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Orbital - Funny Break (One Is Enough) - FFRR - Techno

Orbital - Funny Break (One Is Enough) - FFRR - Techno
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Track Listing

A Funny Break (One Is Enough) (Weekend Ravers Mix)
AA Funny Break (One Is Enough) (Plump DJ\'s Mix)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good (VG)
Artist Orbital
Title Funny Break (One Is Enough)
Label FFRR
Catalogue FX395
Format Vinyl 12 Inch
Released 2001
Genre Techno

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SatanSatan LiveSnivilisationThe Bedroom SessionsThe Bedroom SessionsThe Saint2Orbital - (CD 2 ONLY)Are We Here?Are We Here?BelfastBelfast / Nothing LeftBelfast/Nothing LeftChimeChimeChime


Some Other Artists in the Techno Genre

808 StateDJ DanThe ShamenThe ProdigyUnderworldEskimos & EgyptSven VäthMobyThe Chemical BrothersSlamDave ClarkeLuke SlaterFormatWestBamJbsCarl CoxStacey PullenDavid RoiseuxKerosene SapianoCristian VogelSubculture (4)Roel ButzenSound ExcitersBeat In TimeScotti DeepDynamite SubterfugeMark SummersTony CrooksKen IshiBob BrownTechnomaniaA Guy Called GeraldMorpheus DJ Dan & Needle DamageMike DearbornAccess 58LostDonato Capozzi

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Some Other Artists on the FFRR Label

Salt 'N' PepaLisa BBrand New Heavies, TheD MobJoe RobertsDJ DukeSimon HarrisDiana Brown & Barrie K SharpeGoldieUtah SaintsHouse Of VirginismCookie Crew, TheLucidArmand Van HeldenArtful Dodger1 WorldThe KnowledgeRest AssuredThe Brand New HeaviesDa ClickThe Cookie CrewJoyce SimsSalt TankPlux & Georgia JonesEast Side BeatVivienne MckoneKaliphzInterfearenceT-EmpoShivaRicardo Da ForceD Mob & Cathy DennisClub 69Beatchuggers & Eric ClaptonGino LatinoLenny Fontana & DJ ShortyMichael MoogPhoton Inc.Da FoolLithium & Sonya Madan

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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