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Members Of The House - Party Of The Year - KMS - US Techno

Members Of The House - Party Of The Year - KMS - US Techno
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Track Listing

A1 Party Of The Year (12 Inch Mix)
A2 Party Of The Year
B1 Party Of The Year (All Over The World Mix)
B2 Party Of The Year (Smooth Jazz Mix)
C1 Party Of The Year (TP's Dub (Underground Mix))
C2 Party Of The Year (TP's Fruit Juice Bar Mix)
D1 Party Of The Year (D'Pac Soul Free Mix)
D2 Party Of The Year (D'Pac Different Shades Mix)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist Members Of The House
Title Party Of The Year
Label KMS
Catalogue KMS 055
Format Vinyl Double 12 Inch
Released 1994
Genre US Techno

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Other Titles by Members Of The House

Party Of The YearParty Of The YearParty Of The YearShare This HouseThese Are My PeopleParty of the Year (2 x 12Reach Out For The LoveReach Out For The LoveShare This HouseThese Are My PeopleThese Are My PeopleThese Are My PeopleThese Are My PeopleThese Are My PeopleUR My People


Some Other Artists in the US Techno Genre

Inner CityModel 500Reese Project, TheParis Grey & Kevin SaundersonSysexOne On OneRhythmaticDuane & Co.Hard HatsThe Reese ProjectNeedle DamageJMD 2This Is WarAphroheadMacalusoDJ DanMark The 909 KingReidDistorterEnduranceStatusSteve StollSubsonic 808Speedy JMike WadeMateo MurphyJahkey BGreen VelvetMD ConnectionSatoshi TomiieDark LlamaDJ JesBlow Monkeys, ThePlutoneRhythim is RhythimRYUKeokiCarl CraigWinxMarkey

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Some Other Artists on the KMS Label

Inner CityBottom Feeders, TheLoveland & Rachel McFarlane & Darlene LewisToday's PeopleEMBReeseOntoniReese & SantonioBlake BaxterReese & Santonio & Kevin Saunderson & TronikhouseInner City & Chez Damier & E-DancerReese & Inner City & Symbols & Instruments & Marc KinchenEsser'ay & Kosmic Messenger & Chez DamierFixEsser'ayTronikhouseChez DamierMarc KinchenTronik HouseMiller & Scott ProjectKreemE-DancerDionne

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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