Coldcut - Stop This Crazy Thing - Ahead Of Our Time - Dub
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Price | £5.00 |
Track ListingA Stop This Crazy Thing (Vocal)B1 Stop This Crazy Thing (Speng) B2 Stop This Crazy Thing (Beat) Media Condition » Near Mint (NM or M-) Sleeve Condition » Generic |
Artist | Coldcut | ||
Title | Stop This Crazy Thing | ||
Label | Ahead Of Our Time | ||
Catalogue | HOTPLATE 5 | ||
Format | Vinyl 12 Inch | ||
Released | 1988 | ||
Genre | Dub |
Other Titles by Coldcut
• Doctorin' The House • Dreamer • Coldcut's Christmas Break • Coldcut's Christmas Break • Doctorin The House • Doctorin' The House • Doctorin' The House • Doctorin' The House • Doctorin' The House • Doctorin' The House • Doctorin' The House (The Upset Remix) • Doctorin' The House • Doctorin\' The House • Dreamer • Dreamer •
Some Other Artists in the Dub Genre• Gary Clail & On-U Sound System • Tackhead • Sugar Bullet • Stock, Aitken & Waterman • Oui 3 • Monyaka • Majestic 12 • Border Crossing • Beats International • Concrete Nation • F.A.B. • Zeke Manyika • Movement 98 • Unitone Rockers & Black Steel • Cheshire Cat • New Kingdom • Cashmere • Platinum Radics & Governor Tiggy • Kieser.Velten • Red Dragon • Larry Pee • Gregory Isaacs • Lazyboy • Bomb The Bass & Carlton • Frantic Language • Oosh • Goat Dance • The Concept • Sly & Robbie • Terranova • Faze Action • Bad Street Boy • DJ Shadow • The Whitfield Express • Delaney's Rhythm Section • The Maytals • Raz Ohara • Carey Johnson • Audioweb • Walkner.Möstl • |
Some Other Artists on the Ahead Of Our Time Label• Coldcut & Junior Reid & Ahead Of Our Time Orchestra • Lazy & Lisa & We Rock Hard • Coldcut, Junior Reid & Ahead Of Our Time Orchestra • Coldcut & Queen Latifah • Coldcut & Lisa Stansfield • |
Information on the Dub Genre
Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.
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