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  Artist Title Label Price

One Drop

Format: Vinyl 12 Inch
Genre: UK Garage

Keep On

A Keep On (Waldo Mix)
B Keep On (Live Mix)

Diversion,s

Cat No: RMS 001

£5.00

Project MSC & Ce Ce Rogers

Format: Vinyl 12 Inch
Genre: UK Garage

Superstar

A1 Superstar (Blaze Vocal Mix)
A2 Superstar (Divine Sounds Orchestra Mix)
AA1 Superstar (Smokin Beats Club)
AA2 Superstar (Xen Mantra Delirium Dub)

Blackjack Phonographics

Cat No: BJAK 1206
Released: 1997

£6.50

Colonel Reefa

Format: Vinyl 12 Inch
Genre: UK Garage

Spell It Out

REFLEX ONES BREAKBEAT VOCAL MIX, ORIGINAL 2 sTEP mIX, BREAKBEAT DUB, 2STEP RADIO EDIT
Listen

Nice 'n' Ripe

Cat No: NNR048
Released: 2001

£8.00

Prospect Park & Carolyn Harding

Format: Vinyl 12 Inch
Genre: UK Garage

Movin' On (Matthew Roberts / Revival 3000 Dem 2 Mixes)

A1 Movin' On (Matthew's Movin' Mix)
A2 Movin' On (Revival 3000 Roar Mix)
AA1 Movin' On (Dem 2's Mood 2 Dub Mix)
AA2 Movin' On (Revival 3000 Acappella)

AM:PM

Cat No: 582 733 1
Released: 1998

£7.00

The Streets

Format: Vinyl 12 Inch
Genre: UK Garage

Has It Come To This?

A1 The Streets & DJ Zinc Has It Come To This? (Distraction) (Stanton Warriors Mix Concept)
A2 The Streets Has It Come To This? (Original Mix)
B1 The Streets Has It Come To This? (Zed Bias Dub Mix)

679

Cat No: 679L001T
Released: 2001

£7.50

Indica & Shelly Nelson

Format: Vinyl 12 Inch
Genre: UK Garage

Thinking Of You

A Thinking Of You (Main Mix)
B Thinking Of You (Dub Mix)

Funklife

Cat No: FL 006
Released: 2006

£2.00

Shanks & Bigfoot

Format: Vinyl 12 Inch
Genre: UK Garage

Sweet Like Chocolate

A Sweet Like Chocolate (Shanks & Bigfoot Original Mix) (6:55)
B Sweet Like Chocolate (Ruff Driverz Vocal) (5:46)

Pepper Records

Cat No: 0530350
Released: 1999

£5.00

K-Warren & Lee-O

Format: Vinyl 12 Inch
Genre: UK Garage

Coming Home

A1 Coming Home (K-Warren Remix) (5:57)
B1 Coming Home (Hackney Soldiers Remix) (4:56)
B2 Coming Home (Reach & Spin Remix) (5:50)

Go! Beat

Cat No: GOBX41
Released: 2001

£4.00

Ellie

Format: Vinyl 12 Inch
Genre: UK Garage

Soul Searching

A1 Soul Searching (Dexter Ricco / Dubaholic 4 x 4 Vocal Mix)
A2 Soul Searching (Ginger T's Vision Mix)
B1 Soul Searching (Dexter Ricco / Dubaholics 'The 2 Step Jump')
B2 Soul Searching (Dexter Ricco / Dubaholics 'The 2 Step Jump Dub')

Not On Label

Cat No: G-002
Released: 2000

£6.00

Scott Garcia

Format: Vinyl 12 Inch
Genre: UK Garage

A London Thing / 4 The Ladies

A A London Thing (London Mix)
AA 4 The Ladies (Garcia's Unreleased Mix)

Underground Connection

Cat No: UC202001
Released: 2020

£13.00

Strickly Dubz

Format: Vinyl 12 Inch
Genre: UK Garage

Realise

Dis Side
A Realise (5:17)
Dat Side
B1 Thinking Of You (5:20)
B2 Hey Yo Alright (5:24)

Strickly Dubz

Cat No: VIC7
Released: 1999
Out Of Stock

All Saints

Format: Vinyl 12 Inch
Genre: UK Garage

Never Ever

A Never Ever (All Star Remix )
B Never Ever (Booker T's Vocal Mix)

London Records

Cat No: LONX 407
Released: 1997

£7.00

Scott & Leon & Sylvia Mason-James

Format: Vinyl 12 Inch
Genre: UK Garage

Shine On

A1 Shine On (Original 12" Mix)
A2 Shine On (Dubaholics Sweet & Sour Mix)
AA1 Shine On (Bassline Mix)
AA2 Shine On (Electrique Boutique Remix)

AM:PM

Cat No: 12AMPM 143
Released: 2001

£4.00

Byron Stingily

Format: Vinyl 12 Inch
Genre: UK Garage

How Could I Know?

