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  Artist Title Label Price

Industry Standard

Format: Vinyl 12 Inch
Genre: UK Garage

Industry Standard Vol.1 (What You Want)

A1 Industry Standard Vol.1 (6:55)
A2 Check One
B1 Industry Standard Vol.1 (Jeremy Sylvester's Nice 'N' Ripe Mix) (6:56)
B2 Industry Standard Vol.1 (The London Connects Mix) (6:58)

Satellite

Cat No: SATX15
Released: 1997

£6.50

Raissa

Format: Vinyl 12 Inch
Genre: UK Garage

Walk Right Through

A1 Walk Right Through (K-Warren Remix)
A2 Walk Right Through (K-Warren Underground Mix Instrumental)
B1 How Long Do I Get (Todd Terry Mix)
B2 Walk Right Through (Dreemhouse Mix)

Polydor

Cat No: WRT 4
Released: 2000

£2.00

D-Syne

Format: Vinyl 12 Inch
Genre: UK Garage

(I Just Gotta) Runaway

A (I Just Gotta) Runaway
B1 (I Just Gotta) Runaway (187 Lockdown Remix)
B2 (I Just Gotta) Runaway (Banana Republic Shift Control Dub)

Deconstruction

Cat No: Dsyne1
Released: 1998

£6.50

Indo

Format: Vinyl Double 12 Inch
Genre: UK Garage

R U Sleeping

A R U Sleeping (Bump & Flex Vocal)
B R U Sleeping (Bump & Flex Dub)
C R U Sleeping (Grant's Vocal Mix)
D R U Sleeping (Stonebridge Vocal Mix)

Satellite

Cat No: SATX18
Released: 1998

£7.50

Ashanti

Format: Vinyl 12 Inch
Genre: UK Garage

Happy (The Remixes)

A Happy (DnD Vocal Mix) (4:51)
B Happy (DnD Bashy Dub) (4:55)

Def Jam Recordings

Cat No: HAPPYDJ2
Released: 2002

£7.50

Mr. Shabz

Format: Vinyl 12 Inch
Genre: UK Garage

Another One

A Another One (Original Version)

Relentless Records

Cat No: RELENT14TP1
Released: 2001

£3.00

Merz

Format: Vinyl 12 Inch
Genre: UK Garage

Lovely Daughter

C Many Weathers Apart (FK's 12" Vocal Mix) (8:00)
D Lovely Daughter (Interference Dub) (7:12)

Epic

Cat No: XPR 3350
Released: 1999

£4.00

Groove Chronicles

Format: Vinyl 12 Inch
Genre: UK Garage

99 / Black Puppet

A 99
B Black Puppet

DPR (Dat Pressure Records)

Cat No: DPR005
Released: 2017

£7.50

Donell Jones

Format: Vinyl 12 Inch
Genre: UK Garage

Shorty

A1 Shorty (DYNK Vocal) (5:39)
B1 Shorty (DYNK Instrumental) (5:39)

LaFace Records

Cat No: 74321 75825 1
Released: 2000

£4.00

Bluejeans Regime & Koree F. Mordaunt

Format: Vinyl 12 Inch
Genre: UK Garage

Untrue Affection

A1 Untrue Affection (Bright Bill Mix) (5:23)
A2 Untrue Affection (Dark Club Mix) (5:34)
B1 Untrue Affection (Fact Or Fiction) (Instrumental) (5:31)
B2 Untrue Affection (Instrumental) (3:25)

Brainiak Records

Cat No: braink 06
Released: 1990

£6.00

The Elements

Format: Vinyl 12 Inch
Genre: UK Garage

For The Love Of People

A1 Hotel America
A2 Outer Space
A3 Con...Fusion
AA1 Future Bop (Detroit Mix)
AA2 Chico!?
AA3 Blue (Of Course)

Vibraphone Records

Cat No: UCP 005
Released: 1992

£30.00

One Drop

Format: Vinyl 12 Inch
Genre: UK Garage

Keep On

A Keep On (Waldo Mix)
B Keep On (Live Mix)

Diversion,s

Cat No: RMS 001

£5.00

One Drop

Format: Vinyl 12 Inch
Genre: UK Garage

Keep On

A Keep On (Waldo Mix)
B Keep On (Live Mix)

Diversion,s

Cat No: RMS 001

£5.00

Project MSC & Ce Ce Rogers

Format: Vinyl 12 Inch
Genre: UK Garage

Superstar

A1 Superstar (Blaze Vocal Mix)
A2 Superstar (Divine Sounds Orchestra Mix)
AA1 Superstar (Smokin Beats Club)
AA2 Superstar (Xen Mantra Delirium Dub)

