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  Artist Title Label Price

Cristian Vogel

Format: Vinyl 12 Inch
Genre: UK Techno

Shoe Renounce Soul / Sarcastically Tempered Powers

A Shoe Renounce Soul
AA Sarcastically Tempered Powers

Loaded Records

Cat No: LOAD 53
Released: 1999

£7.00
£3.50

K-Klass

Format: Vinyl 12 Inch
Genre: UK Techno

THE WILDLIFE EP

A1 Into The Night (5:29)
A2 Wildlife (6:33)
B1 Loafman (5:18)
B2 Athletico (5:21)

Listen

FRO

Cat No: FRO104T
Released: 1990

£10.00
£5.00

Utah Saints

Format: Vinyl 12 Inch
Genre: UK Techno

I Want You

A1 I Want You (DJ Tim's Funky Bliss Mix #1)
Remix - Guy Hatton
A2 I Want You (DJ Tim's Funky Bliss Mix #2)
Remix - Guy Hatton
B I Want You (Sabres 130)
Remix - Sabres Of Paradise, The

FFRR

Cat No: FXDJ 213
Released: 1993

£7.00
£3.50

Justin Robertson

Format: Vinyl 12 Inch
Genre: UK Techno

Have Mercy

A Have Mercy
B Blister Boy

Bugged Out

Cat No: BUG001
Released: 2001

£7.00
£3.50

A Guy Called Gerald

Format: Vinyl 12 Inch
Genre: UK Techno

FX (The Elevation Mix)

A FX (The Elevation Mix)
Engineer - Jim Reynolds*
AA1 Eyes Of Sorrow
Engineer - Jim Reynolds*
AA2 Emotions Electric 2 (To Be Continued...) (Edited Version)
Engineer - Lee Monteverde
Listen

Subscape

Cat No: AGCG T1
Released: 1989

£6.00
£3.00

Flash Faction, The

Format: Vinyl 12 Inch
Genre: UK Techno

Repoman

A Repoman
B Repodub

Sabres Of Paradise

Cat No: PT016
Released: 1994

£8.00
£4.00

Underworld

Format: Vinyl 12 Inch
Genre: UK Techno

Push Upstairs

A1 Push Upstairs (4:34)
A2 Push Upstairs (The Large Unit) (5:38)
B1 Push Upstairs (Roger S. Blue Plastic People Mix) (8:13)

Junior Boy's Own

Cat No: JBO5005446
Released: 1999

£6.00
£3.00

Johan Svenson

Format: Vinyl 12 Inch
Genre: UK Techno

Space Is The Place

A Space Is The Place (Jon The Dentist Remix) (7:40)
Remix - Jon The Dentist
B Space Is The Place (Chris Liberator Remix) (8:35)
Remix - Chris Liberator

Additive

Cat No: 12AD 003
Released: 1996

£7.00
£3.50

808 State

Format: Vinyl 12 Inch
Genre: UK Techno

In Yer Face Facially Yours Remix , Leo Leo

A In Yer Face (Facially Yours Remix) (4:17)
B Leo Leo (Poonchanting Instrumental) (4:01)

Listen

ZTT

Cat No: ZANG 14TX

£5.00
£2.50

Atomizer

Format: Vinyl 12 Inch
Genre: UK Techno

Earthquake

A1 Earthquake (Original Mix) (7:12)
A2 Rough Diamond (Original Mix) (6:38)
B1 Earthquake (Darren Price Mix One) (5:10)
B2 Earthquake (LFO Mix One) (9:03)

Listen

X Records

Cat No: X008
Released: 1996

£6.00
£3.00

Ricky Effe & Gabry Fasano

Format: Vinyl 12 Inch
Genre: UK Techno

Noise Maker Volume Four

A1 Ricky Effe Sector .30 (Sector Mix)
B1 Gabry Fasano Jaiss Bangin' (Bang Mix)