A How Could I Know? (Shanks & Bigfoot Extended Mix)
B How Could I Know? (Shanks & Bigfoot Radio Edit)

Clinical Records

Cat No: CLN001
Released: 2000

£3.00

Urban Soul

Format: Vinyl 12 Inch
Genre: UK Garage

Love Is So Nice

A1 Love Is So Nice (Colour System Inc. Classic Vocal)
A2 Love Is So Nice (Whiplash U-Soul Mix)
B1 Love Is So Nice (DJ Tonka's Till Sunrise Remix)
B2 Love Is So Nice (Pound Boys Groove Mix)

VC Recordings

Cat No: VCRTDJ 33
Released: 1998

£3.00

Page of 297 next >>

Information on the UK Garage genre

UK garage (also known as UKG or simply garage) is a genre of electronic dance music originating from the United Kingdom in the mid-1990s. UK garage is a descendant of house music which orinated in Chicago & New York US by African Americans. . UK garage usually features a distinctive syncopated 4-4 percussive rhythm with 'shuffling' hi-hats and beat-skipping kick drums. Garage tracks also commonly feature 'chopped up' and time-shifted or pitch-shifted vocal samples complementing the underlying rhythmic structure. UK garage is often associated with the hardcore continuum. UK garage was largely subsumed into other styles of music and production in the mid-2000s, notably within hip-hop and urban music. It also spawned multiple off-shoots including Grime, Dubstep and Bassline.

In the UK, where jungle was very popular at the time, garage was played in a second room at jungle events. DJs started to speed up garage tracks to make them more suitable for the jungle audience in the UK. The media started to call this tempo-altered type of garage music "speed garage", 4x4 and 2-step's predecessor. DJs would usually play dub versions (arrangements without vocals) of garage tracks, because pitch-shifting vocals could sometimes render the music unrecognizable (although sped up and time stretched vocals were an important part of the early jungle sound, and later played a key role in speed garage). The absence of vocals left space in the music for MCs, who started rhyming to the records. Since then MCs have become one of the vital aspects of Speed and UK garage parties and records. Early promoters of speed garage included the Dreem Team and Tuff Jam and pirate radio stations like London Underground, Ice FM, Magic Fm, Mac Fm, Upfront Fm, and Freek Fm. During its initial phase, the speed garage scene was also known as "the Sunday scene", as initially speed garage promoters could only hire venues on Sunday evenings (venue owners preferred to save Friday and Saturday nights for more popular musical styles). Labels whose outputs would become synonymous with the emerging speed garage sound included Confetti, Public Demand, 500 Rekords, Spread Love and VIP. Debate continues to rage over the first true speed garage record; contenders include "So More (I Refuse)" by Industry Standard, "Love Bug" by Ramsey and Fen, 'RIP Groove' by Double-99, and Armand van Helden's remix of Tori Amos's "Professional Widow". Speed garage tracks were characterised by a sped-up house-style beat, complimented by the rolling snares and reverse-warped basslines that were popular with the drum & bass producers of the time. Speed garage already incorporated many aspects of today's UK garage sound like sub-bass lines, ragga vocals, spin backs and reversed drums. What changed over time, until the so called 2-step sound emerged, was the addition of further funky elements like R&B vocals, more shuffled beats and a different drum pattern. The most radical change from speed garage to 2-step was the removal of the 2nd and 4th bass kick from each bar. Although tracks with only two kick drum beats to a bar are perceived as being slower than the traditional four-to-the-floor beat, the listener's interest is maintained by the introduction of syncopating bass lines and the percussive use of other instruments such as pads and strings.

Among those credited with honing the speed garage sound, Todd Edwards, is often cited as a seminal influence on the UK garage sound. The producer from New Jersey introduced a new way of working with vocals. Instead of having full verses and choruses, he picked out vocal phrases and played them like an instrument, using sampling technology. Often, individual syllables were reversed or pitch-shifted. This type of vocal treatment is still a key characteristic of the UK garage style.

The UK's counterpart to Todd Edwards was MJ Cole, a classically trained oboe and piano player, who had a string of chart and underground hits in the late 1990s and early 2000s, most notably with "Sincere" and "Crazy Love". MJ Cole won a BBC Young Musician of the year.

Arguably one of the earliest examples of a 2-step track is 'Never Gonna Let You Go' by Tina Moore. Jess Jackson was responsible for many garage records but one which stood out was "Hobsons Choice". The B Side of this record changed the UK garage scene from funky and soulful to dark and bassy.

Another example of the evolution in 2 step was the release of "Troublesome" by Shy Cookie and DJ Luck, in which non sampled 2 step beats were merged with a full ragga vocal (performed by ragga artist Troublesome).

The producer duos Shanks & Bigfoot with Sweet Like Chocolate and The Artful Dodger, aka Pete Devereux and Mark Hill, who (together with Craig David) were very successful with the track "Re-rewind", which became an anthem for the 2-step scene, and got onto BBC Top Of The Pops. After the platinum-selling success of Shanks & Bigfoot's Sweet Like Chocolate released the year before, the floodgates had been opened. Although Re-rewind was denied a #1 position by Cliff Richard, it was also a platinum seller, one of the garage scene's first and last.