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  Artist Title Label Price

Roman Flügel

Format: Vinyl 12 Inch
Genre: UK Techno

Geht's Noch?

A Geht's Noch? (Original)
B1 Geht's Noch? (Dominik Eulberg Remix)
B2 Geht's Noch? (Noch-A-Pella)

Skint Records

Cat No: SKINT 112P
Released: 2005

£7.00

Cristian Vogel

Format: Vinyl 12 Inch
Genre: UK Techno

Shoe Renounce Soul / Sarcastically Tempered Powers

A Shoe Renounce Soul
AA Sarcastically Tempered Powers

Loaded Records

Cat No: LOAD 53
Released: 1999

£7.00
£3.50

Sapiano

Format: Vinyl 12 Inch
Genre: UK Techno

Spike It!

A Spike It!
B Spike It! (Lords Of Afford Mix)

Sabrettes

Cat No: SR 010
Released: 1994

£8.00

K-Klass

Format: Vinyl 12 Inch
Genre: UK Techno

THE WILDLIFE EP

A1 Into The Night (5:29)
A2 Wildlife (6:33)
B1 Loafman (5:18)
B2 Athletico (5:21)

Listen

FRO

Cat No: FRO104T
Released: 1990

£10.00
£5.00

DHS

Format: Vinyl 12 Inch
Genre: UK Techno

Mind Control

A1 Hypnosis
A2 I Am Your Control
A3 Mind Control
B1 Telephone Sounds
B2 Subliminible

Underground Assault

Cat No: UA1201
Released: 2018

£16.00

Heaven's Children

Format: Vinyl 12 Inch
Genre: UK Techno

Bam Bam

A Bam Bam (D&G's Saturday Night at Heaven mix)
AA1 Bam Bam (D.A.V.E. The Drummer's mix)
Remix - D.A.V.E. The Drummer
AA2 Bam Bam (Original)

TeC

Cat No: TEC J

£7.00

Lectrolux

Format: Vinyl 12 Inch
Genre: UK Techno

Spellbound

A Spellbound (Dark Trance Mix)
Co-producer - D.A.V.E. The Drummer
AA Spellbound (Slave To The Rave Mix)
Co-producer - Andy Chatterley

TeC

Cat No: TEC A
Released: 1999

£7.00

Fragma

Format: Vinyl 12 Inch
Genre: UK Techno

Embrace Me

A Embrace Me (Duderstadt Vocal Mix)
Remix - Duderstadt
AA Embrace Me (Duderstadt Dub Mix)
Remix - Duderstadt

Illustrious

Cat No: 12ILLDJX003
Released: 2002

£6.00

Hardfloor

Format: Vinyl 12 Inch
Genre: UK Techno

Into The Nature (Remixes II) sides c&d only

C Into The Nature (South Of Detroit Mix) 12:04
Remix - Richie Hawtin
D1 Acperience 5 8:35
D2 Into The Nature (Like A Tim Remix) 4:35
Remix - Like A Tim

Harthouse

Cat No: Hart uk20
Released: 1994

£5.00

Various

Format: Vinyl 12 Inch
Genre: UK Techno

Balkan Vinyl Allstars

A1 LFO I Love Acid (7:04)
A2 Luke Vibert Jungle Hitler (2:56)
A3 Plaid Hui (4:42)
B1 Andreas Gehm Heaven & Hell (5:45)
B2 Global Goon Craehzrhd (4:19)
B3 B12 Proximity (4:00)

Balkan Vinyl

Cat No: BV25
Released: 2018
Out Of Stock

808 State

Format: Vinyl 12 Inch
Genre: UK Techno

Plan 9

A Plan 9 (Choki Galaxy Mix) (4:40)
B1 Plan 9 (Guitars On Fire Mix) (4:41)
B2 Olympic '93 (The Word Mix) (4:56)

