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Freddie McGregor - Just Don't Want To Be Lonely - Germain Records - Dub

Freddie McGregor - Just Don't Want To Be Lonely - Germain Records - Dub
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Track Listing

A1 Just Don\'t Want To Be Lonely
A2 Just Don\'t Want To Be Lonely (Version)
B Just Don\'t Want To Be Lonely (Dub Version)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Freddie McGregor
Title Just Don't Want To Be Lonely
Label Germain Records
Catalogue DGT 24
Format Vinyl 12 Inch
Released 1987
Genre Dub

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Other Titles by Freddie McGregor

Can't Get You Out of My Mind / SomewhereGuantanameraI'll Do AnythingJust Don't Want To Be LonelyRumoursAll In The Same BoatBig Ship (New Mix)In The Mix - (Generic Sleeve)Just Don't Want To Be LonelyTo Be Poor Is A Crime


Some Other Artists in the Dub Genre

Gary Clail & On-U Sound SystemTackheadSugar BulletStock, Aitken & WatermanOui 3MonyakaMajestic 12Border CrossingBeats InternationalConcrete NationF.A.B.Zeke ManyikaMovement 98Unitone Rockers & Black SteelCheshire CatNew KingdomCashmerePlatinum Radics & Governor TiggyKieser.VeltenRed DragonLarry PeeGregory IsaacsLazyboyBomb The Bass & CarltonFrantic LanguageOosh Goat DanceThe ConceptSly & RobbieTerranovaFaze ActionBad Street BoyDJ ShadowThe Whitfield ExpressDelaney's Rhythm SectionThe MaytalsRaz OharaCarey JohnsonAudiowebWalkner.Möstl

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Some Other Artists on the Germain Records Label

Audrey HallAudrey Hall & Dean FraserRuddy Thomas

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.