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Raz Ohara - Reality - Kitty-Yo - Dub

Raz Ohara - Reality - Kitty-Yo - Dub
Price £6.00

Track Listing

A1 Reality (Club Mix) (5:56)
A2 Reality (Album Version) (3:44)
B1 Reality (Radio Mix) (4:07)
B2 Real T (AGF) (1:47)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
Artist Raz Ohara
Title Reality
Label Kitty-Yo
Catalogue KY01043MS
Format Vinyl 12 Inch
Released 2001
Genre Dub

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Gary Clail & On-U Sound SystemSugar BulletTackheadConcrete NationOui 3Majestic 12Movement 98Stock, Aitken & WatermanBeats InternationalBorder CrossingZeke ManyikaF.A.B.MonyakaInternational Pony & StepchildLarry PeeKieser.VeltenCashmereBad Street BoyNew KingdomGregory IsaacsPeace OrchestraPlatinum Radics & Governor TiggyAudiowebCarey JohnsonApollo 440LazyboyTerranovaThe ConceptDelaney's Rhythm SectionGoat DanceRed DragonSly & RobbieWalkner.MöstlFaze ActionYosser's GangDJ ShadowBomb The Bass & CarltonThe MaytalsCheshire CatFrantic Language

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.