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Artist | Title | Label | Price | |
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BlakkatFormat: Vinyl 12 InchGenre: UK Techno |
BlakkatA Blakkat (Blakkat Mix)B Blakkat (Blakkat Medic Mix) |
BushCat No: BUSH 1017Released: 1994 |
£6.00 |
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Darren PriceFormat: Vinyl 12 InchGenre: UK Techno |
Lose No TimeA Lose No TimeB1 It's Movin' B2 Friction |
NovaMuteCat No: 12NOMU33Released: 1997 |
£6.00 |
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808 StateFormat: Vinyl 12 InchGenre: UK Techno |
The Extended Pleasure Of Dance EPA Cobra Bora (Call The Cops Mix) (4:49)Engineer [Remix] - Ren Swan AA1 Ancodia (Taters Deep Nit Funky Beat Mix) (5:37) Engineer [Remix] - Ren Swan AA2 Cübik (3:36) Mixed By, Recorded By - Graham Massey ![]() |
ZTTCat No: ZANG 2TReleased: 1990 |
£
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Space DJzFormat: Vinyl 12 InchGenre: UK Techno |
Space DJz EPA1 HumanizeA2 Tesla B1 Rise B2 Gaining |
NovaMuteCat No: 12 NoMu 52Released: 1997 |
£7.00 |
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Ricky Effe & Gabry FasanoFormat: Vinyl 12 InchGenre: UK Techno |
Noise Maker Volume FourA1 Ricky Effe Sector .30 (Sector Mix)B1 Gabry Fasano Jaiss Bangin' (Bang Mix) |
NukleuzCat No: NUKP 0187Released: 1999 |
Out Of Stock |
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RedshiftFormat: Vinyl 12 InchGenre: UK Techno |
Sweat And GrooveA1 Sweat And GrooveA2 Still The Night B1 It's Alive (The Monster) B2 In The Mood |
Fabulous Music UKCat No: FABU 012TReleased: 1992 |
£6.00 |
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LectroluxFormat: Vinyl 12 InchGenre: UK Techno |
SpellboundA Spellbound (Dark Trance Mix)Co-producer - D.A.V.E. The Drummer AA Spellbound (Slave To The Rave Mix) Co-producer - Andy Chatterley |
TeCCat No: TEC AReleased: 1999 |
Out Of Stock |
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Ade Fenton & Christian WünschFormat: Vinyl 12 InchGenre: UK Techno |
The Mark Has Been MadeA1 Ade Fenton UntitledA2 Ade Fenton Untitled B1 Christian Wünsch Untitled B2 Christian Wünsch Untitled |
AdvancedCat No: ADV 010Released: 2001 |
£7.00 |
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Dave ClarkeFormat: Vinyl 12 InchGenre: UK Techno |
Red. 2 (Of 3)Phase 029A Wisdom To The Wise (6:06) Phase 030 B Gonk (5:07) |
BushCat No: Bush1015Released: 1994 |
Out Of Stock |
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Justin RobertsonFormat: Vinyl 12 InchGenre: UK Techno |
Have MercyA Have MercyB Blister Boy |
Bugged OutCat No: BUG001Released: 2001 |
£7.00 |
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Nightmares On WaxFormat: Vinyl 12 InchGenre: UK Techno |
Aftermath / I'm For RealA AftermathB I\'m For Real |
Warp RecordsCat No: WAP 6Released: 1990 |
Out Of Stock |
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KLF, TheFormat: Vinyl 12 InchGenre: UK Techno |
Last Train To Trancentral (Live From The Lost Continent)A Last Train To Trancentral (Live From The Lost Continent) (5:36)B Last Train To Trancentral (The Iron Horse) (4:13) |
KLF CommunicationsCat No: KLF 008XReleased: 1991 |
Out Of Stock |
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VariousFormat: Vinyl Double AlbumGenre: UK Techno |
Reactivate 8 (Hi-Octane Dance Musik)A1 Country & Western ReincarnationA2 Robert Armani Circus Bells (Hardfloor Remix) A3 Ilsa Gold Up B1 Sourmash Pilgrimage To Paradise (Barrel Beat Mix) B2 Sonic Solution Bagdad B3 Deep Piece Panoramic Shuffle (Squelchalogue Mix) C1 Illuminatae Tempestada C2 Golden Girls Kinetic (Frank De Wulf Remix) C3 Jagga Finito D1 United Space Hallways D2 CJ Bolland Camargue D3 Sapiano Sputnik Sunday |
ReactCat No: REACT LP27Released: 1993 |
Out Of Stock |
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BassixFormat: Vinyl 12 InchGenre: UK Techno |
