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Lamb - Górecki - Fontana - Down Tempo

Lamb - Górecki - Fontana - Down Tempo
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Track Listing

A1 Górecki (6:30)
A2 Ear Parcel (7:49)
B Trans Fatty Acid (Kruder & Dorfmeister Session Mix) (9:00)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good (VG)
Artist Lamb
Title Górecki
Label Fontana
Catalogue LAMX4
Format Vinyl 12 Inch
Released 1997
Genre Down Tempo

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Other Titles by Lamb

Back To Mine - The Voodoo SessionsCotton WoolCotton WoolGabrielGórecki 1Górecki 2God BlessGod BlessGod BlessSoftly


Some Other Artists in the Down Tempo Genre

Barbra StreisandL.A. MixBeats InternationalAlison MoyetJennifer RushPaul YoungSoul II SoulPauline HenryLisa StansfieldDavid HolmesRuby TurnerRandy CrawfordEverything But The GirlPhyllis NelsonSimply RedSimon ClimieOran 'Juice' JonesBeatsystemEFUAZoë BirkettZoëCarly SimonPhil Collins1 WorldAloof, TheHowie B.Barry ManilowOleta AdamsBerlinGary Clail&On-U Sound SystemInnocenceBy All MeansAndy WilliamsSydney YoungbloodMaureen WalshDes'reeEternityElton JohnNTEngelbert Humperdinck

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Some Other Artists on the Fontana Label

Was (Not Was)Definition of SoundOleta AdamsJoan BaezThe Dave Brubeck QuartetSid Phillips BandSwing Out SisterThe CorriesStan Butcher & His OrchestraVic DickensonThe PeddlersBert WeedonJulie FelixDave BrubeckAdult NetChaquito And The Quedo BrassBilly Eckstine & Quincy JonesRuby BlueThe Button Down Brass & Ray Davies Robin Hall And Jimmie MacGregorCleo LaineJerry Harrison: Casual GodsRuby Braff & Ellis LarkinsFrank SinatraLisa Scott-LeeTom Tom ClubFats Domino, Jerry Lee Lewis & Chuck BerryLast Few DaysLove And MoneyGeorge Jones Syd Lawrence And His OrchestraRichard Hayward & The Loyal Sons Of WilliamJohnny Panic And The Bible Of DreamsFats Domino & Jerry Lee Lewis & Chuck BerryThe SpinnersBuck ClaytonWas Not WasThe House Of LovePlastic FantasticPeter Covent Band

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Information on the Down Tempo Genre

Downtempo (or Downbeat) is a laid-back electronic music style similar to ambient music, but usually with a beat or groove unlike the beatless forms of Ambient music. The beat is sometimes made from loops that have a hypnotic feeling. Sometimes the beats are more complicated and more featured instead of being in the background, but even then they are usually less intense than other kinds of electronic music like Trance. Often the name chill out music is used to refer to songs demonstrative of the genre, but those names also refer to other styles of music, and downtempo encompasses a wider variety of styles than those terms alone would indicate. Another related genre is trip hop, though downtempo usually uses a slower tempo than trip hop. Due to the relaxing and often sensual or romantic feel of most downtempo music, along with the absence or minimal use of lyrics or vocals, it is a popular form of background music in 'chill out rooms' of dance parties, and many alternative cafes.

The 1990s brought on a wave of slower paced music which was played throughout chillout rooms—the relaxation sections of the clubs or dedicated sections at electronic music events. Downtempo music started to surface around Ibiza, when DJs and Promoters would bring down the vibe with slower rhythm and gentler electronic music upon approaching sunrise. In 1994, trip hop emerged from Bristol, which combined elements of hip hop beats, drum and bass breaks, and ambient atmospheres at a lower tempo. At the end of 1990s a more melodic instrumental electronica incorporating acoustic sounds with electronic styles emerged under its own umbrella name of downtempo.

In the late 1990s, the Austrian duo Kruder & Dorfmeister popularized the style with their downtempo remixes of pop, hip-hop, and drum and bass tracks with influences of the 70's soul jazz. The British Steve Cobby and Dave McSherry, producing under the name Fila Brazillia, released a handful of downtempo, electronica and ambient techno albums that propelled the style further. Meanwhile the Washington, D.C. locals Eric Hilton and Rob Garza, better known as Thievery Corporation, have introduced the Brazilian sound into the style after discussing the music of Antonio Carlos Jobim, and enriched it further by combining elements of Jamaican dub and reggae.

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