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Neutron 9000 - Cybersculpture - Profile Records - Techno

Neutron 9000 - Cybersculpture - Profile Records - Techno
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Track Listing

A Cybersculpture (Subseasonar Mix) (7:32)
B1 Metropolisation (Otherworlds Mix) (5:00)
B2 Butterfly Holocaust (Dream Edit) (2:39)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good (VG)
Artist Neutron 9000
Title Cybersculpture
Label Profile Records
Catalogue PROFT 295
Format Vinyl 12 Inch
Released 1990
Genre Techno

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Other Titles by Neutron 9000

Love's Got A FeelingSong For JesusWalrus9000 A.D. EPCybersculptureCybersculptureCybersculptureCybersculptureLady Burning SkySentinelSentinelSentinel (More Steve Proctor Remixes)Sentinel (The Steve Proctor Mixes)Sentinel (The Steve Proctor Mixes)Sentinel (The Steve Proctor Mixes)


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyThe ShamenUnderworldMobyEskimos & EgyptThe Chemical BrothersSven VäthWestBamSlamCarl CoxJbsLuke SlaterDave ClarkeFormatSubculture (4)Scotti DeepOrbitalBob BrownSubterfugeTechnomaniaKerosene Stacey PullenTony CrooksMark SummersSapianoDynamite David RoiseuxBeat In TimeKen IshiCristian VogelSound ExcitersRoel ButzenDoi-OingMike DearbornLostDJ Dan & Needle DamageMorpheus Donato Capozzi

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Some Other Artists on the Profile Records Label

Twin HypeNefateriAdéKechia JenkinsPraga KhanRob BaseRoel ButzenSweet TeeJayne EdwardsRun-DMCL.A. StarPraga Khan & Jade 4 USpecial EdJudy TorresM.T.2nd II NoneRescue VariationSteely & Clevie & Suzanne CouchProhibitionRon CHuey HarrisCraig PeytonSteely & ClevieNick PhillipsMenagePraga Khan & Jade 4UCarolyn HardingKing SunRob Base & DJ E-Z RockDana DaneRhonda ParrisKeicha JenkinsBaby DCavemanChanelleRaynaDr. Jeckyll & Mr. HydeDoom Debbie Malone

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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