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Plaid - Double Figure - Warp Records - Electronica

Plaid - Double Figure - Warp Records - Electronica
Price £25.00

Track Listing

A1 Eyen (4:20)
A2 Squance (5:01)
A3 Assault On Precinct Zero (4:28)
A4 Zamami (4:05)
B1 Silversum (4:15)
B2 Ooh Be Do (4:27)
B3 Light Rain (3:50)
B4 Tak 1 (1:01)
B5 New Family (5:18)
C1 Zala (4:45)
C2 Twin Home (5:11)
C3 Tak 2 (1:00)
C4 Sincetta (5:08)
D1 Tak 3 (0:49)
D2 Porn Coconut Co. (4:53)
D3 Tak 4 (0:59)
D4 Ti Bom (4:53)
D5 Tak 5 (0:51)
D6 Manyme (4:48)


Media Condition » Mint (M)
Sleeve Condition » Mint (M)
Artist Plaid
Title Double Figure
Label Warp Records
Catalogue WARP LP 84
Format Vinyl Double Album
Released 2001
Genre Electronica

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808 StateAphex Twin1 WorldUB313 - red vinylMobyNeutron 9000SleepwalkerBPMFSpacewaysR-kidzArkarnaFaithlessMidfield GeneralSkintradeRoyksoppKraftwerkDub FederationSasha CrnobrnjaBanda Black RioBook of LoveP.P.Roy12 Shades Of FantasyTransient WavesRobots + HumanoidsForeignerMacy Gray [JayDee's Slum Village Mix]Cola BoyPowderChildrenAlexkidVictor DaviesJamie LidellHalStrataMercury RevRepeatVarious - Repeat / Mark Broom / Kapé I'llmusierNightmares On WaxThe CollectiveScritti Politti

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Some Other Artists on the Warp Records Label

Nightmares On WaxRed SnapperMaxïmo ParkSquarepusherCoco Steel&LovebombJimi TenorSabres Of Paradise, TheLFOBroadcastAphex TwinPrefuse 73Mira CalixAutechreBeansGravenhurstTwo Lone SwordsmenSolitaire GeeJamie LidellAntipop ConsortiumREQSavath & Savalas!!!Black MojoBoards Of CanadaBattlesRACThe StepJake SlazengerPloneTricky DiscoVincent GalloSweet ExorcistJimmy EdgarSympleticEternalKid UnknownJackson&His Computer BandF.U.S.E.Chris ClarkTuff Little Unit

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Information on the Electronica Genre

Electronica was made possible by advancements in music technology, especially electronic musical instruments, synthesizers, music sequencers, drum machines, and digital audio workstations. Early forms of electronic music required large amounts of complex equipment and multiple operators for live performances, and multiple engineers to record the music at high quality. As the technology developed, it became possible for individuals or smaller groups to produce electronic songs and recordings in smaller studios, even in project studios. At the same time, computers facilitated the use of music "samples" and "loops" as construction kits for sonic compositions. This led to a period of creative experimentation and the development of new forms, some of which became known as electronica.

In the mid-1990s, electronica began to be used by MTV and major record labels to describe mainstream electronic dance music made by such artists as Orbital (who had previously been described as ambient) and The Prodigy.[citation needed] It is currently used to describe a wide variety of musical acts and styles, linked by a penchant for overtly electronic production; a range which includes more popular acts such as Björk, Goldfrapp and IDM artists such as Autechre, and Aphex Twin to dub-oriented downtempo, downbeat, and trip-hop. Madonna and Björk are said to be responsible for electronica's thrust into mainstream culture, with their albums Ray of Light (Madonna), Post and Homogenic (Björk). Electronica artists that would later become commercially successful began to record in this early 1990s period, before the term had come into common usage, including for example Fatboy Slim, Fœtus, Daft Punk, The Chemical Brothers, The Crystal Method, Moby, Underworld and Faithless. A focus on "songs", a fusion of styles and a combination of traditional and electronic instruments often sets apart musicians working in electronic-styles over more straight-ahead styles of house, techno and trance. Electronica composers often create alternate versions of their compositions, known as "remixes"; this practice also occurs in related musical forms such as ambient, jungle, and electronic dance music. Wide ranges of influences, both sonic and compositional, are combined in electronica recordings.

The more abstract Autechre and Aphex Twin around this time were releasing early records in the "intelligent techno" or so-called intelligent dance music (IDM) style, while other Bristol-based musicians such as Tricky, Leftfield, Massive Attack and Portishead were experimenting with the fusion of electronic textures with hip-hop, R&B rhythms to form what became known as trip-hop. Later extensions to the trip hop aesthetic around 1997 came from the highly influential Vienna-based duo of Kruder & Dorfmeister, whose blunted, dubbed-out, slowed beats became the blueprint for the new style of downtempo. Roni Size, Goldie and Omni Trio commanded attention in the UK as exemplars of the drum and bass genre.

It could be noted that older bands such as New Order and Depeche Mode had built on the new wave music of the 1980s and added more dance and electronic instrumentation and alternative rock influences to become early pioneers of "electronica" music. These two groups are very commonly cited as being hugely influential to the first generations of underground and later, alternative electronica artists.

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