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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: UK Techno


A1 Hypnotizin' (Original Mix) (7:33)
A2 Hypnotizin' (Beatless Mix) (6:42)
B1 Hypnotizin' (96 Remix) (5:40)
B2 Hypnotizin' (Live Version) (7:32)
B3 Hypnotizin' (Hypnovocal) (1:02)

XL Recordings

Cat No: XLT 071
Released: 1996


Mr. K & Ubik

Format: Vinyl 12 Inch
Genre: UK Techno

The Mix Max Style / Techno Prisoners

A Mr. K The Mix Max Style
AA Ubik Techno Prisoners

Zoom Records

Cat No: ZOOM 001
Released: 1989


Dave Clarke

Format: Vinyl 12 Inch
Genre: UK Techno

Shake Your Booty

A Shake Your Booty
B Break Cover


Cat No: 74321 509541
Released: 1997



Format: Vinyl 12 Inch
Genre: UK Techno

Forced Vortex EP

A1 Wobbulator (5:05)
A2 Overflux (4:30)
B1 Overflux (5:01)
B2 Scorney (4:55)


Mantrap Recordings

Cat No: Mantrap001
Released: 2008


Nation 12

Format: Vinyl 12 Inch
Genre: UK Techno


A1 Remember (5:46)
A2 Remember (Sub Dub Mix) (4:26)
B1 Listen To The Drummer (5:04)
B2 Remember (Club Edit) (2:43)

Rhythm King Records

Cat No: EBU 1
Released: 1990



Format: Vinyl 12 Inch
Genre: UK Techno

Rave Masters Volume One

A1 Ultimatum (2) Street Live (Summertime House Mix) (5:40)
A2 Roots Ltd. Maniac Soul (London Mix) (5:10)
B1 Acid 101 Fast Cash (Belgium Re-Mix) (5:09)
B2 Resistance (2) Back In Time (The Awesome Mix) (4:14)

Rave Records (14)

Cat No: RM 901
Released: 1991


Nation 12

Format: Vinyl 12 Inch
Genre: UK Techno


A1 Electrofear (Beastmix)
B1 Electrofear (Shemsijo Mix)
B2 Electrofear (Dogmix)

Rhythm King Records

Cat No: EBU 2T
Released: 1991


Sweet Exorcist

Format: Vinyl 12 Inch
Genre: UK Techno

Spirit Guide To Low Tech

A1 Part Of The Scene
A2 African
A3 Feel Your Hands
B1 Nice
B2 We Are About To Funk


Cat No: T33.13-12
Released: 1994


Holy Ghost Inc.

Format: Vinyl 12 Inch
Genre: UK Techno


A1 Yuki's Gospel
A2 The Rythym Goes Around
B1 Godzilla-A-Go-Go
B2 Hi-Speed (Pirate DJ Club Mix)

Holy Ghost Inc

Cat No: H.G. 004
Released: 1990


DHS & DJ Slip

Format: Vinyl 12 Inch
Genre: UK Techno

The House Of God

A The House Of God (Reinterpreted By DJ Slip In Minneapolis) (8:38)

Missile Records

Cat No: Missile 13.5
Released: 1996


Roots And Soul

Format: Vinyl 12 Inch
Genre: UK Techno

Mr. Kirk v.s. The Real Bassline

A Mr. Kirk v.s. The Real Bassline
B Whizz Kids Promo

Street Bwoyz Pro.

Cat No: SBP 003
Released: 1991
Out Of Stock

Final Cut

Format: Vinyl Double 12 Inch
Genre: UK Techno

Deep Into The Cut

A1 She Destroys
A2 Rotation
A3 Temptation
B1 Told Ya Not To Stop
B2 Burn Baby Burn
C1 Now That's So Funky
C2 Harmony
C3 Celestial VSU
D1 Open Your Eyes
D2 The Prosecuted
D3 The Escape

We Can Elude Control

Cat No: WCEC012
Released: 2016



Format: Vinyl 12 Inch
Genre: UK Techno


A1 Motion
B1 Stabilize
B2 Steelyard


Cat No: AQT 003
Released: 1997


Joy Kitikonti

Format: Vinyl 12 Inch
Genre: UK Techno


A Joydontstop (Asteroids Mix)
B1 Joydontstop (Freaky Mix)
B2 Joydontstop (Joyenergizer Mix)


Cat No: BXRP 0438
Released: 2002


Kai Randy Michel

Format: Vinyl 12 Inch
Genre: UK Techno

The Tact&The Sense

A1 The Tact&The Sense (6:48)
B1 Skydiver (6:15)
B2 Up&Down (6:52)


Cat No: PV039
Released: 2001


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Information on the UK Techno genre

UK Techno contains techno releases on UK record labels.

Several subgenres were created

Intelligent techno

In 1991 UK music journalist Matthew Collin wrote that "Europe may have the scene and the energy, but it's America which supplies the ideological direction...if Belgian techno gives us riffs, German techno the noise, British techno the breakbeats, then Detroit supplies the sheer cerebral depth". By 1992 a general rejection of rave culture, by a number of European producers and labels who were attempting to redress what they saw as the corruption and commercialization of the original techno ideal, was evident. Following this the ideal of an intelligent or Detroit derived pure techno aesthetic began to take hold. Detroit techno had maintained its integrity throughout the rave era and was inspiring a new generation of so called intelligent techno producers.

As the mid-1990s approached, the term had gained common usage in an attempt to differentiate the increasingly sophisticated takes on EDM from other strands of techno that had emerged,including overtly commercial strains and harder, rave-oriented variants such as breakbeat hardcore, Schranz, Dutch Gabber. Simon Reynolds observes that this progression "...involved a full-scale retreat from the most radically posthuman and hedonistically functional aspects of rave music toward more traditional ideas about creativity, namely the auteur theory of the solitary genius who humanizes technology...".

Warp Records was among the first to capitalize upon this development with the release of the compilation album Artificial Intelligence Of this time, Warp founder and managing director Steve Beckett has said
“ ...the dance scene was changing and we were hearing B-sides that weren't dance but were interesting and fitted into experimental, progressive rock, so we decided to make the compilation Artificial Intelligence, which became a milestone... it felt like we were leading the market rather than it leading us, the music was aimed at home listening rather than clubs and dance floors: people coming home, off their nuts, and having the most interesting part of the night listening to totally tripped out music. The sound fed the scene.”

Warp had originally marketed Artificial Intelligence using the description electronic listening music but this was quickly replaced by intelligent techno. In the same period (1992–93) other names were also bandied about such as armchair techno, ambient techno, and electronica, but all were used to describe an emerging form of post-rave dance music for the sedentary and stay at home. Following the commercial success of the compilation in the United States, Intelligent Dance Music eventually became the phrase most commonly used to describe much of the experimental EDM emerging during the mid to late 1990s.

Although it is primarily Warp that has been credited with ushering the commercial growth of IDM and electronica, in the early 1990s there were many notable labels associated with the initial intelligence trend that received little, if any, wider attention. Amongst others they include: Black Dog Productions (1989), Carl Craig's Planet E (1991), Kirk Degiorgio's Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1991), New Electronica (1993), Mille Plateaux (1993), 100% Pure (1993), and Ferox Records (1993).