Concrete Nation - Serious - Concrete Nation Records - Dub
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Price | £4.50 |
Track ListingA1 SeriousA2 À Serious Dub B1 À Serious Àcid Drop B2 Loving, Living, Laughter Media Condition » Near Mint (NM or M-) Sleeve Condition » Generic |
Artist | Concrete Nation | ||
Title | Serious | ||
Label | Concrete Nation Records | ||
Catalogue | CNN 100 | ||
Format | Vinyl 12 Inch | ||
Released | |||
Genre | Dub |
Other Titles by Concrete Nation
• Serious • Serious • Concrete Nation •
Some Other Artists in the Dub Genre• Gary Clail & On-U Sound System • Sugar Bullet • Tackhead • Stock, Aitken & Waterman • Majestic 12 • Border Crossing • Beats International • Oui 3 • Monyaka • F.A.B. • Zeke Manyika • Movement 98 • Gregory Isaacs • Lazyboy • Bomb The Bass & Carlton • Frantic Language • Larry Pee • International Pony & Stepchild • Platinum Radics & Governor Tiggy • Unitone Rockers & Black Steel • Cheshire Cat • New Kingdom • Cashmere • Kieser.Velten • Red Dragon • Goat Dance • The Concept • Sly & Robbie • Terranova • Faze Action • Bad Street Boy • DJ Shadow • The Whitfield Express • Oosh • Delaney's Rhythm Section • The Maytals • Raz Ohara • Carey Johnson • Audioweb • Walkner.Möstl • |
Some Other Artists on the Concrete Nation Records Label• |
Information on the Dub Genre
Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.
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