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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: UK Techno

System Overload E.P.

A1 We Jack The House
A2 Float Beyond Desire
A3 Crash Coarse
B1 Rush Hour
B2 Harmonise Me
B3 Crash Coarse (Ambient Mix)

Zoom Records (2)

Cat No: ZOOM 006
Released: 1991



Format: Vinyl 12 Inch
Genre: UK Techno

The Saint / The Sinner

A The Saint
B The Sinner



Cat No: FXDJ 296
Released: 1997



Format: Vinyl 12 Inch
Genre: UK Techno

Hope Remix E.P.

A1 Hope (Elevator Main Mix)
A2 Hope (Elevator Short Mix)
B1 Hope (Carl Cox's MMR Mix)
B2 Hope (Ramen Remix)

Infectious Records

Cat No: INFECT 17T
Released: 1994



Format: Vinyl 12 Inch
Genre: UK Techno

Sticky Green Fingers / Digital Domain

A Sticky Green Fingers
AA1 Digital Domain (Stripped Acid Mix)
AA2 Digital Domain (Stripped Dub)

Zoom Records

Cat No: ZOOM 028
Released: 1996



Format: Vinyl 12 Inch
Genre: UK Techno

The Chamber

A The Chamber (Movement One) (9:09)
B1 The Chamber (Movement Two) (6:26)
B2 The Chamber (Movement Three) (5:40)


Rabbit City

Cat No: CUT 008
Released: 1993



Format: Vinyl 12 Inch
Genre: UK Techno

Mutations EP

X1 Oolaa (Joey Beltram Mutation) (4:24)
X2 Chime (Ray Keith Mutation) (6:17)
O1 Speed Freak (Moby Mutation) (5:41)
O2 Oolaa (Meat Beat Manifesto Mutation) (8:39)



Cat No: FX181
Released: 1992


Cristian Vogel

Format: Vinyl 12 Inch
Genre: UK Techno

Shoe Renounce Soul / Sarcastically Tempered Powers

A Shoe Renounce Soul
AA Sarcastically Tempered Powers

Loaded Records

Cat No: LOAD 53
Released: 1999



Format: Vinyl 12 Inch
Genre: UK Techno

Apply Within

A1 Apply Within (The Original Mix)
A2 Apply Within (Not The Original Mix)
B1 Apply Within (The Bitch Mix)
B2 Apply Within (Nothing Like The Original Mix)


Cat No: Bush 1007



Format: Vinyl 12 Inch
Genre: UK Techno


A Bodytalk (Techno Mix)
B Bodytalk (12" Mix)

Pump Records

Cat No: 12PUM011


Luke Slater

Format: Vinyl Double 12 Inch
Genre: UK Techno

Nothing At All

A Nothing At All (12" Version) (6:52)
B Nothing At All (Rob Rives Main Mix) (8:27)
C Nothing At All (King Unique's Chocolate Orange) (7:40)
D Nothing At All (Spincycle Remix) (8:04)

Mute Records Ltd.

Cat No: P12 MUTE 261
Released: 2002


Bass Kruncher

Format: Vinyl 12 Inch
Genre: UK Techno

Magic Flute

A1 Magic Flute (E vs C Mix) (5:39)
A2 Magic Flute (Stone Age Mix) (5:34)
B1 Magic Flute (Fantasy Mix) (6:34)
B2 Magic Flute (Reality Mix) (4:32)



Cat No: LA 2404
Released: 1992


Primary Sequence Feat Tempo O'Niel

Format: Vinyl 12 Inch
Genre: UK Techno

Total Control

A Total Control (7:36)
B Total Control (Acid Dub) (5:00)



Cat No: VISITOR 022
Released: 2002



Format: Vinyl 12 Inch
Genre: UK Techno

Solitary Mission EP

A1 Prologue (Envoy's Message)
A2 Leave This World Behind
B1 Soulmate
B2 Heat Haze


Cat No: SOMA 028
Released: 1995


Omar Santana

Format: Vinyl 12 Inch
Genre: UK Techno

Come On And Jam

A1 Come On And Jam (Original Mix) (6:21)
A2 Come On And Jam (Instrumental) (3:27)
AA1 Come On And Jam (Boy Genius Mix) (5:28)
AA2 Come On And Jam (Subterranean Mix) (4:16)

1st Bass

Cat No: RUFF 10
Released: 1991



Format: Vinyl 12 Inch
Genre: UK Techno

Forced Vortex EP

A1 Wobbulator (5:05)
A2 Overflux (4:30)
B1 Overflux (5:01)
B2 Scorney (4:55)


Mantrap Recordings

Cat No: Mantrap001
Released: 2008


Page of 106 next >>

Information on the UK Techno genre

UK Techno contains techno releases on UK record labels.

Several subgenres were created

Intelligent techno

In 1991 UK music journalist Matthew Collin wrote that "Europe may have the scene and the energy, but it's America which supplies the ideological direction...if Belgian techno gives us riffs, German techno the noise, British techno the breakbeats, then Detroit supplies the sheer cerebral depth". By 1992 a general rejection of rave culture, by a number of European producers and labels who were attempting to redress what they saw as the corruption and commercialization of the original techno ideal, was evident. Following this the ideal of an intelligent or Detroit derived pure techno aesthetic began to take hold. Detroit techno had maintained its integrity throughout the rave era and was inspiring a new generation of so called intelligent techno producers.

As the mid-1990s approached, the term had gained common usage in an attempt to differentiate the increasingly sophisticated takes on EDM from other strands of techno that had emerged,including overtly commercial strains and harder, rave-oriented variants such as breakbeat hardcore, Schranz, Dutch Gabber. Simon Reynolds observes that this progression "...involved a full-scale retreat from the most radically posthuman and hedonistically functional aspects of rave music toward more traditional ideas about creativity, namely the auteur theory of the solitary genius who humanizes technology...".

Warp Records was among the first to capitalize upon this development with the release of the compilation album Artificial Intelligence Of this time, Warp founder and managing director Steve Beckett has said
“ ...the dance scene was changing and we were hearing B-sides that weren't dance but were interesting and fitted into experimental, progressive rock, so we decided to make the compilation Artificial Intelligence, which became a milestone... it felt like we were leading the market rather than it leading us, the music was aimed at home listening rather than clubs and dance floors: people coming home, off their nuts, and having the most interesting part of the night listening to totally tripped out music. The sound fed the scene.”

Warp had originally marketed Artificial Intelligence using the description electronic listening music but this was quickly replaced by intelligent techno. In the same period (1992–93) other names were also bandied about such as armchair techno, ambient techno, and electronica, but all were used to describe an emerging form of post-rave dance music for the sedentary and stay at home. Following the commercial success of the compilation in the United States, Intelligent Dance Music eventually became the phrase most commonly used to describe much of the experimental EDM emerging during the mid to late 1990s.

Although it is primarily Warp that has been credited with ushering the commercial growth of IDM and electronica, in the early 1990s there were many notable labels associated with the initial intelligence trend that received little, if any, wider attention. Amongst others they include: Black Dog Productions (1989), Carl Craig's Planet E (1991), Kirk Degiorgio's Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1991), New Electronica (1993), Mille Plateaux (1993), 100% Pure (1993), and Ferox Records (1993).