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Artist | Title | Label | Price | |
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ThrobFormat: Vinyl 12 InchGenre: UK Techno |
Skylines E.P.A1 GrasshopperA2 Fuzzy Frog AA1 Watch Out For The Frog AA2 Thrombosis |
Primate RecordingsCat No: PRMT 008Released: 1996 |
£7.00 |
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Josh WinkFormat: Vinyl 12 InchGenre: UK Techno |
Thoughts Of A Tranced LoveA Thoughts Of A Tranced LoveB1 Thoughts Of A Tranced Love (Instrumental) B2 Percussive Habits |
Limbo RecordsCat No: LIMB 33TReleased: 1994 |
£6.00 |
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Shi-TakeFormat: Vinyl 12 InchGenre: UK Techno |
Digital Domain (The Advent Remixes)A Digital Domain (Shi Mix)B Digital Domain (Take Mix) |
Zoom RecordsCat No: ZOOM 028RReleased: 1996 |
£6.00 |
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Mind Over RhythmFormat: Vinyl 12 InchGenre: UK Techno |
ErzulieAA1 Erzulie (Sonik Goddess Mix)AA2 Erzulie (Sonik Goddess Inst.) A1 Erzulie (Yoruba Mix) A2 Erzulie (Temple Dub Mix) |
Rumble RecordsCat No: RUMBLE 003TReleased: 1992 |
£50.00 |
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OpticaFormat: Vinyl 12 InchGenre: UK Techno |
Visions Of Zxylon EPOverA1 Glow (5:10) A2 Energy Voyage (4:43) Here AA1 Citadel (4:41) AA2 Zxylon (4:43) |
KinetixCat No: KINT 10Released: 1993 |
£50.00 |
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Micronauts, TheFormat: Vinyl 12 InchGenre: UK Techno |
Bleep To BleepA1 Baby Wants To Bleep Pt.1 (4:38)A2 Baby Wants To Rock (2:34) A3 Baby Wants To Bleep Pt.2 (3:21) A4 Baby Wants To Bleep Pt.3 (1:55) B1 Bleeper (10:51) |
ScienceCat No: QEDLPDJ4Released: 2000 |
£6.00 |
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OrbitalFormat: Vinyl 12 InchGenre: UK Techno |
OmenA OmenEngineer - Yo Yo Engineer [Assistant] - Luke Gifford B1 2 Deep Engineer - PJ Dynamix B2 Open Mind Engineer - PJ Dynamix |
FFRRCat No: FX145Released: 1990 |
£20.00 |
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CJ BollandFormat: Vinyl 12 InchGenre: UK Techno |
Ravesignal IIIA1 Horsepower (Exclusive Remix)A2 Horsepower (Original Mix) B1 Mindwar B2 It's All In The Mind |
R & S Records UKCat No: RSUK 6Released: 1991 |
£15.00 |
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KLF, TheFormat: Vinyl 12 InchGenre: UK Techno |
Last Train To Trancentral (Live From The Lost Continent)A Last Train To Trancentral (Live From The Lost Continent) (5:36)B Last Train To Trancentral (The Iron Horse) (4:13) |
KLF CommunicationsCat No: KLF 008XReleased: 1991 |
Out Of Stock |
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LostFormat: Vinyl 12 InchGenre: UK Techno |
Techno FunkA1 Techno Funk (Part 1)B1 Techno Funk (Part 2) |
PerfectoCat No: PT 44560Released: 1991 |
£8.00 |
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Paperclip PeopleFormat: Vinyl 12 InchGenre: UK Techno |
The Floor EPA The FloorB1 Reach B2 Steam |
OpenCat No: OPENT-025Released: 1996 |
£6.00 |
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Jack Of SwordsFormat: Vinyl 12 InchGenre: UK Techno |
VegagodVocal SideA Vegagod (Harlem Mix) Trance Side B Vegagod (Cool As Ice Mix) |
Sabres Of ParadiseCat No: PT006Released: 1993 |
£6.00 |
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Deja VuFormat: Vinyl 12 InchGenre: UK Techno |
Picture In The MindA Picture In The MindB1 Picture In The Mind (Nude MIx) B2 Picture In The Mind (Felix Mix) |
Rude Records (18)Cat No: DJV 002 |
£14.00 |
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Analog MindsFormat: Vinyl 12 InchGenre: UK Techno |
Feel The RhythmA1 Feel The RhythmA2 Forbidden Knowledge AA1 Untapped Energy AA2 Astral Projection |
Analog MindsCat No: ANMIT001Released: 1993 |
£10.00 |
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Spiral TribeFormat: Vinyl 12 InchGenre: UK Techno |
Forward The RevolutionA1 Forward The RevolutionA2 World Traveller Adventurer B1 Ragga Boom B2 Track 13 (Criminal Drug) |
SP 23Cat No: 00SP232323Released: 2022 |
£14.00 |
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Information on the UK Techno genre
UK Techno contains techno releases on UK record labels.Several subgenres were created
Intelligent techno
In 1991 UK music journalist Matthew Collin wrote that "Europe may have the scene and the energy, but it's America which supplies the ideological direction...if Belgian techno gives us riffs, German techno the noise, British techno the breakbeats, then Detroit supplies the sheer cerebral depth". By 1992 a general rejection of rave culture, by a number of European producers and labels who were attempting to redress what they saw as the corruption and commercialization of the original techno ideal, was evident. Following this the ideal of an intelligent or Detroit derived pure techno aesthetic began to take hold. Detroit techno had maintained its integrity throughout the rave era and was inspiring a new generation of so called intelligent techno producers.
As the mid-1990s approached, the term had gained common usage in an attempt to differentiate the increasingly sophisticated takes on EDM from other strands of techno that had emerged,including overtly commercial strains and harder, rave-oriented variants such as breakbeat hardcore, Schranz, Dutch Gabber. Simon Reynolds observes that this progression "...involved a full-scale retreat from the most radically posthuman and hedonistically functional aspects of rave music toward more traditional ideas about creativity, namely the auteur theory of the solitary genius who humanizes technology...".
Warp Records was among the first to capitalize upon this development with the release of the compilation album Artificial Intelligence Of this time, Warp founder and managing director Steve Beckett has said
“ ...the dance scene was changing and we were hearing B-sides that weren't dance but were interesting and fitted into experimental, progressive rock, so we decided to make the compilation Artificial Intelligence, which became a milestone... it felt like we were leading the market rather than it leading us, the music was aimed at home listening rather than clubs and dance floors: people coming home, off their nuts, and having the most interesting part of the night listening to totally tripped out music. The sound fed the scene.â€
Warp had originally marketed Artificial Intelligence using the description electronic listening music but this was quickly replaced by intelligent techno. In the same period (1992–93) other names were also bandied about such as armchair techno, ambient techno, and electronica, but all were used to describe an emerging form of post-rave dance music for the sedentary and stay at home. Following the commercial success of the compilation in the United States, Intelligent Dance Music eventually became the phrase most commonly used to describe much of the experimental EDM emerging during the mid to late 1990s.
Although it is primarily Warp that has been credited with ushering the commercial growth of IDM and electronica, in the early 1990s there were many notable labels associated with the initial intelligence trend that received little, if any, wider attention. Amongst others they include: Black Dog Productions (1989), Carl Craig's Planet E (1991), Kirk Degiorgio's Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1991), New Electronica (1993), Mille Plateaux (1993), 100% Pure (1993), and Ferox Records (1993).