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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: UK Techno


A Spellbound (Dark Trance Mix)
Co-producer - D.A.V.E. The Drummer
AA Spellbound (Slave To The Rave Mix)
Co-producer - Andy Chatterley


Cat No: TEC A
Released: 1999


Ade Fenton & Christian Wünsch

Format: Vinyl 12 Inch
Genre: UK Techno

The Mark Has Been Made

A1 Ade Fenton Untitled
A2 Ade Fenton Untitled
B1 Christian Wünsch Untitled
B2 Christian Wünsch Untitled


Cat No: ADV 010
Released: 2001


Dave Clarke

Format: Vinyl 12 Inch
Genre: UK Techno

Red. 2 (Of 3)

Phase 029
A Wisdom To The Wise (6:06)
Phase 030
B Gonk (5:07)


Cat No: Bush1015
Released: 1994


Justin Robertson

Format: Vinyl 12 Inch
Genre: UK Techno

Have Mercy

A Have Mercy
B Blister Boy

Bugged Out

Cat No: BUG001
Released: 2001


Nightmares On Wax

Format: Vinyl 12 Inch
Genre: UK Techno

Aftermath / I'm For Real

A Aftermath
B I\'m For Real

Warp Records

Cat No: WAP 6
Released: 1990


KLF, The

Format: Vinyl 12 Inch
Genre: UK Techno

Last Train To Trancentral (Live From The Lost Continent)

A Last Train To Trancentral (Live From The Lost Continent) (5:36)
B Last Train To Trancentral (The Iron Horse) (4:13)

KLF Communications

Cat No: KLF 008X
Released: 1991



Format: Vinyl Double Album
Genre: UK Techno

Reactivate 8 (Hi-Octane Dance Musik)

A1 Country & Western Reincarnation
A2 Robert Armani Circus Bells (Hardfloor Remix)
A3 Ilsa Gold Up
B1 Sourmash Pilgrimage To Paradise (Barrel Beat Mix)
B2 Sonic Solution Bagdad
B3 Deep Piece Panoramic Shuffle (Squelchalogue Mix)
C1 Illuminatae Tempestada
C2 Golden Girls Kinetic (Frank De Wulf Remix)
C3 Jagga Finito
D1 United Space Hallways
D2 CJ Bolland Camargue
D3 Sapiano Sputnik Sunday


Cat No: REACT LP27
Released: 1993



Format: Vinyl 12 Inch
Genre: UK Techno

Close Encounters

A Close Encounters (Club Mix)
B1 Close Encounters (Bassix Mix)
B2 Close Encounters (Dub Mix)


Cat No: 12.270
Released: 1990


Urban Hype

Format: Vinyl 12 Inch
Genre: UK Techno


A1 Sycopath (Rapp Mix)
A2 Sycopath (Inst Edit)
B1 Industrial Evolution (Docklands Mix)
B2 Sycopath (Roger Johnson Mix)

Reachin Records

Cat No: REMU 1202
Released: 1991


The Step

Format: Vinyl 12 Inch
Genre: UK Techno

Yeah You, Bullfrog

A1 Yeah You (5:58)
A2 Yeah You (Occasions Mix) (6:04)
B Bullfrog (7:35)


Cat No: WAP 8
Released: 1991



Format: Vinyl Double 12 Inch
Genre: UK Techno


A Squelch (DJ Misjah Mix)
B1 Squelch (Original Mix)
B2 Squelch (Wreckage Inc. Mix)
C Squelch (Witchman Black Metal Dub 2)
D1 Squelch (Original Mix #2)
D2 Squelch (G-Mac Mix)


Cat No: SUSSX033P
Released: 1996


Candy Flip

Format: Vinyl 12 Inch
Genre: UK Techno

Love Is Life

A1 Love Is Life (Adrenalin 6 Mix)
B1 Love Is Life (O Zone Friendly Mix)



Cat No: DEBTX 3079
Released: 1992



Format: Vinyl 12 Inch
Genre: UK Techno


A1 Stomp (Bushcutter Mix)
A2 Stomp (Original Mix)
AA1 Stomp (Play Boys Fully Loaded Dub)

Loaded Records

Cat No: LOAD 26
Released: 1995


DJ Creator

Format: Vinyl 12 Inch
Genre: UK Techno

Kiss Me

A1 Kiss Me (Ragga West Coast Mix) (5:07)
A2 Kiss Me (AZ Cut Mix) (4:28)
B1 Kiss Me (Transpose Mix) (4:30)
B2 Kiss Me (Original Mix) (5:00)

Rumour Records

Cat No: RUMAT 62


Sheep On Drugs

Format: Vinyl 12 Inch
Genre: UK Techno

From A To H And Back Again

A1 From A To H And Back Again
A2 Motorbike (New)
B1 From A To H And Back Again (Disco 2000)
B2 Drug Music

Island Records

Cat No: 12 IS 575
Released: 1993


Page of 106 next >>

Information on the UK Techno genre

UK Techno contains techno releases on UK record labels.

Several subgenres were created

Intelligent techno

In 1991 UK music journalist Matthew Collin wrote that "Europe may have the scene and the energy, but it's America which supplies the ideological direction...if Belgian techno gives us riffs, German techno the noise, British techno the breakbeats, then Detroit supplies the sheer cerebral depth". By 1992 a general rejection of rave culture, by a number of European producers and labels who were attempting to redress what they saw as the corruption and commercialization of the original techno ideal, was evident. Following this the ideal of an intelligent or Detroit derived pure techno aesthetic began to take hold. Detroit techno had maintained its integrity throughout the rave era and was inspiring a new generation of so called intelligent techno producers.

As the mid-1990s approached, the term had gained common usage in an attempt to differentiate the increasingly sophisticated takes on EDM from other strands of techno that had emerged,including overtly commercial strains and harder, rave-oriented variants such as breakbeat hardcore, Schranz, Dutch Gabber. Simon Reynolds observes that this progression "...involved a full-scale retreat from the most radically posthuman and hedonistically functional aspects of rave music toward more traditional ideas about creativity, namely the auteur theory of the solitary genius who humanizes technology...".

Warp Records was among the first to capitalize upon this development with the release of the compilation album Artificial Intelligence Of this time, Warp founder and managing director Steve Beckett has said
“ ...the dance scene was changing and we were hearing B-sides that weren't dance but were interesting and fitted into experimental, progressive rock, so we decided to make the compilation Artificial Intelligence, which became a milestone... it felt like we were leading the market rather than it leading us, the music was aimed at home listening rather than clubs and dance floors: people coming home, off their nuts, and having the most interesting part of the night listening to totally tripped out music. The sound fed the scene.”

Warp had originally marketed Artificial Intelligence using the description electronic listening music but this was quickly replaced by intelligent techno. In the same period (1992–93) other names were also bandied about such as armchair techno, ambient techno, and electronica, but all were used to describe an emerging form of post-rave dance music for the sedentary and stay at home. Following the commercial success of the compilation in the United States, Intelligent Dance Music eventually became the phrase most commonly used to describe much of the experimental EDM emerging during the mid to late 1990s.

Although it is primarily Warp that has been credited with ushering the commercial growth of IDM and electronica, in the early 1990s there were many notable labels associated with the initial intelligence trend that received little, if any, wider attention. Amongst others they include: Black Dog Productions (1989), Carl Craig's Planet E (1991), Kirk Degiorgio's Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1991), New Electronica (1993), Mille Plateaux (1993), 100% Pure (1993), and Ferox Records (1993).