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  Artist Title Label Price

Conemelt

Format: Vinyl Double Album
Genre: UK Techno

(Sticklebrick City)

A1 One Pence Piece
A2 Soul Tombola
B1 Magic Till
B2 Right Potato Pie
B3 Wide Bertha
C1 Cookin' Up (A Storm)
C2 Letter From Ransford
C3 Hot Box
D1 Shall We Showaddywaddy?
D2 Pop My Body

iLL

Cat No: ILLLP 013
Released: 1999

£10.00

808 State

Format: Vinyl 12 Inch
Genre: UK Techno

Plan 9

A Plan 9 (Choki Galaxy Mix) (4:40)
B1 Plan 9 (Guitars On Fire Mix) (4:41)
B2 Olympic '93 (The Word Mix) (4:56)

ZTT

Cat No: SAM 1121
Released: 1993

£8.00

Moby

Format: Vinyl 12 Inch
Genre: UK Techno

Go (Mixes)

A Go (Rainforest Mix)
AA1 Go (Video Mix)
AA2 Go (Analog Mix)

Outer Rhythm

Cat No: FOOT 15X
Released: 1991

£8.00

Paragliders

Format: Vinyl Double 12 Inch
Genre: UK Techno

Paragliders (The Remixes) record 2 only

C Paragliders (Mijk Van Dijk Remix)
D Bagdad (Oliver Lieb Remix)

Rising High Records

Cat No: RSN 83
Released: 1994

£6.00

Thunderground

Format: Vinyl 12 Inch
Genre: UK Techno

Thunderground / Chrome Roots

A Thunderground (8:14)
AA Chrome Roots (7:15)

Infonet

Cat No: INF 004T
Released: 1992

£6.00

Mark Seven

Format: Vinyl 12 Inch
Genre: UK Techno

What Evil Lurks E.P.

A1 Chasing It (5:53)
A2 Public Warning (5:42)
B1 Contagious Paranoia (6:00)
B2 Crank (5:21)

Primevil

Cat No: prvl004
Released: 1998

£6.00

808 State

Format: Vinyl 12 Inch
Genre: UK Techno

Cubik

A1 Cubik (Monkey Mafia Mix) (6:40)
A2 Cubik (98 Remix) (4:43)
B1 Cubik (Original) (3:35)
B2 Pacific 808:98 (Edit) (3:50)

ZTT

Cat No: ZTT 98 TPX
Released: 1998

£8.00

Sulfurex

Format: Vinyl 12 Inch
Genre: UK Techno

Point Break

A1 Point Break (3:50)
A2 Analog Overdose (5:05)
B1 Flight # 303 (6:36)
B2 Sequence # 1 (2:18)

EXtortion

Cat No: EXTUK001
Released: 1994

£30.00

Eskimos&Egypt

Format: Vinyl 12 Inch
Genre: UK Techno

Grace / The Power Of G'N'R

A Grace
B The Power Of G'N'R

Deutsch Englische Freundschaft

Cat No: EEF 90
Released: 1990

£7.00
£3.50

The 7th Plain

Format: Vinyl Double Album
Genre: UK Techno

My Yellow Wise Rug

A1 Adapt And Go 4th
A2 Think City
A3 Bounderies
B1 Excalibur's Radar
B2 Doup
B3 Hectic Bag
C1 Rize And Be Wize
C2 Sender Of Humane Visions
C3 Shades Amaze
D1 The Boys Toy Drum
D2 It's Sandra's Favourite

General Production Recordings (GPR)

Cat No: GPRLP08
Released: 1994
Out Of Stock

Tuff Little Unit

Format: Vinyl 12 Inch
Genre: UK Techno

Join The Future

A Join The Future
B Master Plan

Warp Records

Cat No: WAP 12
Released: 1991

£25.00

Dave Clarke

Format: Vinyl 12 Inch
Genre: UK Techno

Southside

A Southside (12" Extended Version) (5:37)
B1 Southside (DJ Sneak Remix) (6:34)
B2 The Storm (Surgeon Dub) (5:56)

