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Lamb - Górecki - Fontana - Down Tempo

Lamb - Górecki - Fontana - Down Tempo
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Track Listing

A1 Górecki (6:30)
A2 Ear Parcel (7:49)
B Trans Fatty Acid (Kruder & Dorfmeister Session Mix) (9:00)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good (VG)
Artist Lamb
Title Górecki
Label Fontana
Catalogue LAMX4
Format Vinyl 12 Inch
Released 1997
Genre Down Tempo

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Other Titles by Lamb

B LineBack To Mine - The Voodoo SessionsCotton WoolCotton WoolGabrielGórecki 1Górecki 2God BlessGod BlessGod BlessSoftly


Some Other Artists in the Down Tempo Genre

Barbra StreisandJennifer RushL.A. MixAlison MoyetBeats InternationalPauline HenrySimply RedPhyllis NelsonSoul II SoulInnocenceLisa StansfieldRuby TurnerElton JohnRandy CrawfordPaul YoungQuartz & Dina CarrollSimon ClimieBeatsystemCarly SimonOran 'Juice' JonesEverything But The GirlDavid HolmesEFUAZoë BirkettThe S.O.S. BandEngelbert HumperdinckMaureen WalshHowie B.Barry ManilowGary Clail&On-U Sound SystemAloof, The1 WorldCustom BlueGeorge MichaelDes'reeBy All MeansSydney YoungbloodAndy WilliamsEternityOleta Adams

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Some Other Artists on the Fontana Label

Was (Not Was)Definition of SoundOleta AdamsThe Dave Brubeck QuartetJoan BaezSid Phillips BandSwing Out SisterVic DickensonRuby BlueThe WeaversJulie FelixBert WeedonStan Butcher & His OrchestraThe Button Down Brass & Ray Davies Fats Domino, Jerry Lee Lewis & Chuck BerryDave Dee, Dozy, Beaky, Mick & TichDave BrubeckCleo LaineChaquito And The Quedo BrassRobin Hall And Jimmie MacGregorEileen DonaghyAlan StivellLast Few DaysThe CorriesThe PeddlersLisa Scott-LeeBilly Eckstine & Quincy JonesAdult NetThe SpinnersLove And MoneyThe TinkersJerry Harrison: Casual GodsRuby Braff & Ellis LarkinsThe John Dankworth OrchestraSyd Lawrence And His OrchestraAntonio Vivaldi, Zagreba?ki Solisti, Antonio Janigro & Jan TomasowTears For FearsAkkordeon TrioJohnny Panic And The Bible Of DreamsBuck Clayton

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Information on the Down Tempo Genre

Downtempo (or Downbeat) is a laid-back electronic music style similar to ambient music, but usually with a beat or groove unlike the beatless forms of Ambient music. The beat is sometimes made from loops that have a hypnotic feeling. Sometimes the beats are more complicated and more featured instead of being in the background, but even then they are usually less intense than other kinds of electronic music like Trance. Often the name chill out music is used to refer to songs demonstrative of the genre, but those names also refer to other styles of music, and downtempo encompasses a wider variety of styles than those terms alone would indicate. Another related genre is trip hop, though downtempo usually uses a slower tempo than trip hop. Due to the relaxing and often sensual or romantic feel of most downtempo music, along with the absence or minimal use of lyrics or vocals, it is a popular form of background music in 'chill out rooms' of dance parties, and many alternative cafes.

The 1990s brought on a wave of slower paced music which was played throughout chillout rooms—the relaxation sections of the clubs or dedicated sections at electronic music events. Downtempo music started to surface around Ibiza, when DJs and Promoters would bring down the vibe with slower rhythm and gentler electronic music upon approaching sunrise. In 1994, trip hop emerged from Bristol, which combined elements of hip hop beats, drum and bass breaks, and ambient atmospheres at a lower tempo. At the end of 1990s a more melodic instrumental electronica incorporating acoustic sounds with electronic styles emerged under its own umbrella name of downtempo.

In the late 1990s, the Austrian duo Kruder & Dorfmeister popularized the style with their downtempo remixes of pop, hip-hop, and drum and bass tracks with influences of the 70's soul jazz. The British Steve Cobby and Dave McSherry, producing under the name Fila Brazillia, released a handful of downtempo, electronica and ambient techno albums that propelled the style further. Meanwhile the Washington, D.C. locals Eric Hilton and Rob Garza, better known as Thievery Corporation, have introduced the Brazilian sound into the style after discussing the music of Antonio Carlos Jobim, and enriched it further by combining elements of Jamaican dub and reggae.

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