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Fluke - Tosh - Circa - Techno

Fluke - Tosh - Circa - Techno
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Track Listing

A1 Tosh (Mosh) (6:20)
A2 Tosh (Gosh) (6:30)
B1 Tosh (Nosh) (6:25)
B2 Tosh (Dosh) (3:47)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Fluke
Title Tosh
Label Circa
Catalogue YRT 122
Format Vinyl 12 Inch
Released 1995
Genre Techno

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808 StateDJ DanThe ShamenThe ProdigyUnderworldEskimos & EgyptMobyThe Chemical BrothersSven VäthLuke SlaterDave ClarkeJbsSlamWestBamFormatKen IshiSubculture (4)SapianoDavid RoiseuxBeat In TimeScotti DeepOrbitalKerosene Cristian VogelSubterfugeRoel ButzenSound ExcitersDynamite Bob BrownCarl CoxTony CrooksMark SummersStacey PullenMike DearbornMorpheus DJ Dan & Needle DamageLostDonato CapozziTechnomaniaAccess 58

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Some Other Artists on the Circa Label

Sydney YoungbloodDefinition of SoundHue & CryHindsightNeneh CherryKiss Of LifeSolo EMillions Like UsJulia FordhamMovement 98Paul Haig & R.O.L.Paul Haig & The Voice Of ReasonNick Robertson & SliceEvidentMovement 98 & Carroll ThompsonCarleen AndersonHidden TalentPaul Haig & Voice Of Reason, TheF.O.R.C.E. & K. ZeeMassive AttackPaul HaigMovement.98 feat. Carroll ThompsonGary ClarkDeepak And KhanThe AssociatesAssociates, TheDe Lite & Osca ChildSheik FawazPaul Haig / MantronixWorld Of Twist

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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