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  Artist Title Label Price

Bob Sinclar & James 'D-train' Williams ‎

Format: Vinyl 12 Inch
Genre: UK Garage


This Side
A1 Darlin' (K Warren Vox)
A2 Darlin' (K Warren Dub)
That Side
AA1 Darlin' (Album Version)


Cat No: DFECT30R
Released: 2001



Format: Vinyl 12 Inch
Genre: UK Garage

Thong Song

This Side
A1 Thong Song (LP Version)
A2 Thong Song (Instrumental)
That Side
B1 Thong Song (Artful Dodger Remix)

Def Soul

Cat No: 568 890-1
Released: 2000


Shaun Escoffery

Format: Vinyl 12 Inch
Genre: UK Garage

Space Rider

A1 Space Rider (MJ Cole Vocal Mix) (5:09)
A2 Space Rider (MJ Cole Instrumental Mix) (5:09)
B Space Rider (Original Version) (3:27)

Oyster Music

Cat No: Promo7
Released: 2000


Mr. Bumpy

Format: Vinyl 12 Inch
Genre: UK Garage

Moet N London

A Moet N London (Mix 1) (6:08)
B Moet N London (Mix 2) (5:23)

Distraction Recordings

Cat No: DIST 002
Released: 2003
Out Of Stock

Romina Johnson & Luci Martin & Norma Jean Wright

Format: Vinyl 12 Inch
Genre: UK Garage

My Forbidden Lover

A1 My Forbidden Lover (2 Step Mix)
A2 My Forbidden Lover (T. Smooth Mix)
B1 My Forbidden Lover (Eclipse Mix)

51 Lexington Records

Cat No: 12LEX1
Released: 2000



Format: Vinyl 12 Inch
Genre: UK Garage


A Swing (Yardley Remix)
B1 Swing (Original)
B2 History Of House


Cat No: UVM019
Released: 1998



Format: Vinyl 12 Inch
Genre: UK Garage

Solid Love - 4 Track Album Sampler

A1 Solid Love
A2 Just Wait (Ju Ju Man)
B1 Deeper (Part Two)
B2 Full Confusion)

Relentless Records

Cat No: RELEN 006 TP
Released: 2002



Format: Vinyl Double 12 Inch
Genre: UK Garage


A01 Trancenavigation (Album Version)
A02 Trancenavigation (Todd's Disco Navigation Remix)
A03 Trancenavigation (Todd's Vocal Of Praise Navigation)
B01 Trancenavigation (Family Values Heavyweight Dub)
C01 Trancenavigation (DJ Pierre's DJ2G Mix)
C02 Trancenavigation (Wild Pitch Mix)
D01 Disappear (Eastside Movement Remix)
D02 Trancenavigation (Happydaze Remix)


Cat No: 12R 6548
Released: 2000


Tuff Jam

Format: Vinyl 12 Inch
Genre: UK Garage

Key Dub

A1 Key Dub (Version99)
A2 Key Beats
B1 Key Dub (Sunshine's Key Groove)
B2 Key Dub (Original Mix)

i! Records

Cat No: IR-161
Released: 1999


Artful Dodger & Michelle Escoffery

Format: Vinyl 12 Inch
Genre: UK Garage

Think About Me

A1 Think About Me (Matt Jam Lamont & DJ Face Classic Vocal Mix)
A2 What You Gonna Do? (Wideboys Undisputed Champions Remix)
B Think About Me (Joey Negro Club Mix)


Cat No: FX 394
Released: 2001


James Brown

Format: Vinyl 12 Inch
Genre: UK Garage

Funk On Ah Roll

Other Side
A [1] Funk On Ah Roll (Olav Basoski Remix)
This Side
AA [1] Funk On Ah Roll (Bump And Flex Mix)
AA [2] Funk On Ah Roll (Rhythm Masters Mix)


Cat No: DJFERN 26
Released: 2000


Sixty Brown

Format: Vinyl 12 Inch
Genre: UK Garage

Alright With Me

A Alright (Main Mix)
B I Want Sugar

Sunday Morning Music

Cat No: SMM 03
Released: 1997


Ultra Naté

Format: Vinyl 12 Inch
Genre: UK Garage

How Long

A How Long (Underground Solution Vocal)
B How Long (Underground Solution Vocal Dub)

Warner Bros. Records

Cat No: ULT 12
Released: 1999


Deni Hines

Format: Vinyl 12 Inch
Genre: UK Garage


A1 Joy (Eric Kupper 12" Vocal)
Remix - Eric Kupper
A2 Joy (Eric Kupper Dub)
Remix - Eric Kupper
B1 Joy (Scott Garcia Mix)
Remix - Scott Garcia

(supplied by Decman)
B2 Joy (Radio Edit)

