been described as "Europe's alternative of choice in the second half of the '90s", and a one-up fusion "of Hip-Hop and Electronica until neither genre is recognizable." It is thus categorized as a fairly experimental genre, and sometimes with elements of Dance.

The style is characterized by the reliance on breakbeats and a sample-heavy, often moody sound pioneered by Coldcut's remix of Eric B. & Rakim's Paid in Full. Trip hop gained notice via popular artists such as Massive Attack, Portishead, Tricky, Björk, Goldfrapp, Moloko, Thievery Corporation, Amon Tobin, and rock-influenced sound groups such as Ruby, Bristol's band Ilya, California's DJ Shadow, Cut Chemist, Unkle, and the UK's Gorillaz, Howie B., Morcheeba, originating from Hythe in Kent, Londoners Glideascope, New York's Bowery Electric, and Seattle's Anomie Belle are also often associated with this sound. Massive Attack's debut album Blue Lines, is seen as the "blueprint" for the genre. Various American hip hop artists and albums have been influenced by trip hop. Examples include the Deltron 3030 (album), artists Cannibal Ox, Mos Def, DJ Two14, Kanye West, Kid Cudi, and producers Dan The Automator and Madlib.

Trip hop originated in the mid '90s in Bristol, England, during a time when American hip hop started to gain increasing popularity in Europe along with the then well established House music and dance scene.[citation needed] British DJs decided to put a local spin on the international phenomenon and developed hip hop into a different style, marking the birth of trip hop. The name is meant to suggest the spacey, down-tempo feeling of trip hop music. Originators in Bristol modified hip hop by adding a laid-back beat ("down tempo") – Bristol's signature sound in hip hop (trip hop's predecessor) was characterized by its emphasis on slow and heavy drum beats and a sound drawing heavily on acid jazz, Jamaican and dub music. Trip hop took root in Bristol partly because of its deeply rooted sound system culture and its relationship with a black identity. It is important to note that, as an important slave-trading centre in the 18th century, Bristol's black community has influenced black British identity for centuries. Under the influence of American hip hop from the 1980s both black and white British youth became consumers of hip hop. Hip hop in the UK was immediately fused with black soul and elements of dancehall.

The term "Trip hop" was coined by music journalist Andy Pemberton in the June 1994 issue of UK magazine Mixmag to describe the hip hop instrumental "In/Flux", a 1993 single by DJ Shadow, and other similar tracks released on the Mo' Wax label and being played in London clubs at the time. "In/Flux", with its mixed up bpms, spoken word samples, strings, melodies, bizarre noises, prominent bass, and slow beats, gave the listener the impression they were on a musical trip, according to Pemberton. James Brendall termed the experience of trip-hop with the combination of "computers and dope".

Massive Attack's first album Blue Lines in 1991, is often seen as the first manifestation of the "Bristol hip hop movement" (known as the "First Coming of Bristol Sound"). 1994 and '95 saw trip hop near the peak of its popularity. Massive Attack released their second album entitled Protection. Those years also marked the rise of Portishead, Tricky and Red Snapper (although from London). Portishead's female lead singer Beth Gibbons' sullen voice was mixed with samples of music from the '60s and '70s, as well as sound effects from LPs, giving the group a distinctive style. Tricky's style was characterized by murmuring and low-pitched singing. Artists and groups like Portishead and Tricky led the second wave of the Bristol Movement. This second wave produced music that was dreamy and atmospheric, and sometimes deep and gloomy.