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Cartouche - Feel The Groove - (Generic Sleeve) - The Brothers Organisation - Techno

Cartouche - Feel The Groove - (Generic Sleeve) - The Brothers Organisation - Techno
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Track Listing

A1 Feel The Groove (Mix 1)
A2 Feel The Groove (Mix 2)
B Feel The Groove (Underground Remix)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist Cartouche
Title Feel The Groove - (Generic Sleeve)
Label The Brothers Organisation
Catalogue 12 BORG 21
Format Vinyl 12 Inch
Released 1990
Genre Techno

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Other Titles by Cartouche

Feel The Groove (3 To The Power Remix)Feel The Groove (Remix)Let The Music Take ControlFeel The GrooveFeel The GrooveFeel The GrooveFeel The GrooveLet the music take Control


Some Other Artists in the Techno Genre

808 StateDJ DanThe ShamenThe ProdigyUnderworldEskimos & EgyptMobyThe Chemical BrothersSven VäthLuke SlaterDave ClarkeJbsSlamWestBamFormatKen IshiSubculture (4)SapianoDavid RoiseuxBeat In TimeScotti DeepOrbitalKerosene Cristian VogelSubterfugeRoel ButzenSound ExcitersDynamite Bob BrownCarl CoxTechnomaniaTony CrooksMark SummersStacey PullenMike DearbornMorpheus DJ Dan & Needle DamageLostDonato CapozziAccess 58

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Some Other Artists on the The Brothers Organisation Label

F.A.B.Empire Bass BuildingHithouse & Dave DMDF.A.B. & MC ParkerHeatwaveHi Tek 3SmartTasteInside MovesCourse, TheTimedrillersHi Tek 3 & Ya Kid KDaYeeneDef La Desh & The Fresh WitnessWee Papa Girl Rappers

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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