Apollo 440 - (Don't Fear) The Reaper - Stealth Sonic Recordings - Dub
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Price | £5.00 |
Track ListingA1 (Don't Fear) The Reaper (3:54)A2 (Don't Fear) The Reaper (@440 Reaper Remix) (6:55) AA1 Reeperbahn (7:17) AA2 Hold On (2 Wot U Got) (5:53) Media Condition » Near Mint (NM or M-) Sleeve Condition » Very Good Plus (VG+) |
Artist | Apollo 440 | ||
Title | (Don't Fear) The Reaper | ||
Label | Stealth Sonic Recordings | ||
Catalogue | SSXT4 | ||
Format | Vinyl 12 Inch | ||
Released | 1995 | ||
Genre | Dub |
Other Titles by Apollo 440
• Destiny • Lost In Space (Theme) • Ain't Talkin' 'Bout Dub • Blackout • Blackout • Blackout • Charlie's Angels 2000 • Electro Glide In Blue • Heart Go Boom • Heart Go Boom • Heart Go Boom • Krupa • Krupa • Krupa • Krupa •
Some Other Artists in the Dub Genre• Gary Clail & On-U Sound System • Sugar Bullet • Tackhead • Stock, Aitken & Waterman • Oui 3 • Monyaka • Majestic 12 • Border Crossing • Beats International • Concrete Nation • F.A.B. • Zeke Manyika • Movement 98 • Unitone Rockers & Black Steel • New Kingdom • Platinum Radics & Governor Tiggy • Cashmere • Kieser.Velten • Intelligent Hoodlum • Raz Ohara • Larry Pee • Lazyboy • Bomb The Bass & Carlton • Frantic Language • Oosh • Goat Dance • The Concept • Sly & Robbie • Terranova • Cheshire Cat • Bad Street Boy • DJ Shadow • The Whitfield Express • Faze Action • Delaney's Rhythm Section • The Maytals • Red Dragon • Carey Johnson • Audioweb • Walkner.Möstl • |
Some Other Artists on the Stealth Sonic Recordings Label• Apollo Four Forty • Apollo 440 & The Beatnuts • |
Information on the Dub Genre
Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.
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