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  Artist Title Label Price

Pandella

Format: Vinyl Double 12 Inch
Genre: UK Garage

This Time Baby

A1 This Time Baby (Mary's Full On Mix)
Remix - Lee Fredericks
A2 This Time Baby (Mary's Vocal Dub)
Remix - Lee Fredericks
B1 This Time Baby (Play Boys Vocal Mix)
Remix - Play Boys
B2 This Time Baby (Play Boys Fully Loaded Dub)
Remix - Play Boys
C1 Rise Up (Dansa Dub)
C2 No Worries (Deep Club Mix)
Producer - Ann Saunderson Remix - Danny Taurus
D Keep The Fire Burning (Mary's Vocal Dub)
Remix - Lee Fredericks

Network Records

Cat No: NWKT 89 DJ
Released: 1995

£12.00

Indo

Format: Vinyl 12 Inch
Genre: UK Garage

Love Will Be On Your Side

A Love Will Be On Your Side (Bass Funkattack Dub) (9:31)
Remix - Stefano "Bulldog" Silvestri*
B1 Love Will Be On Your Side (Wiseass Dub Mix) (6:08)
Remix - Wiseass Remix [Credited To] - Henrik* , Dodds*
B2 Love Will Be On Your Side (Mixmaster Milano Dub) (6:55)
Other [Directed By] - Stefano "Bulldog" Silvestri Remix - Mixmaster Milano

Manifesto

Cat No: IND DJ2
Released: 1996

£7.00
£3.50

Deborah Cox

Format: Vinyl 12 Inch
Genre: UK Garage

Where Do We Go From Here

A1 Just Be Good To Me (Johnny's Vicious Mix) (7:28)
Remix - Johnny Vicious
A2 Where Do We Go From Here (4:17)
B1 Just Be Good To Me (V-Men Vocal Dub) (8:03)
Remix - Johnny Vicious
B2 Just Be Good To Me (Div-A-Pella) (6:32)
B3 Call Me
Listen

Arista

Cat No: 07822-13235-1
Released: 1996

£8.00

Fayleine Brown

Format: Vinyl 12 Inch
Genre: UK Garage

Last Time

A1 Last Time (Last Chance Vocal)
A2 Last Time (Last Love Instrumental)
B1 Last Time (Pierre's Late 70's Club Mix)
Remix - DJ Pierre
B2 Last Time (70's Club Instrumental)
Remix - DJ Pierre
Listen

Freetown Inc

Cat No: FTI 012 T
Released: 1992

£8.00

Lydia Rhodes

Format: Vinyl 12 Inch
Genre: UK Garage

DJ Give Me That Funky Bass

A1 DJ Give Me That Funky Bass (12 Vocal) (6:16)
A2 DJ Give Me That Funky Bass (12 Dub) (5:11)
A3 DJ Give Me That Funky Bass (12 Percapella) (5:20)
B1 DJ Give Me That Funky Bass (Bust The Move Mix) (5:50)
B2 DJ Give Me That Funky Bass (Deep Vibe Mix) (5:10)
B3 DJ Give Me That Funky Bass (Radio Edit) (4:05)

MCA Records Inc.

Cat No: MCA-24027
Released: 1990

£7.00

Artful Dodger

Format: Vinyl 12 Inch
Genre: UK Garage

Please Don't Turn Me On

A Please Don't Turn Me On (Wideboys Oyster Vocal Mix)
B1 Please Don't Turn Me On (Erick Morillo's Disco Thang)
B2 Please Don't Turn Me On (Stanton Warriors Fabric Vocal)

FFRR

Cat No: FX 388
Released: 2000

£5.00

Eric Benét

Format: Vinyl 12 Inch
Genre: UK Garage

Why You Follow Me

A Why You Follow Me (2 As 1 & Yardley Vocal Remix)
B1 Why You Follow Me (Kool Drop Vocal Remix)
B2 Why You Follow Me (Kool Drop Murky Dub)

Fifty First Recordings

Cat No: 51TP014
Released: 1999

£5.00

DGK & Spidey G

Format: Vinyl 12 Inch
Genre: UK Garage

Crazy

A Crazy (Mix 1) (6:40)
B Crazy (Mix 2) (7:00)

Not On Label

Cat No: DGK-1
Released: 1999

£4.50

M Dubs

Format: Vinyl 12 Inch
Genre: UK Garage

Bump' n'Grind

A Bump'n'Grind
AA Bump'n'Grind (Instrumental)

Babyshack Recordings

Cat No: SS 007
Released: 1999

£12.00

Somore & Damon Trueitt

Format: Vinyl 12 Inch
Genre: UK Garage

I Refuse (What You Want)

A1 I Refuse (What You Want) (Industry Standard Club Mix) (6:45)
A2 I Refuse (What You Want) (Ramsey & Fen Mix) (5:41)
B1 I Refuse (What You Want) (R.I.P. Mix) (6:08)
B2 I Refuse (What You Want) (Serious Danger Remix) (6:59)

XL Recordings

Cat No: XLT 93
Released: 1997

£6.00

Fierce

Format: Vinyl 12 Inch
Genre: UK Garage

Dayz Like That (Remixes)

A1 Dayz Like That (95 North Club Mix)
A2 Dayz Like That (95 North Dub Mix)
B1 Dayz Like That (10° Below Remix)
B2 Dayz Like That (10° Below Dub Mix)

Wildstar Records

Cat No: WILD19GP
Released: 1999

£7.00
£3.50

Smokin Beats

Format: Vinyl 12 Inch
Genre: UK Garage

Dreams 2000 (Zoom&DBX Remixes)

