Various - The Cream Of The KPM Music Green Label Sessions - (DISC 2 ONLY) - Strut - Future Jazz
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Out of Stock |
Track ListingC1 Francis Coppieters Cross Talk (3:20)C2 Pierre Lavin Pop Band, The In Advance (Re- Edit) (2:20) C3 Alan Hawkshaw Senior Thump (2:46) C4 Alan Moorhouse Expo In Tokyo (2:17) C5 Mario Nascimbene Interlude : Witchdoctor (1:19) D1 Juan Erlando & His Latin Band Jungle Baby (2:17) D2 Klaus Weiss Sounds & Percussion Morning1 / Morning 2 (4:03) D3 Les Baxter Freeway To Rio (2:06) D4 Juan Erlando & His Latin Band Brazil Express (2:29) D5 Barry Morgan & Ray Cooper Voodoo Break (1:11) D6 Clive Hicks Transit Break (0:58) D7 James Clarke The Heavies Break (0:58) D8 Alan Tew Money Runner Break (1:20) D9 Alan Tew The Fence Break (Version A) (1:32) D10 John Cameron (2) Frozen Steam Break (0:32) Media Condition » Very Good Plus (VG+) Sleeve Condition » Very Good Plus (VG+) |
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Artist | Various | ||
Title | The Cream Of The KPM Music Green Label Sessions - (DISC 2 ONLY) | ||
Label | Strut | ||
Catalogue | STRUTLP 005 | ||
Format | Vinyl 12 Inch | ||
Released | 2000 | ||
Genre | Future Jazz |
Other Titles by Various
• True Faith The First Phase • Lazy DJs • Fierce Dance Cuts No. 1 • Regrooves Volume Two • Serious Beats 1 • Vox Populi: First Choice Sampler 1993 Volume 1 • Betta Breaks & Beats Volume 1 • Chicago Kings And Queens Of House • Different Worlds EP • Discotheque E.P. • March 88 Previews • Soul Daze • The Guitar Dance EP • The House Sound Of Chicago - Megamix Vol. 2 - House Strikes Again • There's A Movement Underground •
Some Other Artists in the Future Jazz Genre• Spider • Jhelisa • New Sector Movements • BOC Productions • James Hardway • Mr. Gone • Nitin Sawhney • DJ Trax • Typhorns • Fishbelly Black • K2 • Routes In Jazz • GK Deep • Sunship • Ilya • Brand New Heavies, The • Joseph Anthony • Trüby Trio • Lenny Dennis • Taxi Driver • Bygraves, The • Ute • D*Note & Krazy Cool D-Zine • Joseph Malik • Akasha • D*Note • Karma • Phillip Bent • Chungking • Tiki • Groove Collective • Vibraphonic • Working Week • Red Snapper • Groove Collision • Perception • Santessa • Tafuri • Spacer • Tutto Matto • |
Some Other Artists on the Strut Label• Blue Magic • Isaac Hayes & Brainstorm • Chaka Khan & B-52's, The • Double Exposure & Chi-Lites, The • Isaac Hayes & Brainstorm (5) • Ashley Beedle • Danny Krivit • Tony Allen & His Afro Messengers • Tony Allen Plays With Afrika 70 • Grandmaster Flash • Unknown Artist • Blo • |
Information on the Future Jazz Genre
Future jazz ranges from combining live instrumentation with beats of jazz house (exemplified by the French St Germain, the German Jazzanova and Fila Brazillia from the UK) to more band-based improvised jazz with electronic elements (such as that of the The Cinematic Orchestra from the UK, the Belgian PhusionCulture, Mexican duo Kobol, and the Norwegian style pioneered by Bugge Wesseltoft, Jaga Jazzist, Nils Petter Molvær, and others).Future jazz typically ventures farther into the electronic territory than does its close cousin, acid jazz (or groove jazz), which is generally closer to earthier funk, soul, and rhythm and blues, although releases from noted groove & smooth jazz artists such as the Groove Collective, and Pamela Williams blur the distinction between the styles. Nu jazz can be very experimental in nature and can vary widely in sound and concept. The sound, unlike its cousin Acid Jazz, departs from its blues roots and instead explores electronic sounds and ethereal jazz sensualities. Nu Jazz “is the music itself and not the individual dexterity of the musicians.†Often, Nu Jazz blends elements of traditional Jazz texture with that of modern electronic music and free improvisation, thus, the music can truly evolve into a multitude of sounds and can vary greatly from artist to artist. The style can include broken rhythms, atonal harmonies, and improvised melody. Matthew Shipp and others demonstrate styles coined as “jazztronica†or "electro-jazz".
Nu jazz emerged from the use of electronic instruments in production in the 1970s work of such luminaries as Miles Davis, Herbie Hancock, and Ornette Coleman. Hancock's early 1980s work with Bill Laswell, in particular, such as the album Future Shock, anticipated the style in its incorporation of electro and hip-hop rhythms. Beginning in the late '80s, many hip-hop musicians worked in the jazz rap style -- among them, Gang Starr, The Roots, A Tribe Called Quest, and Nas. Also in the 1980s, many house musicians took inspiration from jazz, particularly post-bop and jazz funk.
In the mid-'90s and early 2000s, musicians from the downtempo scene, St Germain, DJ takemura, Perry Hemus and Jazzanova among them, began to delve more deeply into jazz. In the same period, intelligent dance music producers -- most famously Squarepusher and Spring Heel Jack, and later London Elektricity and Landslide -- took a similar interest. Techno musicians, such as Laurent Garnier, Carl Craig and his Innerzone Orchestra project, have also touched on nu jazz. Some figures from the digital hardcore and breakcore scenes, notably Alec Empire, Nic Endo, and Venetian Snares, have explored a harder, noiser variant on the style. A decade later, some dubstep producers, such as Boxcutter, also explored electronic jazz.
While still embracing the traditional forms of Jazz, pianist Bugge Wesseltoft and trumpeter Nils Petter Molvær are known for their improvisational nu jazz style. The Cinematic Orchestra is also known for incorporating a traditional jazz band while fusing electronic elements into their music production St. Germain, a purveyor of nu jazz music, has sold 1.5 million copies of his Tourist album, thus making it the top-selling jazz album in the United States.
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