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Paris Grey & Kevin Saunderson - Network Retro #3 - Back 2 Back Classics - Network Records - US Techno

Paris Grey & Kevin Saunderson - Network Retro #3 - Back 2 Back Classics - Network Records - US Techno
SALE Price £7.00 £3.50

Track Listing

A Paris Grey Don't Lead Me (House Mix)
B Kevin Saunderson The Groove That Won't Stop


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Paris Grey & Kevin Saunderson
Title Network Retro #3 - Back 2 Back Classics
Label Network Records
Catalogue NWK BBT 3
Format Vinyl 12 Inch
Released 1993
Genre US Techno

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Some Other Artists in the US Techno Genre

Inner CityHard HatsModel 500RhythmaticOne On OneDuane & Co.Reese Project, TheSysexJMD 2The Reese ProjectDJ DanMacalusoThis Is WarNeedle DamageAphroheadDistorterRYUMD ConnectionSteve StollSubsonic 808ReidCarl CraigGreen VelvetStatusTrendroidMarkeyMateo MurphyBlow Monkeys, TheCharm FarmPlutoneDJ JesKeokiEnduranceMike WadeJahkey BRhythim is RhythimOrange, TheWinxDark LlamaRalphi Rosario

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Some Other Artists on the Network Records Label

Altern 8PandellaTrinity, TheReese Project, TheThe Reese ProjectK.W.S.Ronni SimonAdevaThe Trinity Voodoo SuiteMah So-LKWSRhythm QuestEnergiseJohnny Vicious, Satoshi Tomiie & MFSB K.W.S. & Rhythm QuestVarious - Reese Project Unit 2 Chez DamierTrammps, TheRhythim is RhythimThe Reese Project & BumpModel 500The Reese Project & Funky Green DogsJohnny Vicious & MFSB & Johnny Vicious & Satoshi TomiieRhythmaticLove RevolutionTrue FaithChez Damier10th Planet, TheRhythim Is Rhythim & Derrick May & MaydayTrue Faith & Rhythm On The LooseMURKC&M ConnectionForgemastersRhythim Is Rhythim & Reese&SantonioCritical RhythmBeverlei BrownMy Friend SamNeal HowardNu Groove LPRhythm On The Loose

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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