Deconstruction

Cat No: 74321 33538 1
Released: 1996

£5.00

Laurent Garnier

Format: Vinyl 12 Inch
Genre: UK Techno

Greed / The Man With The Red Face (Part Two)

A1 Greed (Fabrice Lig Mix) (5:52)
Remix - Fabrice Lig
A2 Greed (Dave Clarke Mix) (5:48)
Remix - Dave Clarke
B The Man With The Red Face (Ashley Beedle Mix) (8:05)
Remix - Ashley Beedle

F-Communications

Cat No: F 127 R UK
Released: 2000

£9.00

Forgemasters

Format: Vinyl 12 Inch
Genre: UK Techno

The Black Steel E.P.

A1 Pump Me
A2 Stress
B1 Clap
B2 Track With No Name (Communique Mix)

Network Records

Cat No: NWKT 30
Released: 1991
Out Of Stock

Orbital

Format: Vinyl Double 12 Inch
Genre: UK Techno

Times Fly

A Times Fly (Slow)
B Sad But New
C Times Fly (Fast)
D The Tranquilizer

Internal

Cat No: LIARX23
Released: 1995

£8.00

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Information on the UK Techno genre

UK Techno contains techno releases on UK record labels.

Several subgenres were created

Intelligent techno

In 1991 UK music journalist Matthew Collin wrote that "Europe may have the scene and the energy, but it's America which supplies the ideological direction...if Belgian techno gives us riffs, German techno the noise, British techno the breakbeats, then Detroit supplies the sheer cerebral depth". By 1992 a general rejection of rave culture, by a number of European producers and labels who were attempting to redress what they saw as the corruption and commercialization of the original techno ideal, was evident. Following this the ideal of an intelligent or Detroit derived pure techno aesthetic began to take hold. Detroit techno had maintained its integrity throughout the rave era and was inspiring a new generation of so called intelligent techno producers.

As the mid-1990s approached, the term had gained common usage in an attempt to differentiate the increasingly sophisticated takes on EDM from other strands of techno that had emerged,including overtly commercial strains and harder, rave-oriented variants such as breakbeat hardcore, Schranz, Dutch Gabber. Simon Reynolds observes that this progression "...involved a full-scale retreat from the most radically posthuman and hedonistically functional aspects of rave music toward more traditional ideas about creativity, namely the auteur theory of the solitary genius who humanizes technology...".

Warp Records was among the first to capitalize upon this development with the release of the compilation album Artificial Intelligence Of this time, Warp founder and managing director Steve Beckett has said
“ ...the dance scene was changing and we were hearing B-sides that weren't dance but were interesting and fitted into experimental, progressive rock, so we decided to make the compilation Artificial Intelligence, which became a milestone... it felt like we were leading the market rather than it leading us, the music was aimed at home listening rather than clubs and dance floors: people coming home, off their nuts, and having the most interesting part of the night listening to totally tripped out music. The sound fed the scene.”

Warp had originally marketed Artificial Intelligence using the description electronic listening music but this was quickly replaced by intelligent techno. In the same period (1992–93) other names were also bandied about such as armchair techno, ambient techno, and electronica, but all were used to describe an emerging form of post-rave dance music for the sedentary and stay at home. Following the commercial success of the compilation in the United States, Intelligent Dance Music eventually became the phrase most commonly used to describe much of the experimental EDM emerging during the mid to late 1990s.

Although it is primarily Warp that has been credited with ushering the commercial growth of IDM and electronica, in the early 1990s there were many notable labels associated with the initial intelligence trend that received little, if any, wider attention. Amongst others they include: Black Dog Productions (1989), Carl Craig's Planet E (1991), Kirk Degiorgio's Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1991), New Electronica (1993), Mille Plateaux (1993), 100% Pure (1993), and Ferox Records (1993).