Close EncountersA Close Encounters (Club Mix)B1 Close Encounters (Bassix Mix) B2 Close Encounters (Dub Mix) |
ChampionCat No: 12.270Released: 1990 |
Out Of Stock |
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FinitribeFormat: Vinyl Double 12 InchGenre: UK Techno |
SquelchA Squelch (DJ Misjah Mix)B1 Squelch (Original Mix) B2 Squelch (Wreckage Inc. Mix) C Squelch (Witchman Black Metal Dub 2) D1 Squelch (Original Mix #2) D2 Squelch (G-Mac Mix) |
AuraCat No: SUSSX033PReleased: 1996 |
£8.00 |
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Information on the UK Techno genre
UK Techno contains techno releases on UK record labels.Several subgenres were created
Intelligent techno
In 1991 UK music journalist Matthew Collin wrote that "Europe may have the scene and the energy, but it's America which supplies the ideological direction...if Belgian techno gives us riffs, German techno the noise, British techno the breakbeats, then Detroit supplies the sheer cerebral depth". By 1992 a general rejection of rave culture, by a number of European producers and labels who were attempting to redress what they saw as the corruption and commercialization of the original techno ideal, was evident. Following this the ideal of an intelligent or Detroit derived pure techno aesthetic began to take hold. Detroit techno had maintained its integrity throughout the rave era and was inspiring a new generation of so called intelligent techno producers.
As the mid-1990s approached, the term had gained common usage in an attempt to differentiate the increasingly sophisticated takes on EDM from other strands of techno that had emerged,including overtly commercial strains and harder, rave-oriented variants such as breakbeat hardcore, Schranz, Dutch Gabber. Simon Reynolds observes that this progression "...involved a full-scale retreat from the most radically posthuman and hedonistically functional aspects of rave music toward more traditional ideas about creativity, namely the auteur theory of the solitary genius who humanizes technology...".
Warp Records was among the first to capitalize upon this development with the release of the compilation album Artificial Intelligence Of this time, Warp founder and managing director Steve Beckett has said
“ ...the dance scene was changing and we were hearing B-sides that weren't dance but were interesting and fitted into experimental, progressive rock, so we decided to make the compilation Artificial Intelligence, which became a milestone... it felt like we were leading the market rather than it leading us, the music was aimed at home listening rather than clubs and dance floors: people coming home, off their nuts, and having the most interesting part of the night listening to totally tripped out music. The sound fed the scene.”
Warp had originally marketed Artificial Intelligence using the description electronic listening music but this was quickly replaced by intelligent techno. In the same period (1992–93) other names were also bandied about such as armchair techno, ambient techno, and electronica, but all were used to describe an emerging form of post-rave dance music for the sedentary and stay at home. Following the commercial success of the compilation in the United States, Intelligent Dance Music eventually became the phrase most commonly used to describe much of the experimental EDM emerging during the mid to late 1990s.
Although it is primarily Warp that has been credited with ushering the commercial growth of IDM and electronica, in the early 1990s there were many notable labels associated with the initial intelligence trend that received little, if any, wider attention. Amongst others they include: Black Dog Productions (1989), Carl Craig's Planet E (1991), Kirk Degiorgio's Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1991), New Electronica (1993), Mille Plateaux (1993), 100% Pure (1993), and Ferox Records (1993).