A Dreams (Zoom&D.B.X. Club Mix)
B Dreams (Zoom&D.B.X. Dub)

Ruff On Wax Recordings

Cat No: ROWT2006
Released: 2001

£7.00

Dangerous Dubz

Format: Vinyl 12 Inch
Genre: UK Garage

Dangerous Dubz Vol 2

A Don't Hold Back (5:06)

Dangerous Dubz

Cat No: DDZ2
Released: 1997

£6.00

187 Lockdown

Format: Vinyl 12 Inch
Genre: UK Garage

Gunman

A Gunman (Original Mix) (6:19)
B1 Gunman (G.O.D. Remix) (4:49)
B2 Gunman (Danmass Remix) (5:41)

EastWest

Cat No: EW176T
Released: 1998

£6.00

187 Lockdown

Format: Vinyl 12 Inch
Genre: UK Garage

Gunman / Playin' Around

A Gunman (Original Mix)
B Playin' Around (Nu Birth Remix)

Nu Jak Recordings

Cat No: NV003
Released: 1997
Out Of Stock
Page of 253 next >>

Information on the UK Garage genre

UK garage (also known as UKG or simply garage) is a genre of electronic dance music originating from the United Kingdom in the mid-1990s. UK garage is a descendant of house music which orinated in Chicago & New York US by African Americans. . UK garage usually features a distinctive syncopated 4-4 percussive rhythm with 'shuffling' hi-hats and beat-skipping kick drums. Garage tracks also commonly feature 'chopped up' and time-shifted or pitch-shifted vocal samples complementing the underlying rhythmic structure. UK garage is often associated with the hardcore continuum. UK garage was largely subsumed into other styles of music and production in the mid-2000s, notably within hip-hop and urban music. It also spawned multiple off-shoots including Grime, Dubstep and Bassline.

In the UK, where jungle was very popular at the time, garage was played in a second room at jungle events. DJs started to speed up garage tracks to make them more suitable for the jungle audience in the UK. The media started to call this tempo-altered type of garage music "speed garage", 4x4 and 2-step's predecessor. DJs would usually play dub versions (arrangements without vocals) of garage tracks, because pitch-shifting vocals could sometimes render the music unrecognizable (although sped up and time stretched vocals were an important part of the early jungle sound, and later played a key role in speed garage). The absence of vocals left space in the music for MCs, who started rhyming to the records. Since then MCs have become one of the vital aspects of Speed and UK garage parties and records. Early promoters of speed garage included the Dreem Team and Tuff Jam and pirate radio stations like London Underground, Ice FM, Magic Fm, Mac Fm, Upfront Fm, and Freek Fm. During its initial phase, the speed garage scene was also known as "the Sunday scene", as initially speed garage promoters could only hire venues on Sunday evenings (venue owners preferred to save Friday and Saturday nights for more popular musical styles). Labels whose outputs would become synonymous with the emerging speed garage sound included Confetti, Public Demand, 500 Rekords, Spread Love and VIP. Debate continues to rage over the first true speed garage record; contenders include "So More (I Refuse)" by Industry Standard, "Love Bug" by Ramsey and Fen, 'RIP Groove' by Double-99, and Armand van Helden's remix of Tori Amos's "Professional Widow". Speed garage tracks were characterised by a sped-up house-style beat, complimented by the rolling snares and reverse-warped basslines that were popular with the drum & bass producers of the time. Speed garage already incorporated many aspects of today's UK garage sound like sub-bass lines, ragga vocals, spin backs and reversed drums. What changed over time, until the so called 2-step sound emerged, was the addition of further funky elements like R&B vocals, more shuffled beats and a different drum pattern. The most radical change from speed garage to 2-step was the removal of the 2nd and 4th bass kick from each bar. Although tracks with only two kick drum beats to a bar are perceived as being slower than the traditional four-to-the-floor beat, the listener's interest is maintained by the introduction of syncopating bass lines and the percussive use of other instruments such as pads and strings.

Among those credited with honing the speed garage sound, Todd Edwards, is often cited as a seminal influence on the UK garage sound. The producer from New Jersey introduced a new way of working with vocals. Instead of having full verses and choruses, he picked out vocal phrases and played them like an instrument, using sampling technology. Often, individual syllables were reversed or pitch-shifted. This type of vocal treatment is still a key characteristic of the UK garage style.

The UK's counterpart to Todd Edwards was MJ Cole, a classically trained oboe and piano player, who had a string of chart and underground hits in the late 1990s and early 2000s, most notably with "Sincere" and "Crazy Love". MJ Cole won a BBC Young Musician of the year.

Arguably one of the earliest examples of a 2-step track is 'Never Gonna Let You Go' by Tina Moore. Jess Jackson was responsible for many garage records but one which stood out was "Hobsons Choice". The B Side of this record changed the UK garage scene from funky and soulful to dark and bassy.

Another example of the evolution in 2 step was the release of "Troublesome" by Shy Cookie and DJ Luck, in which non sampled 2 step beats were merged with a full ragga vocal (performed by ragga artist Troublesome).

The producer duos Shanks & Bigfoot with Sweet Like Chocolate and The Artful Dodger, aka Pete Devereux and Mark Hill, who (together with Craig David) were very successful with the track "Re-rewind", which became an anthem for the 2-step scene, and got onto BBC Top Of The Pops. After the platinum-selling success of Shanks & Bigfoot's Sweet Like Chocolate released the year before, the floodgates had been opened. Although Re-rewind was denied a #1 position by Cliff Richard, it was also a platinum seller, one of the garage scene's first and last.