ZTT

Cat No: SAM 1121
Released: 1993

£8.00

808 State

Format: Vinyl 12 Inch
Genre: UK Techno

One In Ten

A One In Ten (808 Original Mix) (4:16)
B1 One In Ten (Fast Fon Mix) (3:58)
B2 One In Ten (808 7") (2:40)

ZTT

Cat No: ZANG 39 T
Released: 1992

£8.00

Lost

Format: Vinyl 12 Inch
Genre: UK Techno

Techno Funk

A1 Techno Funk (Part 1)
B1 Techno Funk (Part 2)

Perfecto

Cat No: PT 44560
Released: 1991

£8.00

Utah Saints

Format: Vinyl 12 Inch
Genre: UK Techno

I Want You

A1 I Want You (DJ Tim's Funky Bliss Mix #1)
Remix - Guy Hatton
A2 I Want You (DJ Tim's Funky Bliss Mix #2)
Remix - Guy Hatton
B I Want You (Sabres 130)
Remix - Sabres Of Paradise, The

FFRR

Cat No: FXDJ 213
Released: 1993

£7.00
£3.50

Justin Robertson

Format: Vinyl 12 Inch
Genre: UK Techno

Have Mercy

A Have Mercy
B Blister Boy

Bugged Out

Cat No: BUG001
Released: 2001

£7.00
£3.50

Page of 103 next >>

Information on the UK Techno genre

UK Techno contains techno releases on UK record labels.

Several subgenres were created

Intelligent techno

In 1991 UK music journalist Matthew Collin wrote that "Europe may have the scene and the energy, but it's America which supplies the ideological direction...if Belgian techno gives us riffs, German techno the noise, British techno the breakbeats, then Detroit supplies the sheer cerebral depth". By 1992 a general rejection of rave culture, by a number of European producers and labels who were attempting to redress what they saw as the corruption and commercialization of the original techno ideal, was evident. Following this the ideal of an intelligent or Detroit derived pure techno aesthetic began to take hold. Detroit techno had maintained its integrity throughout the rave era and was inspiring a new generation of so called intelligent techno producers.

As the mid-1990s approached, the term had gained common usage in an attempt to differentiate the increasingly sophisticated takes on EDM from other strands of techno that had emerged,including overtly commercial strains and harder, rave-oriented variants such as breakbeat hardcore, Schranz, Dutch Gabber. Simon Reynolds observes that this progression "...involved a full-scale retreat from the most radically posthuman and hedonistically functional aspects of rave music toward more traditional ideas about creativity, namely the auteur theory of the solitary genius who humanizes technology...".

Warp Records was among the first to capitalize upon this development with the release of the compilation album Artificial Intelligence Of this time, Warp founder and managing director Steve Beckett has said
“ ...the dance scene was changing and we were hearing B-sides that weren't dance but were interesting and fitted into experimental, progressive rock, so we decided to make the compilation Artificial Intelligence, which became a milestone... it felt like we were leading the market rather than it leading us, the music was aimed at home listening rather than clubs and dance floors: people coming home, off their nuts, and having the most interesting part of the night listening to totally tripped out music. The sound fed the scene.”

Warp had originally marketed Artificial Intelligence using the description electronic listening music but this was quickly replaced by intelligent techno. In the same period (1992–93) other names were also bandied about such as armchair techno, ambient techno, and electronica, but all were used to describe an emerging form of post-rave dance music for the sedentary and stay at home. Following the commercial success of the compilation in the United States, Intelligent Dance Music eventually became the phrase most commonly used to describe much of the experimental EDM emerging during the mid to late 1990s.

Although it is primarily Warp that has been credited with ushering the commercial growth of IDM and electronica, in the early 1990s there were many notable labels associated with the initial intelligence trend that received little, if any, wider attention. Amongst others they include: Black Dog Productions (1989), Carl Craig's Planet E (1991), Kirk Degiorgio's Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1991), New Electronica (1993), Mille Plateaux (1993), 100% Pure (1993), and Ferox Records (1993).