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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: UK Techno

Skylines E.P.

A1 Grasshopper
A2 Fuzzy Frog
AA1 Watch Out For The Frog
AA2 Thrombosis

Primate Recordings

Cat No: PRMT 008
Released: 1996


Josh Wink

Format: Vinyl 12 Inch
Genre: UK Techno

Thoughts Of A Tranced Love

A Thoughts Of A Tranced Love
B1 Thoughts Of A Tranced Love (Instrumental)
B2 Percussive Habits

Limbo Records

Cat No: LIMB 33T
Released: 1994



Format: Vinyl 12 Inch
Genre: UK Techno

Digital Domain (The Advent Remixes)

A Digital Domain (Shi Mix)
B Digital Domain (Take Mix)

Zoom Records

Cat No: ZOOM 028R
Released: 1996


Mind Over Rhythm

Format: Vinyl 12 Inch
Genre: UK Techno


AA1 Erzulie (Sonik Goddess Mix)
AA2 Erzulie (Sonik Goddess Inst.)
A1 Erzulie (Yoruba Mix)
A2 Erzulie (Temple Dub Mix)

Rumble Records

Cat No: RUMBLE 003T
Released: 1992



Format: Vinyl 12 Inch
Genre: UK Techno

Visions Of Zxylon EP

A1 Glow (5:10)
A2 Energy Voyage (4:43)
AA1 Citadel (4:41)
AA2 Zxylon (4:43)


Cat No: KINT 10
Released: 1993


Micronauts, The

Format: Vinyl 12 Inch
Genre: UK Techno

Bleep To Bleep

A1 Baby Wants To Bleep Pt.1 (4:38)
A2 Baby Wants To Rock (2:34)
A3 Baby Wants To Bleep Pt.2 (3:21)
A4 Baby Wants To Bleep Pt.3 (1:55)
B1 Bleeper (10:51)


Released: 2000



Format: Vinyl 12 Inch
Genre: UK Techno


A Omen
Engineer - Yo Yo Engineer [Assistant] - Luke Gifford
B1 2 Deep
Engineer - PJ Dynamix
B2 Open Mind
Engineer - PJ Dynamix


Cat No: FX145
Released: 1990


CJ Bolland

Format: Vinyl 12 Inch
Genre: UK Techno

Ravesignal III

A1 Horsepower (Exclusive Remix)
A2 Horsepower (Original Mix)
B1 Mindwar
B2 It's All In The Mind

R & S Records UK

Cat No: RSUK 6
Released: 1991


KLF, The

Format: Vinyl 12 Inch
Genre: UK Techno

Last Train To Trancentral (Live From The Lost Continent)

A Last Train To Trancentral (Live From The Lost Continent) (5:36)
B Last Train To Trancentral (The Iron Horse) (4:13)

KLF Communications

Cat No: KLF 008X
Released: 1991
Out Of Stock


Format: Vinyl 12 Inch
Genre: UK Techno

Techno Funk

A1 Techno Funk (Part 1)
B1 Techno Funk (Part 2)


Cat No: PT 44560
Released: 1991


Paperclip People

Format: Vinyl 12 Inch
Genre: UK Techno

The Floor EP

A The Floor
B1 Reach
B2 Steam


Cat No: OPENT-025
Released: 1996


Jack Of Swords

Format: Vinyl 12 Inch
Genre: UK Techno


Vocal Side
A Vegagod (Harlem Mix)
Trance Side
B Vegagod (Cool As Ice Mix)

Sabres Of Paradise

Cat No: PT006
Released: 1993


Deja Vu

Format: Vinyl 12 Inch
Genre: UK Techno

Picture In The Mind

A Picture In The Mind
B1 Picture In The Mind (Nude MIx)
B2 Picture In The Mind (Felix Mix)

Rude Records (18)

Cat No: DJV 002


Analog Minds

Format: Vinyl 12 Inch
Genre: UK Techno

Feel The Rhythm

A1 Feel The Rhythm
A2 Forbidden Knowledge
AA1 Untapped Energy
AA2 Astral Projection

Analog Minds

Cat No: ANMIT001
Released: 1993


Spiral Tribe

Format: Vinyl 12 Inch
Genre: UK Techno

Forward The Revolution

A1 Forward The Revolution
A2 World Traveller Adventurer
B1 Ragga Boom
B2 Track 13 (Criminal Drug)

SP 23

Cat No: 00SP232323
Released: 2022


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Information on the UK Techno genre

UK Techno contains techno releases on UK record labels.

Several subgenres were created

Intelligent techno

In 1991 UK music journalist Matthew Collin wrote that "Europe may have the scene and the energy, but it's America which supplies the ideological direction...if Belgian techno gives us riffs, German techno the noise, British techno the breakbeats, then Detroit supplies the sheer cerebral depth". By 1992 a general rejection of rave culture, by a number of European producers and labels who were attempting to redress what they saw as the corruption and commercialization of the original techno ideal, was evident. Following this the ideal of an intelligent or Detroit derived pure techno aesthetic began to take hold. Detroit techno had maintained its integrity throughout the rave era and was inspiring a new generation of so called intelligent techno producers.

As the mid-1990s approached, the term had gained common usage in an attempt to differentiate the increasingly sophisticated takes on EDM from other strands of techno that had emerged,including overtly commercial strains and harder, rave-oriented variants such as breakbeat hardcore, Schranz, Dutch Gabber. Simon Reynolds observes that this progression "...involved a full-scale retreat from the most radically posthuman and hedonistically functional aspects of rave music toward more traditional ideas about creativity, namely the auteur theory of the solitary genius who humanizes technology...".

Warp Records was among the first to capitalize upon this development with the release of the compilation album Artificial Intelligence Of this time, Warp founder and managing director Steve Beckett has said
“ ...the dance scene was changing and we were hearing B-sides that weren't dance but were interesting and fitted into experimental, progressive rock, so we decided to make the compilation Artificial Intelligence, which became a milestone... it felt like we were leading the market rather than it leading us, the music was aimed at home listening rather than clubs and dance floors: people coming home, off their nuts, and having the most interesting part of the night listening to totally tripped out music. The sound fed the scene.”

Warp had originally marketed Artificial Intelligence using the description electronic listening music but this was quickly replaced by intelligent techno. In the same period (1992–93) other names were also bandied about such as armchair techno, ambient techno, and electronica, but all were used to describe an emerging form of post-rave dance music for the sedentary and stay at home. Following the commercial success of the compilation in the United States, Intelligent Dance Music eventually became the phrase most commonly used to describe much of the experimental EDM emerging during the mid to late 1990s.

Although it is primarily Warp that has been credited with ushering the commercial growth of IDM and electronica, in the early 1990s there were many notable labels associated with the initial intelligence trend that received little, if any, wider attention. Amongst others they include: Black Dog Productions (1989), Carl Craig's Planet E (1991), Kirk Degiorgio's Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1991), New Electronica (1993), Mille Plateaux (1993), 100% Pure (1993), and Ferox Records (1993).