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  Artist Title Label Price

Serious Danger

Format: Vinyl 12 Inch
Genre: UK Garage

Deeper (ISB/Wildcat Remixes)

A1 Deeper (Part One)
A2 Deeper (Wildcat Remix)
B1 Deeper (Part Two)
B2 Love Is Forever (ISB Re-Edit)



Cat No: FRSHT68
Released: 1997


Romina Johnson

Format: Vinyl 12 Inch
Genre: UK Garage

Never Do

A Never Do (Over-Ture Mix)
Remix - Over-Ture
B Never Do (Britalics Remix)
Remix - Britalics

Two R

Cat No: 2R-007
Released: 2002


Funky People

Format: Vinyl 12 Inch
Genre: UK Garage

Lift Him Up

A1 Lift Him Up (Funky Praises Mix) (8:31)
Remix - Allen Jeffrey , Cassio Ware , Tee Alford
A2 Lift Him Up (Vandal Trip Dub) (5:09)
Remix - Bon Vega
B1 Lift Him Up (Full House Main Mix) (6:50)
Remix - Konrad Carelli , Manny Ward
B2 Lift Him Up (Brothers' Vibe Mix) (7:14)
Remix - Sanford Ashley , Tony Rodriguez

Funky People

Cat No: FPR-1004
Released: 1996


Love To Infinity

Format: Vinyl Double 12 Inch
Genre: UK Garage


A1 Someday (Classic Paradise Mix)
A2 Someday (Classic Paradise Radio Mix)
B Someday (Subway Anthem Mix)
C1 Someday (CJ Macintosh Cosmack Club Mix)
Remix - CJ Macintosh*
C2 Someday (Aphrodisiac Mix)
Remix - Aphrodisiac
D1 Someday (Axis Delirium Mix)
D2 Someday (CJ Macintosh Cosmack Dub)
Remix - CJ Macintosh*

Mushroom Records

Cat No: DJ-1143
Released: 1995


Soul II Soul

Format: Vinyl 12 Inch
Genre: UK Garage

Pleasure Dome

A1 Pleasure Dome (Album Mix)
A2 Pleasure Dome (Tuff Jam's UVM Dub)
B1 Pleasure Dome (Booker T Mix)
B2 Pleasure Dome (Booker T Dub)

Island Records

Cat No: 12IS 669
Released: 1997


Infamous 3

Format: Vinyl 12 Inch
Genre: UK Garage

What You Gonna Do

A What U Gonna Do
B1 This Is What (I've Been Waiting For)
B2 Got To Tell U Baby


Cat No: SF 002
Released: 1998



Format: Vinyl 12 Inch
Genre: UK Garage

Let Me Love You (Likkleman Mixes)

A Let Me Love You (Likkleman Remix #1)
B1 Let Me Love You (Likkleman "Up North" Mix)
B2 Let Me Love You (Likkleman Remix #2)

Not On Label (Likkleman Remix Series)

Cat No: LM 004
Released: 2005


Inner Life

Format: Vinyl Double 12 Inch
Genre: UK Garage

I Like It Like That (Remixes)

A1 I Like It Like That (7" Mix) (7:36)
A2 I Like It Like That (Dub Mix) (7:36)
B I Like It Like That (12" Mix) (11:50)
C I Like It Like That (Sensory Disco Vocal Mix) (9:31)
D1 I Like It Like That (Sensory Club Vocal) (7:00)
D2 I Like It Like That (Rock The Disco Dub) (6:50)

Freetown Inc

Cat No: FTI 049 T
Released: 1996


Raw Stylus

Format: Vinyl 12 Inch
Genre: UK Garage


A1 Change (Radio Edit)
A2 Change (Joey Negro Vocal)
Remix - Joey Negro
B1 Change (Paul Waller East Coast Mix)
Remix - Paul Waller
B2 Pushing Against The Flow (Roger Sanchez Narcotic Mix)
Remix - Roger S.*

Wired Recordings

Cat No: WIRED 1228
Released: 1996


James Brown

Format: Vinyl Double 12 Inch
Genre: UK Garage

Funk On Ah Roll

A Funk On Ah Roll (Ruff Driverz Tungsten Tip Mix)
Remix - Ruff Driverz
B Funk On Ah Roll (Rhythm Masters Remix)
Remix - Rhythm Masters
C1 Funk On Ah Roll (Bump & Flex Remix)
Remix - Bump & Flex
C2 Funk On Ah Roll (Gee City Groove)
Remix - Grant Nelson
D1 Funk On Ah Roll (Funk Monks Mix)
Remix - Funk Monks
D2 Funk On Ah Roll (S.Class Mix)
Remix - S.Class*


Cat No: DJ FERN 13
Released: 1999


ATL & R. Kelly

Format: Vinyl 12 Inch
Genre: UK Garage

Calling All Girls (Mask 4X4 Remixes)

A Calling All Girls (Mask 4X4 Vocal Remix)
B Calling All Girls (Mask 4X4 Instrumental)


