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Sly & Robbie - Boops (Here To Go) - 4th & Broadway - Dub

Sly & Robbie - Boops (Here To Go) - 4th & Broadway - Dub
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Track Listing

A Boops (Here To Go) (5:20)
B1 Don\'t Stop The Music (5:45)
B2 Boops (Instrumental) (4:04)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist Sly & Robbie
Title Boops (Here To Go)
Label 4th & Broadway
Catalogue 12 BRW 61
Format Vinyl 12 Inch
Released 1987
Genre Dub

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Other Titles by Sly & Robbie

FireMake 'Em MoveRecord 4Softcore SurgeSuperthrusterBoops (Here To Go)FireFire / Boops (Here To Go)Language BarrierRecord 3


Some Other Artists in the Dub Genre

Gary Clail & On-U Sound SystemSugar BulletTackheadConcrete NationF.A.B.MonyakaMajestic 12Border CrossingBeats InternationalStock, Aitken & WatermanMovement 98Oui 3Zeke ManyikaGregory IsaacsPlatinum Radics & Governor TiggyFaze ActionNew KingdomCashmereApollo 440Larry PeeBomb The Bass & CarltonLazyboyRed DragonThe ConceptOosh Kieser.VeltenGoat DanceTerranovaRaz OharaBad Street BoyDJ ShadowThe Whitfield ExpressFrantic LanguageDelaney's Rhythm SectionInternational Pony & StepchildThe MaytalsCheshire CatCarey JohnsonAudiowebWalkner.Möstl

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Some Other Artists on the 4th & Broadway Label

Will DowningDON-EMica ParisTrouble FunkCashmere49ersDream WarriorsAct Of FaithMark SummersTone LocFreak PowerLaquanAlex ReeceBoo-Yaa T.R.I.B.E.Skipworth & TurnerBy All MeansStereo MC'sEugene WildeMiles JayeChris PaulPaul RutherfordDodge City ProductionsDavid GrantCriminal Element OrchestraDhar BraxtonDinoSimpliciousSprinklerFloor Federation & Disco SlutsKenyattaVertical HoldDave AngelWomack & WomackSkatemaster TateSteinski & Mass MediaGwen GuthriePigforceGoldenMillie ScottMachine Orchestra

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.