Mushroom Records

Cat No: MUSH30T2



Format: Vinyl 12 Inch
Genre: UK Garage

Lift Me Up

A1 Lift Me Up (Mix One)
B1 Lift Me Up (Mix Two)
B2 Lift Me Up (Mix Three)

Ultra Records

Cat No: UL 12003
Released: 1996


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Information on the UK Garage genre

UK garage (also known as UKG or simply garage) is a genre of electronic dance music originating from the United Kingdom in the mid-1990s. UK garage is a descendant of house music which orinated in Chicago & New York US by African Americans. . UK garage usually features a distinctive syncopated 4-4 percussive rhythm with 'shuffling' hi-hats and beat-skipping kick drums. Garage tracks also commonly feature 'chopped up' and time-shifted or pitch-shifted vocal samples complementing the underlying rhythmic structure. UK garage is often associated with the hardcore continuum. UK garage was largely subsumed into other styles of music and production in the mid-2000s, notably within hip-hop and urban music. It also spawned multiple off-shoots including Grime, Dubstep and Bassline.

In the UK, where jungle was very popular at the time, garage was played in a second room at jungle events. DJs started to speed up garage tracks to make them more suitable for the jungle audience in the UK. The media started to call this tempo-altered type of garage music "speed garage", 4x4 and 2-step's predecessor. DJs would usually play dub versions (arrangements without vocals) of garage tracks, because pitch-shifting vocals could sometimes render the music unrecognizable (although sped up and time stretched vocals were an important part of the early jungle sound, and later played a key role in speed garage). The absence of vocals left space in the music for MCs, who started rhyming to the records. Since then MCs have become one of the vital aspects of Speed and UK garage parties and records. Early promoters of speed garage included the Dreem Team and Tuff Jam and pirate radio stations like London Underground, Ice FM, Magic Fm, Mac Fm, Upfront Fm, and Freek Fm. During its initial phase, the speed garage scene was also known as "the Sunday scene", as initially speed garage promoters could only hire venues on Sunday evenings (venue owners preferred to save Friday and Saturday nights for more popular musical styles). Labels whose outputs would become synonymous with the emerging speed garage sound included Confetti, Public Demand, 500 Rekords, Spread Love and VIP. Debate continues to rage over the first true speed garage record; contenders include "So More (I Refuse)" by Industry Standard, "Love Bug" by Ramsey and Fen, 'RIP Groove' by Double-99, and Armand van Helden's remix of Tori Amos's "Professional Widow". Speed garage tracks were characterised by a sped-up house-style beat, complimented by the rolling snares and reverse-warped basslines that were popular with the drum & bass producers of the time. Speed garage already incorporated many aspects of today's UK garage sound like sub-bass lines, ragga vocals, spin backs and reversed drums. What changed over time, until the so called 2-step sound emerged, was the addition of further funky elements like R&B vocals, more shuffled beats and a different drum pattern. The most radical change from speed garage to 2-step was the removal of the 2nd and 4th bass kick from each bar. Although tracks with only two kick drum beats to a bar are perceived as being slower than the traditional four-to-the-floor beat, the listener's interest is maintained by the introduction of syncopating bass lines and the percussive use of other instruments such as pads and strings.

Among those credited with honing the speed garage sound, Todd Edwards, is often cited as a seminal influence on the UK garage sound. The producer from New Jersey introduced a new way of working with vocals. Instead of having full verses and choruses, he picked out vocal phrases and played them like an instrument, using sampling technology. Often, individual syllables were reversed or pitch-shifted. This type of vocal treatment is still a key characteristic of the UK garage style.

The UK's counterpart to Todd Edwards was MJ Cole, a classically trained oboe and piano player, who had a string of chart and underground hits in the late 1990s and early 2000s, most notably with "Sincere" and "Crazy Love". MJ Cole won a BBC Young Musician of the year.

Arguably one of the earliest examples of a 2-step track is 'Never Gonna Let You Go' by Tina Moore. Jess Jackson was responsible for many garage records but one which stood out was "Hobsons Choice". The B Side of this record changed the UK garage scene from funky and soulful to dark and bassy.

Another example of the evolution in 2 step was the release of "Troublesome" by Shy Cookie and DJ Luck, in which non sampled 2 step beats were merged with a full ragga vocal (performed by ragga artist Troublesome).

The producer duos Shanks & Bigfoot with Sweet Like Chocolate and The Artful Dodger, aka Pete Devereux and Mark Hill, who (together with Craig David) were very successful with the track "Re-rewind", which became an anthem for the 2-step scene, and got onto BBC Top Of The Pops. After the platinum-selling success of Shanks & Bigfoot's Sweet Like Chocolate released the year before, the floodgates had been opened. Although Re-rewind was denied a #1 position by Cliff Richard, it was also a platinum seller, one of the garage scene's first and last.