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  Artist Title Label Price

Urban Spirits

Format: Vinyl Double 12 Inch
Genre: UK Garage

Pressure

A Pressure (M&S '97 Klub Mix) (8:16)
Remix - M&S
B1 Pressure (Vincent De Moor Remix) (5:31)
Remix - Vincent De Moor
B2 Pressure (Clay & Deller Industry Standard Mix) (6:36)
Remix - Clay & Deller
C Pressure (M&S '97 Dub Mix) (5:58)
Remix - M&S
D Pressure (M&S Epic Klub Mix) (8:44)
Remix - M&S

Jive

Cat No: JIVE T 440 P
Released: 1997

£10.00
£5.00

Demolition Man & Angelique

Format: Vinyl 12 Inch
Genre: UK Garage

Sunshine / Trembling

A1 Demolition Man (2) Sunshine (Original)
A2 Demolition Man (2) Sunshine (Mr. Bumpy Remix)
B Angelique Trembling (Mr. Bumpy Remix)

Agony Records

Cat No: AR 001

£4.00

Danny C & MC Viper

Format: Vinyl 12 Inch
Genre: UK Garage

Addicted

A Addicted (Vull Vox)
AA Addicted (Dub Mix)

AIM Records

Cat No: AIM007
Released: 2001

£4.00

DJ Pied Piper & The Masters Of Ceremonies

Format: Vinyl 12 Inch
Genre: UK Garage

We 'R' Here

A We 'R' Here (Original Vocal Mix)
AA We 'R' Here (Sovereign Remix)

Relentless Records

Cat No: RELMOS 2P2
Released: 2001

£4.00

True Steppers

Format: Vinyl 12 Inch
Genre: UK Garage

True Step Tonight

A True Step Tonight (X. Men Dub)
B1 True Step Tonight (12" Original Mix)
B2 True Step Tonight (10 Below Vocal Mix)

Ice Cream Records

Cat No: TRUX01
Released: 2000

£4.00

Daniel Bedingfield

Format: Vinyl 12 Inch
Genre: UK Garage

Gotta Get Thru This

A1 Gotta Get Thru This (D'N'D Full Length Version)
B1 Gotta Get Thru This (Original Version)
B2 Gotta Get Thru This (Stella Browne Vocal Mix)

Relentless Records

Cat No: RELENT27T, RELENT 027T
Released: 2001

£5.00

Another Level

Format: Vinyl 12 Inch
Genre: UK Garage

Bomb Diggy

A1 Bomb Diggy (Bump & Flex Vocal)
A2 Bomb Diggy (Bump & Flex Dub)
B Bomb Diggy (Grant Nelson Club Mix)

Maximum Productions

Cat No: MAX08
Released: 1999

£4.00

Reach & Spin

Format: Vinyl 12 Inch
Genre: UK Garage

Hyper! (Hype The Funk)

A1 Hyper! (Hype The Funk) (Vocal Version) (5:35)
A2 Hyper! (Hype The Funk) (Original Mix) (5:34)
B1 Hyper! (Hype The Funk) (Stanton Warriors Remix) (7:10)

Go! Beat

Cat No: GOBX 46
Released: 2001

£6.50

Frances James & DJ Face

Format: Vinyl 12 Inch
Genre: UK Garage

Girls Play Too

A1 Girls Play Too (Original Mix)
A2 Girls Play Too (Baffled Alternative Dub Edit)
AA1 Girls Play Too (Club Asylum Vocal Mix)
AA2 Girls Play Too (Baffled Angry Vocal Edit)

AM:PM

Cat No: 12 AMPM 144
Released: 2001

£4.00

Angel Lee

Format: Vinyl 12 Inch
Genre: UK Garage

What's Your Name?

A1 What's Your Name? (MJ Cole Master Mix) (5:59)
A2 What's Your Name? (Artful Dodger R'n'B Mix) (3:32)
B1 What's Your Name? (Artful Dodger Mash Up Vocal Mix) (5:29)
B2 What's Your Name? (BlackJack Extended Mix) (5:00)

WEA Records

Cat No: WEA 258 T
Released: 2000

£5.00

Colours & Eska Mtungwazi

Format: Vinyl 12 Inch
Genre: UK Garage

What U Do (Stephen Emmanuel & 10° Below Remixes)

Other Side
This Side

Inspiration Records

Cat No: INSP 003
Released: 1998

£6.50

Stephen Emmanuel & Colours

Format: Vinyl 12 Inch
Genre: UK Garage

What U Do / Hold On

This Side
A1 What U Do
Other Side
AA1 Hold On (SE22 Mix)
AA2 Hold On (Cute Mix)

Inspiration Records

Cat No: INSP 001
Released: 1998

£10.00

Osmosis

Format: Vinyl 12 Inch
Genre: UK Garage

Spanish Fly

A Spanish Fly (Big Mix)
B1 Spanish Fly (2-Step Mix)
B2 Spanish Fly (Vocal Mix)

Big Kid Productions

Cat No: SP019
Released: 2001

£4.00

Pay As You Go Cartel

Format: Vinyl 12 Inch
Genre: UK Garage

No Long Ting

A No Long Ting (Untitled Mix 1)
B1 No Long Ting (Untitled Mix 2)
B2 No Long Ting (Instrumental)

