The Moody Boys - Centre Of The World - Love Records - Dub
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Out of Stock |
Track ListingA1 Centre Of The World (Nubian Club Mix)A2 Loveup Loveup B1 Centre Of The World (Potless Mix) Media Condition » Near Mint (NM or M-) Sleeve Condition » Very Good (VG) |
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Artist | The Moody Boys | ||
Title | Centre Of The World | ||
Label | Love Records | ||
Catalogue | EVOLX 15 | ||
Format | Vinyl 12 Inch | ||
Released | 1992 | ||
Genre | Dub |
Other Titles by The Moody Boys
• Acid Rappin / Acid Heaven • Acid Rappin / Acid Heaven • Centre Of The World • Acid Rappin / Acid Heaven • Acid Rappin / Acid Heaven • Centre Of The World • Funky Zulu (You're So Fresh) • Funky Zulu (You're So Fresh) • Recycled E.P. - (DISC 2 ONLY) •
Some Other Artists in the Dub Genre• Gary Clail & On-U Sound System • Tackhead • Sugar Bullet • Stock, Aitken & Waterman • Oui 3 • Monyaka • Majestic 12 • Border Crossing • Beats International • Concrete Nation • F.A.B. • Zeke Manyika • Movement 98 • Unitone Rockers & Black Steel • Cheshire Cat • New Kingdom • Cashmere • Platinum Radics & Governor Tiggy • Kieser.Velten • Red Dragon • Larry Pee • Gregory Isaacs • Lazyboy • Bomb The Bass & Carlton • Frantic Language • Oosh • Goat Dance • The Concept • Sly & Robbie • Terranova • Faze Action • Bad Street Boy • DJ Shadow • The Whitfield Express • Delaney's Rhythm Section • The Maytals • Raz Ohara • Carey Johnson • Audioweb • Walkner.Möstl • |
Some Other Artists on the Love Records Label• Nikke Nicole • Moody Boys, The & Screamer • Skin Up • The Moody Boys & Screamer • Roman • R&D Department • Love Inc. & M.C. Noise • U96 • Dave Angel • Motherland • |
Information on the Dub Genre
Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.
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