Blackjack Phonographics

Cat No: BJAK 1206
Released: 1997

£6.50

Colonel Reefa

Format: Vinyl 12 Inch
Genre: UK Garage

Spell It Out

REFLEX ONES BREAKBEAT VOCAL MIX, ORIGINAL 2 sTEP mIX, BREAKBEAT DUB, 2STEP RADIO EDIT
Listen

Nice 'n' Ripe

Cat No: NNR048
Released: 2001

£8.00

Page of 297 next >>

Information on the UK Garage genre

UK garage (also known as UKG or simply garage) is a genre of electronic dance music originating from the United Kingdom in the mid-1990s. UK garage is a descendant of house music which orinated in Chicago & New York US by African Americans. . UK garage usually features a distinctive syncopated 4-4 percussive rhythm with 'shuffling' hi-hats and beat-skipping kick drums. Garage tracks also commonly feature 'chopped up' and time-shifted or pitch-shifted vocal samples complementing the underlying rhythmic structure. UK garage is often associated with the hardcore continuum. UK garage was largely subsumed into other styles of music and production in the mid-2000s, notably within hip-hop and urban music. It also spawned multiple off-shoots including Grime, Dubstep and Bassline.

In the UK, where jungle was very popular at the time, garage was played in a second room at jungle events. DJs started to speed up garage tracks to make them more suitable for the jungle audience in the UK. The media started to call this tempo-altered type of garage music "speed garage", 4x4 and 2-step's predecessor. DJs would usually play dub versions (arrangements without vocals) of garage tracks, because pitch-shifting vocals could sometimes render the music unrecognizable (although sped up and time stretched vocals were an important part of the early jungle sound, and later played a key role in speed garage). The absence of vocals left space in the music for MCs, who started rhyming to the records. Since then MCs have become one of the vital aspects of Speed and UK garage parties and records. Early promoters of speed garage included the Dreem Team and Tuff Jam and pirate radio stations like London Underground, Ice FM, Magic Fm, Mac Fm, Upfront Fm, and Freek Fm. During its initial phase, the speed garage scene was also known as "the Sunday scene", as initially speed garage promoters could only hire venues on Sunday evenings (venue owners preferred to save Friday and Saturday nights for more popular musical styles). Labels whose outputs would become synonymous with the emerging speed garage sound included Confetti, Public Demand, 500 Rekords, Spread Love and VIP. Debate continues to rage over the first true speed garage record; contenders include "So More (I Refuse)" by Industry Standard, "Love Bug" by Ramsey and Fen, 'RIP Groove' by Double-99, and Armand van Helden's remix of Tori Amos's "Professional Widow". Speed garage tracks were characterised by a sped-up house-style beat, complimented by the rolling snares and reverse-warped basslines that were popular with the drum & bass producers of the time. Speed garage already incorporated many aspects of today's UK garage sound like sub-bass lines, ragga vocals, spin backs and reversed drums. What changed over time, until the so called 2-step sound emerged, was the addition of further funky elements like R&B vocals, more shuffled beats and a different drum pattern. The most radical change from speed garage to 2-step was the removal of the 2nd and 4th bass kick from each bar. Although tracks with only two kick drum beats to a bar are perceived as being slower than the traditional four-to-the-floor beat, the listener's interest is maintained by the introduction of syncopating bass lines and the percussive use of other instruments such as pads and strings.

Among those credited with honing the speed garage sound, Todd Edwards, is often cited as a seminal influence on the UK garage sound. The producer from New Jersey introduced a new way of working with vocals. Instead of having full verses and choruses, he picked out vocal phrases and played them like an instrument, using sampling technology. Often, individual syllables were reversed or pitch-shifted. This type of vocal treatment is still a key characteristic of the UK garage style.

The UK's counterpart to Todd Edwards was MJ Cole, a classically trained oboe and piano player, who had a string of chart and underground hits in the late 1990s and early 2000s, most notably with "Sincere" and "Crazy Love". MJ Cole won a BBC Young Musician of the year.

Arguably one of the earliest examples of a 2-step track is 'Never Gonna Let You Go' by Tina Moore. Jess Jackson was responsible for many garage records but one which stood out was "Hobsons Choice". The B Side of this record changed the UK garage scene from funky and soulful to dark and bassy.

Another example of the evolution in 2 step was the release of "Troublesome" by Shy Cookie and DJ Luck, in which non sampled 2 step beats were merged with a full ragga vocal (performed by ragga artist Troublesome).

The producer duos Shanks & Bigfoot with Sweet Like Chocolate and The Artful Dodger, aka Pete Devereux and Mark Hill, who (together with Craig David) were very successful with the track "Re-rewind", which became an anthem for the 2-step scene, and got onto BBC Top Of The Pops. After the platinum-selling success of Shanks & Bigfoot's Sweet Like Chocolate released the year before, the floodgates had been opened. Although Re-rewind was denied a #1 position by Cliff Richard, it was also a platinum seller, one of the garage scene's first and last.