Linx Recordings

Cat No: LINX004
Released: 2001

£4.00

Craig David & Guru

Format: Vinyl 12 Inch
Genre: UK Garage

Rendezvous / No More

A1 Craig David Rendezvous (Blacksmith R&B Rerub)
A2 Craig David Rendezvous (Blacksmith R&B - No Rap)
B1 Guru No More
B2 Craig David Rendezvous (Blacksmith Old Skool Mix)

Wildstar Records

Cat No: 12 WILD 36RBP
Released: 2001

£6.50

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Information on the UK Garage genre

UK garage (also known as UKG or simply garage) is a genre of electronic dance music originating from the United Kingdom in the mid-1990s. UK garage is a descendant of house music which orinated in Chicago & New York US by African Americans. . UK garage usually features a distinctive syncopated 4-4 percussive rhythm with 'shuffling' hi-hats and beat-skipping kick drums. Garage tracks also commonly feature 'chopped up' and time-shifted or pitch-shifted vocal samples complementing the underlying rhythmic structure. UK garage is often associated with the hardcore continuum. UK garage was largely subsumed into other styles of music and production in the mid-2000s, notably within hip-hop and urban music. It also spawned multiple off-shoots including Grime, Dubstep and Bassline.

In the UK, where jungle was very popular at the time, garage was played in a second room at jungle events. DJs started to speed up garage tracks to make them more suitable for the jungle audience in the UK. The media started to call this tempo-altered type of garage music "speed garage", 4x4 and 2-step's predecessor. DJs would usually play dub versions (arrangements without vocals) of garage tracks, because pitch-shifting vocals could sometimes render the music unrecognizable (although sped up and time stretched vocals were an important part of the early jungle sound, and later played a key role in speed garage). The absence of vocals left space in the music for MCs, who started rhyming to the records. Since then MCs have become one of the vital aspects of Speed and UK garage parties and records. Early promoters of speed garage included the Dreem Team and Tuff Jam and pirate radio stations like London Underground, Ice FM, Magic Fm, Mac Fm, Upfront Fm, and Freek Fm. During its initial phase, the speed garage scene was also known as "the Sunday scene", as initially speed garage promoters could only hire venues on Sunday evenings (venue owners preferred to save Friday and Saturday nights for more popular musical styles). Labels whose outputs would become synonymous with the emerging speed garage sound included Confetti, Public Demand, 500 Rekords, Spread Love and VIP. Debate continues to rage over the first true speed garage record; contenders include "So More (I Refuse)" by Industry Standard, "Love Bug" by Ramsey and Fen, 'RIP Groove' by Double-99, and Armand van Helden's remix of Tori Amos's "Professional Widow". Speed garage tracks were characterised by a sped-up house-style beat, complimented by the rolling snares and reverse-warped basslines that were popular with the drum & bass producers of the time. Speed garage already incorporated many aspects of today's UK garage sound like sub-bass lines, ragga vocals, spin backs and reversed drums. What changed over time, until the so called 2-step sound emerged, was the addition of further funky elements like R&B vocals, more shuffled beats and a different drum pattern. The most radical change from speed garage to 2-step was the removal of the 2nd and 4th bass kick from each bar. Although tracks with only two kick drum beats to a bar are perceived as being slower than the traditional four-to-the-floor beat, the listener's interest is maintained by the introduction of syncopating bass lines and the percussive use of other instruments such as pads and strings.

Among those credited with honing the speed garage sound, Todd Edwards, is often cited as a seminal influence on the UK garage sound. The producer from New Jersey introduced a new way of working with vocals. Instead of having full verses and choruses, he picked out vocal phrases and played them like an instrument, using sampling technology. Often, individual syllables were reversed or pitch-shifted. This type of vocal treatment is still a key characteristic of the UK garage style.

The UK's counterpart to Todd Edwards was MJ Cole, a classically trained oboe and piano player, who had a string of chart and underground hits in the late 1990s and early 2000s, most notably with "Sincere" and "Crazy Love". MJ Cole won a BBC Young Musician of the year.

Arguably one of the earliest examples of a 2-step track is 'Never Gonna Let You Go' by Tina Moore. Jess Jackson was responsible for many garage records but one which stood out was "Hobsons Choice". The B Side of this record changed the UK garage scene from funky and soulful to dark and bassy.

Another example of the evolution in 2 step was the release of "Troublesome" by Shy Cookie and DJ Luck, in which non sampled 2 step beats were merged with a full ragga vocal (performed by ragga artist Troublesome).

The producer duos Shanks & Bigfoot with Sweet Like Chocolate and The Artful Dodger, aka Pete Devereux and Mark Hill, who (together with Craig David) were very successful with the track "Re-rewind", which became an anthem for the 2-step scene, and got onto BBC Top Of The Pops. After the platinum-selling success of Shanks & Bigfoot's Sweet Like Chocolate released the year before, the floodgates had been opened. Although Re-rewind was denied a #1 position by Cliff Richard, it was also a platinum seller, one of the garage scene's first and last.