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Morrissey - Beethoven Was Deaf - His Master's Voice - Indie

Morrissey - Beethoven Was Deaf - His Master's Voice - Indie
Out of Stock

Track Listing

A1 You're The One For Me, Fatty
A2 Certain People I Know
A3 National Front Disco
A4 November Spawned A Monster
A5 Seasick, Yet Still Docked
A6 The Loop
A7 Sister, I'm A Poet
A8 Jack The Ripper
B1 Such A Little Thing Makes Such A Big Difference
B2 I Know It's Gonna Happen Someday
B3 We'll Let You Know
B4 Suedehead
B5 He Knows I'd Love To See Him
B6 You're Gonna Need Someone On Your Side
B7 Glamorous Glue
B8 We Hate It When Our Friends Become Successful


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Morrissey
Title Beethoven Was Deaf
Label His Master's Voice
Catalogue CSD 3791
Format Vinyl Album
Released 1993
Genre Indie

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Other Titles by Morrissey

Bona DragGreatest HitsRingleader Of The TormentorsYou Are The QuarryBona DragBoxersHold On To Your FriendsInteresting DrugPosing In ParisSuedeheadSuedeheadThe Boy RacerThe Last Of The Famous International PlayboysThe Parlophone Singles '88-'95Vauxhall And I


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The FarmThousand Yard StareBedazzledCarter The Unstoppable Sex MachineThe Soup DragonsWonder Stuff, TheJesus JonesOasisCUDNed's Atomic DustbinFive ThirtySenseless ThingsTerrorvisionLivingstoneThe HousemartinsNatural LifeSugarcubes, TheBlurInspiral CarpetsSoup Dragons, TheThe Wonder StuffHis Latest FlameIan BrownFaith BrothersBirdlandThe MissionGay DadEatThat Petrol EmotionViolets, ThePop Will Eat ItselfMagic Numbers, TheDaytona Test IciclesPushermanFishmonkeymanHappy MondaysDeparture, TheLevitation Radiohead

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Some Other Artists on the His Master's Voice Label

Andrew Lloyd WebberOrchestra Of The Royal Opera House, Covent Garden & John LanchberyJoe Loss & His OrchestraEydie GorméSir Simon Rattle & London SinfoniettaFats Waller & His RhythmOrchestra Of The Royal Opera House & John LanchberySauter-Finegan OrchestraJohnny Kidd & The PiratesMelina Mercouri & Don Costa OrchestraWinston ChurchillIvor NovelloGlenn Miller And His OrchestraPaul RobesonMel Tormé & Marty Paich OrchestraGyorgy CziffraFranz Liszt & Gyorgy CziffraNikolai Rimsky-Korsakov, Paul Kletzki & Philharmonia OrchestraGeorg Friedrich Händel, Sir Charles Mackerras, English Chamber Orchestra & The Ambrosian SingersJean Sibelius, Sir John Barbirolli & Hallé OrchestraSir Edward Elgar, Margaret Marshall, Helen Watts, Robin Leggate, John Shirley-Quirk & Royal Liverpool Philharmonic Choir Ray Charles And His OrchestraOrchestra Of Royal Opera Hse, Covent Garden & John LanchberyJoseph Haydn, Sir Thomas Beecham & The Royal Philharmonic OrchestraManfred MannVera Gray & Desmond BriscoeMeade Lux LewisJohn Ogdon & Philharmonia OrchestraScott JoplinSarah Brightman, Paul Miles-Kingston & Placido DomingoGeorges Bizet & Risë Stevens & Jan Peerce & Licia Albanese & Robert Merrill & Fritz ReinerEartha KittItzhak Perlman & André PrevinRay CharlesUncle MacRavindra JainCamille Saint-Saëns & Gabriel Fauré & Henry Litolff Beethoven & New Philharmonia OrchestraLouis Armstrong Orchestra And His All-StarsLloyd Price

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Information on the Indie Genre

Indie pop is a genre of alternative rock music that originated in the United Kingdom in the mid 1980s, with its roots in the Scottish post-punk bands on the Postcard Records label in the early '80s such as Orange Juice and Josef K and the dominant UK independent band of the mid eighties, The Smiths. While the term 'indie' had been used for some time to describe artists on independent labels (and the labels themselves), the key moment in the naming of the genre was the release of NME's C86 tape in 1986. Although featuring a wide range of bands including Primal Scream, Bogshed, Half Man Half Biscuit, and The Wedding Present, it over time became shorthand for a genre known by a variety of terms. Initially it was dubbed 'C86' (after the tape itself), the more ambiguous indie pop, Cutie or a term coined by John Peel: shambling bands. Retrospectively, especially in the United States, the terms twee and twee pop were used, initially ironically, due to what commentators called the "revolt into childhood" of its followers. Musically its key characteristics were jangling guitars, a love of sixties pop and often fey, innocent lyrics. The UK label Sarah Records and its most popular band The Field Mice, although more diverse than the label indicates, were probably its most typical proponents. It was also inspired by the DIY scene of punk and there was a thriving fanzine, label and club and gig circuit. Scenes later developed in the United States particularly around labels such as K Records. Genres such as Riot Grrrl and bands as diverse as Nirvana, Manic Street Preachers, and Belle and Sebastian have all acknowledged its influence.

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