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Moby - Go - Outer Rhythm - Techno

Moby - Go - Outer Rhythm - Techno
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Track Listing

A Go (Woodtick Mix) (6:35)
B1 Go (Low Spirit Mix) (6:08)
B2 Go (Voodoo Child Mix) (4:50)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Moby
Title Go
Label Outer Rhythm
Catalogue FOOT 15
Format Vinyl 12 Inch
Released 1991
Genre Techno

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Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyThe ShamenUnderworldEskimos & EgyptThe Chemical BrothersSven VäthLuke SlaterWestBamDave ClarkeJbsSlamFormatCarl CoxTony CrooksSubculture (4)Beat In TimeDavid RoiseuxDynamite Scotti DeepOrbitalKerosene SapianoCristian VogelSubterfugeRoel ButzenKen IshiBob BrownTechnomaniaSound ExcitersMark SummersStacey PullenMike DearbornDJ Dan & Needle DamageLostMorpheus Donato CapozziUnknown ArtistAccess 58

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Some Other Artists on the Outer Rhythm Label

D 'AngelHow II HouseDave AngelDjum DjumItal RockersMan Machine & ZenMan MachineGwen McCraeAbility IIViceLeftfieldMan Machine & ForgemastersRandom Noise GenerationAbsolute & Joe ChurchSoho

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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