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  Artist Title Label Price

Dave Clarke

Format: Vinyl 12 Inch
Genre: UK Techno

The Wiggle

A The Wiggle (12" Mix)
B1 The Wiggle (Album Mix)
B2 The Wiggle (Bonus Old School Remix)

Skint Records

Cat No: DEVILS004
Released: 2004

£7.00

Scan

Format: Vinyl 12 Inch
Genre: UK Techno

Slipstream

A Slipstream
B Slipstream (Alpha Jazz Mix)

Bigbang Records

Cat No: BBANG T001
Released: 1995

£7.00

Slam

Format: Vinyl 12 Inch
Genre: UK Techno

Positive Education

A Positive Education
AA Intensities In-Ten-Cities

Soma Quality Recordings

Cat No: SOMA 008
Released: 1993

£25.00

Fluke

Format: Vinyl 12 Inch
Genre: UK Techno

Bubble

1 Bubble (Speechbubble) (6:40)
2 Bubble (Stuntbubble) (7:40)
3 Bubble (Burstbubble) (7:28)

Circa Records Ltd.

Cat No: YRCD 110
Released: 1994

£7.00

Ralphie Dee & Dino Blade

Format: Vinyl 12 Inch
Genre: UK Techno

Demise E.P.

A1 Mental Asylum
A2 Playground Memories
B1 New York City
B2 Culture Assasin

Listen

Fokus Recordings

Cat No: FKUK 010
Released: 1992

£8.00

Dot Allison

Format: Vinyl 12 Inch
Genre: UK Techno

Strung Out

A1 Strung Out (Single Mix)
A2 I Think I Love You (Radioactive Man Remix)
B We're Only Science (Slam Remix)

Mantra Recordings

Cat No: MNT74T
Released: 2002

£7.00

Tuff Little Unit

Format: Vinyl 12 Inch
Genre: UK Techno

Join The Future

A Join The Future
B Master Plan

Warp Records

Cat No: WAP 12
Released: 1991

£25.00

LFO

Format: Vinyl 12 Inch
Genre: UK Techno

LFO

A LFO (The Leeds Warehouse Mix)
AA1 Track 4
AA2 Probe (The Cuba Edit)

Warp Records

Cat No: WAP 5
Released: 1990

£20.00

Ricky Effe & Gabry Fasano

Format: Vinyl 12 Inch
Genre: UK Techno

Noise Maker Volume Four

A1 Ricky Effe Sector .30 (Sector Mix)
B1 Gabry Fasano Jaiss Bangin' (Bang Mix)

Nukleuz

Cat No: NUKP 0187
Released: 1999

£9.00

Bitch

Format: Vinyl 12 Inch
Genre: UK Techno

Bad Boy Come Again - Soundclash Vol. 3

A1 Hey Boy (Buffalo Soldier Mix)
A2 Hey Boy (Buffalo Beats)
B1 You Are My Children (Dark Black Mix)
B2 Bad Boy Come Again (Wildchild Mix)

Bush

Cat No: Bush1014P
Released: 1993

£8.00

Various

Format: Vinyl 12 Inch
Genre: UK Techno

Club It 90 - Volume One

A1 Princess Ivori Wanted
A2 Catch 22 Boogie Down (Do It)
A3 Technofusion Ariel State
A4 Audio One Total Science
B1 Alliance (4) Thoughts Of You (Club Mix)
B2 Out Of The Ordinary Play It Again (Los Ninos Mix)
B3 Cesare Collina & LTJ Babe What's Goin' On
B4 Royalle Delite I'll Be A Freak For You (Fon Force Remix)
B5 Logg Open Up Baby (X-Tended Instrumental Mix)

Epic

Cat No: 46 71121
Released: 1990

£6.00

Underworld

Format: Vinyl 12 Inch
Genre: UK Techno

Push Upstairs

A Push Upstairs (The Large Unit) (5:38)
B1 Push Upstairs (Adam Beyer Remix 1) (4:56)
B2 Push Upstairs (Darren Price Remix) (6:47)

Junior Boy's Own

Cat No: JBO5006226P
Released: 1999

£6.50

Slam

Format: Vinyl Double 12 Inch
Genre: UK Techno

Positive Education - Disc 2 only

C Positive Education (Derrick Carter&Chris Nazuka By All Means Revamp)
D Positive Education (Chris&Derrick's Reversed And Reiterated Reconstruction)

Soma Quality Recordings

Cat No: SOMA 30
Released: 1995

£6.00

R.N.D. Technologies

Format: Vinyl 12 Inch
Genre: UK Techno

Phases

A Phase One (5:27)
B1 Phase Two (5:10)
B2 Phase Three (6:05)

Blue Room Released

Cat No: BR092
Released: 1999

£6.00

Eternal Basement

Format: Vinyl 12 Inch
Genre: UK Techno

Understood / Raw

A Understood (5:10)
B Raw (5:27)

Blue Room Released

Cat No: BR 089, BAM 0101
Released: 1999

£7.00
£3.50

Page of 105 next >>

Information on the UK Techno genre

UK Techno contains techno releases on UK record labels.

Several subgenres were created

Intelligent techno

In 1991 UK music journalist Matthew Collin wrote that "Europe may have the scene and the energy, but it's America which supplies the ideological direction...if Belgian techno gives us riffs, German techno the noise, British techno the breakbeats, then Detroit supplies the sheer cerebral depth". By 1992 a general rejection of rave culture, by a number of European producers and labels who were attempting to redress what they saw as the corruption and commercialization of the original techno ideal, was evident. Following this the ideal of an intelligent or Detroit derived pure techno aesthetic began to take hold. Detroit techno had maintained its integrity throughout the rave era and was inspiring a new generation of so called intelligent techno producers.

As the mid-1990s approached, the term had gained common usage in an attempt to differentiate the increasingly sophisticated takes on EDM from other strands of techno that had emerged,including overtly commercial strains and harder, rave-oriented variants such as breakbeat hardcore, Schranz, Dutch Gabber. Simon Reynolds observes that this progression "...involved a full-scale retreat from the most radically posthuman and hedonistically functional aspects of rave music toward more traditional ideas about creativity, namely the auteur theory of the solitary genius who humanizes technology...".

Warp Records was among the first to capitalize upon this development with the release of the compilation album Artificial Intelligence Of this time, Warp founder and managing director Steve Beckett has said
“ ...the dance scene was changing and we were hearing B-sides that weren't dance but were interesting and fitted into experimental, progressive rock, so we decided to make the compilation Artificial Intelligence, which became a milestone... it felt like we were leading the market rather than it leading us, the music was aimed at home listening rather than clubs and dance floors: people coming home, off their nuts, and having the most interesting part of the night listening to totally tripped out music. The sound fed the scene.”

Warp had originally marketed Artificial Intelligence using the description electronic listening music but this was quickly replaced by intelligent techno. In the same period (1992–93) other names were also bandied about such as armchair techno, ambient techno, and electronica, but all were used to describe an emerging form of post-rave dance music for the sedentary and stay at home. Following the commercial success of the compilation in the United States, Intelligent Dance Music eventually became the phrase most commonly used to describe much of the experimental EDM emerging during the mid to late 1990s.

Although it is primarily Warp that has been credited with ushering the commercial growth of IDM and electronica, in the early 1990s there were many notable labels associated with the initial intelligence trend that received little, if any, wider attention. Amongst others they include: Black Dog Productions (1989), Carl Craig's Planet E (1991), Kirk Degiorgio's Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1991), New Electronica (1993), Mille Plateaux (1993), 100% Pure (1993), and Ferox Records (1993).