Megabass & The Mastermixers - The Intense Mixes / The Extreme Mixes - Telstar - House
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Track ListingSide 1: The Intense MixesTime To Make The Floor Burn A1.a Royal House I Can't Quite Understand (Louie's Dub) A1.b Kid 'N' Play Do This My Way A1.c Richie Rich & Jungle Brothers I'll House You (The Gee Street Reconstruction) A1.d Double Trouble Street Tuff (Scar Mix) A1.e Lake Eerie Sex 4 Daze (King's Highway Club Break) A1.f Black Box Ride On Time (Massive Mix) A1.g Jomanda Make My Body Rock (Supremely Clubbed) A1.h Bizz Nizz Don't Miss The Partyline (Shea Stadium Mix) A1.i Hypnoteck Pump Pump It Up A1.j Inner City & Kevin Saunderson Big Fun (Club Remix) A1.k True Faith & Final Cut You Can't Deny The Bass (Dub) A1.l Tyree Cooper Turn Up The Bass A1.m Freestyle Orchestra & D'Bora Keep On Pumpin' It Up A1.n Mr. Lee Pump That Body (Club Mix) A1.o Technotronic & Felly Pump Up The Jam (Vocal Attack) A1.p Technotronic & Mc Eric This Beat Is Technotronic (LP Version) A1.q Tony Scott Get Into It A1.r Mr. Lee Get Busy (Club Mix) A1.s White Boy Mike Something To Dance To A1.t The Beatmasters Who's In The House A1.u Deskee Let There Be House (A2Zen Mix) A1.v 49ers Touch Me (Sexual Mix) A1.w F.A.B. & MC Parker Thunderbirds Are Go! Get Down To The Funky Beat A2.a Beats International & Lindy Layton Dub Be Good To Me A2.b Izit Stories (Stories Mix) A2.c Commander Shad Come Back Fresh A2.d Simon Harris & Dina Carroll & Monte Luv Don't Stop The Music (Critical Club Mix) A2.e Jam Jam Don't Look Any Further A2.f Emma Haywoode Need Your Lovin' A2.g Princess Ivori Wanted (Club It '90 Mix) A2.h Chad Jackson Hear The Drummer (Get Wicked) A2.i Kid 'N' Play Do It My Way A2.j Mantronix & Wondress Hutchinson Got To Have Your Love (Club Mix) A2.k Power Jam & Chill Rob G The Power A2.l De La Soul Say No Go (Say No Dope Mix) A2.m Bomb The Bass Megablast (Hip Hop Precinct 13) A2.n Simon Harris Bass (How Low Can You Go?) (Bass Below Zero Remix) A2.o Rob 'N' Raz & Leila K Got To Get Side 2: The Extreme Mixes After Dark At The Edge Of Chaos B1.a Technotronic & Felly Pump Up The Jam (Vocal Attack) B1.b Freestyle Orchestra & D'Bora Keep On Pumpin' It Up B1.c Frankie Bones Call It Techno B1.d Inner City & Kevin Saunderson Big Fun (Club Remix) B1.e Lake Eerie Sex 4 Daze (King's Highway Club Break) B1.f Mr. Lee Get Busy (Club Mix) B1.g White Boy Mike Something To Dance To B1.h Black Box Ride On Time (Massive Mix) B1.i Royal House I Can't Quite Understand (Megamix) B1.j Richie Rich & Jungle Brothers I'll House You (The Gee Street Reconstruction) B1.k Jomanda Make My Body Rock (Supremely Clubbed) B1.l 2 Girls Talk About Rockin' (Get Wild Beats) B1.m Kym Mazelle Useless (Don't Need To Know) B1.n Mr. Lee Pump That Body (Club Mix) B1.o Technotronic & MC Eric This Beat Is Technotronic (Alaska Mix) B1.p Tony Scott Get Into It B1.q Bizz Nizz Don't Miss The Partyline (Shea Stadium Mix) B1.r M-D-Emm & Nasih Get Hip To This (Frankie Bones Manic Mix) 2 Hype On The Powerjam B2.a Mantronix & Wondress Hutchinson Got To Have Your Love (Club Mix) B2.b Princess Ivori Wanted (Club It '90 MIX) D.c Salt 'N' Pepa Expression (Half Step Mix) D.d Chad Jackson Hear The Drummer (Get Wicked) B2.e Power Jam & Chill Rob G The Power B2.f De La Soul Say No Go (House Of Love Mix) B2.g Kid 'N' Play Gittin' Funky B2.h Bomb The Bass Megablast (Hip Hop Precinct 13) B2.i Simon Harris Bass (How Low Can You Go?) (Bass Below Zero Remix) B2.j Double Trouble Street Tuff (Ruff Mix) B2.k Rob 'N' Raz & Leila K Got To Get Media Condition » Near Mint (NM or M-) Sleeve Condition » Very Good Plus (VG+) |
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Artist | Megabass & The Mastermixers | ||
Title | The Intense Mixes / The Extreme Mixes | ||
Label | Telstar | ||
Catalogue | STAR 2425 | ||
Format | Vinyl Compilation | ||
Released | 1990 | ||
Genre | House |
Other Titles by Megabass & The Mastermixers
• The Intense Mixes / The Extreme Mixes • Time To Make The Floor Burn / Get Down • Time To Make The Floor Burn / Get Down • Time To Make The Floor Burn / Get Down • Time To Make The Floor Burn / Get Down • Time To Make The Floor Burn / Get Down • Time To Make The Floor Burn / Get Down •
Information on the House Genre
House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.
House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.
House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.
The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.
The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.
Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.
Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.
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