Cat No: MASK003
Released: 2004


Maxim Sinclair & Paul Benjamin & Jeremy Sylvester

Format: Vinyl 12 Inch
Genre: UK Garage

To Be Released June 1997

A1 Track One
A2 Track Two
B1 Track Three
B2 Track Four

Not On Label

Cat No: MAR 3
Released: 1997


Fake Bullets

Format: Vinyl 12 Inch
Genre: UK Garage

Fake Bullets EP

A Untitled
B1 Untitled
B2 Untitled

Not On Label

Cat No: FBN 001
Released: 2000
Out Of Stock

Booker T

Format: Vinyl 12 Inch
Genre: UK Garage

Joy 2003

A1 Joy (Tuff Jam Remix)
A2 Joy (Bookstone Original)
B1 Joy (Kings Of Soul Dub)
B2 Joy (DJ Innocence Dub)

Xtra Large Records

Cat No: XTRA LARGE 002
Released: 2003


Tyme Forse

Format: Vinyl 12 Inch
Genre: UK Garage

I Don't Understand

A I Don't Understand (TNT Remix) (8:30)
B I Don't Understand (4:00 Pin Dubs) (7:32)

Loudhouse Records

Cat No: LH 105


Page of 254 next >>

Information on the UK Garage genre

UK garage (also known as UKG or simply garage) is a genre of electronic dance music originating from the United Kingdom in the mid-1990s. UK garage is a descendant of house music which orinated in Chicago & New York US by African Americans. . UK garage usually features a distinctive syncopated 4-4 percussive rhythm with 'shuffling' hi-hats and beat-skipping kick drums. Garage tracks also commonly feature 'chopped up' and time-shifted or pitch-shifted vocal samples complementing the underlying rhythmic structure. UK garage is often associated with the hardcore continuum. UK garage was largely subsumed into other styles of music and production in the mid-2000s, notably within hip-hop and urban music. It also spawned multiple off-shoots including Grime, Dubstep and Bassline.

In the UK, where jungle was very popular at the time, garage was played in a second room at jungle events. DJs started to speed up garage tracks to make them more suitable for the jungle audience in the UK. The media started to call this tempo-altered type of garage music "speed garage", 4x4 and 2-step's predecessor. DJs would usually play dub versions (arrangements without vocals) of garage tracks, because pitch-shifting vocals could sometimes render the music unrecognizable (although sped up and time stretched vocals were an important part of the early jungle sound, and later played a key role in speed garage). The absence of vocals left space in the music for MCs, who started rhyming to the records. Since then MCs have become one of the vital aspects of Speed and UK garage parties and records. Early promoters of speed garage included the Dreem Team and Tuff Jam and pirate radio stations like London Underground, Ice FM, Magic Fm, Mac Fm, Upfront Fm, and Freek Fm. During its initial phase, the speed garage scene was also known as "the Sunday scene", as initially speed garage promoters could only hire venues on Sunday evenings (venue owners preferred to save Friday and Saturday nights for more popular musical styles). Labels whose outputs would become synonymous with the emerging speed garage sound included Confetti, Public Demand, 500 Rekords, Spread Love and VIP. Debate continues to rage over the first true speed garage record; contenders include "So More (I Refuse)" by Industry Standard, "Love Bug" by Ramsey and Fen, 'RIP Groove' by Double-99, and Armand van Helden's remix of Tori Amos's "Professional Widow". Speed garage tracks were characterised by a sped-up house-style beat, complimented by the rolling snares and reverse-warped basslines that were popular with the drum & bass producers of the time. Speed garage already incorporated many aspects of today's UK garage sound like sub-bass lines, ragga vocals, spin backs and reversed drums. What changed over time, until the so called 2-step sound emerged, was the addition of further funky elements like R&B vocals, more shuffled beats and a different drum pattern. The most radical change from speed garage to 2-step was the removal of the 2nd and 4th bass kick from each bar. Although tracks with only two kick drum beats to a bar are perceived as being slower than the traditional four-to-the-floor beat, the listener's interest is maintained by the introduction of syncopating bass lines and the percussive use of other instruments such as pads and strings.

Among those credited with honing the speed garage sound, Todd Edwards, is often cited as a seminal influence on the UK garage sound. The producer from New Jersey introduced a new way of working with vocals. Instead of having full verses and choruses, he picked out vocal phrases and played them like an instrument, using sampling technology. Often, individual syllables were reversed or pitch-shifted. This type of vocal treatment is still a key characteristic of the UK garage style.

The UK's counterpart to Todd Edwards was MJ Cole, a classically trained oboe and piano player, who had a string of chart and underground hits in the late 1990s and early 2000s, most notably with "Sincere" and "Crazy Love". MJ Cole won a BBC Young Musician of the year.

Arguably one of the earliest examples of a 2-step track is 'Never Gonna Let You Go' by Tina Moore. Jess Jackson was responsible for many garage records but one which stood out was "Hobsons Choice". The B Side of this record changed the UK garage scene from funky and soulful to dark and bassy.

Another example of the evolution in 2 step was the release of "Troublesome" by Shy Cookie and DJ Luck, in which non sampled 2 step beats were merged with a full ragga vocal (performed by ragga artist Troublesome).

The producer duos Shanks & Bigfoot with Sweet Like Chocolate and The Artful Dodger, aka Pete Devereux and Mark Hill, who (together with Craig David) were very successful with the track "Re-rewind", which became an anthem for the 2-step scene, and got onto BBC Top Of The Pops. After the platinum-selling success of Shanks & Bigfoot's Sweet Like Chocolate released the year before, the floodgates had been opened. Although Re-rewind was denied a #1 position by Cliff Richard, it was also a platinum seller, one of the garage scene's first and last.