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The Reese Project - I Believe - Network Records - US Techno

The Reese Project - I Believe - Network Records - US Techno
Price £5.00

Track Listing

A1 I Believe (Mike Wilson\'s Epic Club Remake)
A2 I Believe (Chez Damier Mix)
B1 The Colour Of Love (Deep Reese Mix)
B2 Direct Me (Joey Negro 1991 Remix)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist The Reese Project
Title I Believe
Label Network Records
Catalogue NWKT63
Format Vinyl 12 Inch
Released 1992
Genre US Techno

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Other Titles by The Reese Project

I BelieveMiracle Of LifeSo Deep (12' Edition 1)So Deep (Edition Two)The Colour Of LoveDirect Me Edition 1Direct-Me (Sasha-Remix)I BelieveI BelieveThe Colour Of LoveThe Colour Of Love


Some Other Artists in the US Techno Genre

Inner CityModel 500Reese Project, TheParis Grey & Kevin SaundersonSysexOne On OneRhythmaticDuane & Co.Hard HatsAphroheadDJ DanMacalusoThis Is WarNeedle DamageJMD 2Dark LlamaSubsonic 808Steve StollMark The 909 KingStatusSpeedy JMike WadeEnduranceDistorterReidMateo MurphyJahkey BGreen VelvetMD ConnectionSatoshi TomiieKelli Hand - K HandDJ JesBlow Monkeys, ThePositivityRhythim is RhythimRYUKeokiCarl CraigWinxMarkey

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Some Other Artists on the Network Records Label

Trinity, ThePandellaAltern 8Reese Project, TheRonni SimonAdevaThe Trinity K.W.S.Voodoo SuiteParis Grey & Kevin SaundersonMah So-LKWSEnergiseVarious - Reese Project Unit 2 Chez DamierJohnny Vicious & MFSB & Johnny Vicious & Satoshi TomiieJohnny Vicious, Satoshi Tomiie & MFSB K.W.S. & Rhythm QuestModel 500The Reese Project & BumpRhythim Is Rhythim & Reese & SantonioRhythmaticThe Reese Project & Funky Green DogsTrammps, TheRhythim is RhythimRhythm QuestC&M ConnectionThe Groove CorporationMURKFinal Cut - True Faith / Rhythmatic10th Planet, TheBeverlei BrownRhythm On The LooseReeseNeal HowardMy Friend SamCritical RhythmLove RevolutionFade To BlackRhythim Is Rhythim & Derrick May & MaydayChez Damier

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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