Nukleuz

Cat No: NUKP 0187
Released: 1999

£9.00
£4.50

Filter Science

Format: Vinyl 12 Inch
Genre: UK Techno

Darkness Falls

A Darkness Falls
B Endemic Energy

Bush Records

Cat No: Bush 1080
Released: 2000

£6.50
£3.25

Winx

Format: Vinyl 12 Inch
Genre: UK Techno

Hypnotizin'

A1 Hypnotizin' (Original Mix) (7:33)
A2 Hypnotizin' (Beatless Mix) (6:42)
B1 Hypnotizin' (96 Remix) (5:40)
B2 Hypnotizin' (Live Version) (7:32)
B3 Hypnotizin' (Hypnovocal) (1:02)

XL Recordings

Cat No: XLT 071
Released: 1996

£7.00
£3.50

Christian Smith & John Selway

Format: Vinyl 12 Inch
Genre: UK Techno

Yess

A Yess
AA Luminor

Underwater Records

Cat No: H2O 014
Released: 2001

£7.00
£3.50

CableGuy

Format: Vinyl 12 Inch
Genre: UK Techno

Belief

A Belief
B1 In The House
B2 Accent

Contact Recordings

Cat No: CON 1202
Released: 2000

£6.00
£3.00

Page of 7 next >>

Information on the UK Techno genre

UK Techno contains techno releases on UK record labels.

Several subgenres were created

Intelligent techno

In 1991 UK music journalist Matthew Collin wrote that "Europe may have the scene and the energy, but it's America which supplies the ideological direction...if Belgian techno gives us riffs, German techno the noise, British techno the breakbeats, then Detroit supplies the sheer cerebral depth". By 1992 a general rejection of rave culture, by a number of European producers and labels who were attempting to redress what they saw as the corruption and commercialization of the original techno ideal, was evident. Following this the ideal of an intelligent or Detroit derived pure techno aesthetic began to take hold. Detroit techno had maintained its integrity throughout the rave era and was inspiring a new generation of so called intelligent techno producers.

As the mid-1990s approached, the term had gained common usage in an attempt to differentiate the increasingly sophisticated takes on EDM from other strands of techno that had emerged,including overtly commercial strains and harder, rave-oriented variants such as breakbeat hardcore, Schranz, Dutch Gabber. Simon Reynolds observes that this progression "...involved a full-scale retreat from the most radically posthuman and hedonistically functional aspects of rave music toward more traditional ideas about creativity, namely the auteur theory of the solitary genius who humanizes technology...".

Warp Records was among the first to capitalize upon this development with the release of the compilation album Artificial Intelligence Of this time, Warp founder and managing director Steve Beckett has said
“ ...the dance scene was changing and we were hearing B-sides that weren't dance but were interesting and fitted into experimental, progressive rock, so we decided to make the compilation Artificial Intelligence, which became a milestone... it felt like we were leading the market rather than it leading us, the music was aimed at home listening rather than clubs and dance floors: people coming home, off their nuts, and having the most interesting part of the night listening to totally tripped out music. The sound fed the scene.”

Warp had originally marketed Artificial Intelligence using the description electronic listening music but this was quickly replaced by intelligent techno. In the same period (1992–93) other names were also bandied about such as armchair techno, ambient techno, and electronica, but all were used to describe an emerging form of post-rave dance music for the sedentary and stay at home. Following the commercial success of the compilation in the United States, Intelligent Dance Music eventually became the phrase most commonly used to describe much of the experimental EDM emerging during the mid to late 1990s.

Although it is primarily Warp that has been credited with ushering the commercial growth of IDM and electronica, in the early 1990s there were many notable labels associated with the initial intelligence trend that received little, if any, wider attention. Amongst others they include: Black Dog Productions (1989), Carl Craig's Planet E (1991), Kirk Degiorgio's Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1991), New Electronica (1993), Mille Plateaux (1993), 100% Pure (1993), and Ferox Records (1993).