Raz Ohara - Reality - Kitty-Yo - Dub
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Price | £6.00 |
Track ListingA1 Reality (Club Mix) (5:56)A2 Reality (Album Version) (3:44) B1 Reality (Radio Mix) (4:07) B2 Real T (AGF) (1:47) Media Condition » Very Good Plus (VG+) Sleeve Condition » Generic |
Artist | Raz Ohara | ||
Title | Reality | ||
Label | Kitty-Yo | ||
Catalogue | KY01043MS | ||
Format | Vinyl 12 Inch | ||
Released | 2001 | ||
Genre | Dub |
Some Other Artists in the Dub Genre• Gary Clail & On-U Sound System • Sugar Bullet • Tackhead • Concrete Nation • Oui 3 • Majestic 12 • Movement 98 • Stock, Aitken & Waterman • Beats International • Border Crossing • Zeke Manyika • F.A.B. • Monyaka • International Pony & Stepchild • Larry Pee • Kieser.Velten • Cashmere • Bad Street Boy • New Kingdom • Gregory Isaacs • Peace Orchestra • Platinum Radics & Governor Tiggy • Audioweb • Carey Johnson • Apollo 440 • Lazyboy • Terranova • The Concept • Delaney's Rhythm Section • Goat Dance • Red Dragon • Sly & Robbie • Walkner.Möstl • Faze Action • Yosser's Gang • DJ Shadow • Bomb The Bass & Carlton • The Maytals • Cheshire Cat • Frantic Language • |
Some Other Artists on the Kitty-Yo Label• Louie Austen • Preed • Jahcoozi • |
Information on the Dub Genre
Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.
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