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Vince Watson - Out Of The Deep EP - Alola - Techno

Vince Watson - Out Of The Deep EP - Alola - Techno
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Track Listing

A Out Of The Deep
B1 Mystical Rhythm (Nav Remix)
B2 Inertia (Trevor House Of 909 Remix)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist Vince Watson
Title Out Of The Deep EP
Label Alola
Catalogue ALO 025
Format Vinyl 12 Inch
Released 1999
Genre Techno

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Other Titles by Vince Watson

2nd Innovations Ep2nd Innovations EPBubblesMoments In TimeMy DesireMystical Rythm E.POut Of The Deep EP


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyUnderworldThe ShamenEskimos & EgyptMobyThe Chemical BrothersSven VäthLuke SlaterWestBamDave ClarkeJbsSlamFormatCarl CoxRoel ButzenTony CrooksBeat In TimeDavid RoiseuxDynamite Scotti DeepOrbitalKen IshiKerosene SapianoSubterfugeSubculture (4)Bob BrownSound ExcitersCristian VogelTechnomaniaMark SummersStacey PullenDJ Dan & Needle DamageDoi-OingLostA Guy Called GeraldDonato CapozziMike Dearborn

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Some Other Artists on the Alola Label

Omid NourizadehTrevor Loveys & 2nd NatureAnthony TeasdaleRemote ControlO.R.N.Sixteen SoulsPete Moss16BTrevor Loveys & Second NatureHouse Of 909 & Muzique TropiqueOrange Project, TheHouse Of 909Pop Out And PlayYMCTime Design

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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