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Sly & Robbie - Fire / Boops (Here To Go) - 4th & Broadway - Dub

Sly & Robbie - Fire / Boops (Here To Go) - 4th & Broadway - Dub
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Track Listing

A1 Fire (5:25)
A2 Boops (Here To Go) (5:20)
B1.1 Fire (Instrumental) (11:00)
B1.2 Boops (Instrumental)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Sly & Robbie
Title Fire / Boops (Here To Go)
Label 4th & Broadway
Catalogue BOOPS 1
Format Vinyl 12 Inch
Released 1987
Genre Dub

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Other Titles by Sly & Robbie

FireMake 'Em MoveRecord 4Rhythm KillersSuperthrusterBoops (Here To Go)Boops (Here To Go)FireLanguage BarrierRecord 3Softcore Surge


Some Other Artists in the Dub Genre

TackheadGary Clail & On-U Sound SystemSugar BulletBeats InternationalMajestic 12Concrete NationF.A.B.MonyakaBorder CrossingStock, Aitken & WatermanMovement 98Zeke ManyikaOui 3Platinum Radics & Governor TiggyCashmereUnitone Rockers & Black SteelBad Street BoyPeace OrchestraFaze ActionLazyboyRichard LugoNew KingdomTransglobal UndergroundLarry PeeRed DragonSystem 7Raz OharaDJ ShadowThe ConceptYosser's GangOosh The Dread Flimstone SoundImaginationInternational Pony & StepchildTerranovaCheshire CatCarey JohnsonMarkus KienzlBomb The Bass & CarltonHome T & Cocoa Tea & Shabba Ranks

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Some Other Artists on the 4th & Broadway Label

Will DowningDON-EMica ParisTrouble FunkDream Warriors49ersCashmereBy All MeansLaquanAct Of FaithFreak PowerSkipworth & TurnerMark SummersBoo-Yaa T.R.I.B.E.Alex ReeceTone LocEugene WildeMiles JayeChris PaulDhar BraxtonDodge City ProductionsDave AngelGwen GuthrieSprinklerDinoSimpliciousDavid GrantFloor Federation & Disco SlutsNightcrawlersCriminal Element OrchestraKenyattaStereo MC'sPigforceDivine Def JefPaul RutherfordMica Paris & Courtney PineThe ConceptSkatemaster TateMillie Scott

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.