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Dave Clarke - Red 1 - Re-load Records - Techno

Dave Clarke - Red 1 - Re-load Records - Techno
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Track Listing

Phase 23
A1 Protective Custody (Procust Remix) (4:54)
A2 Protective Custody (Original Mix) (4:50)
Phase 024
B1 Protective Custody (Exar Remix) (3:22)
B2 Zeno Xero (5:49)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist Dave Clarke
Title Red 1
Label Re-load Records
Catalogue REL 9403
Format Vinyl 12 Inch
Released 1994
Genre Techno

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Other Titles by Dave Clarke

No One's DrivingShake Your BootySouthsideSouthsideArchive OneBefore I Was So Rudely InterruptedBefore I Was So Rudely InterruptedJust RideNo One's DrivingNo One's DrivingRed 1 (Remixes)Red 3Red ThreeRed ThreeRed Three


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyThe ShamenUnderworldEskimos & EgyptMobyThe Chemical BrothersSven VäthLuke SlaterWestBamJbsSlamCarl CoxFormatStacey PullenDavid RoiseuxBeat In TimeDynamite Scotti DeepBob BrownOrbitalKerosene SapianoCristian VogelSubculture (4)Roel ButzenSound ExcitersKen IshiSubterfugeTechnomaniaTony CrooksMark SummersMorpheus DJ Dan & Needle DamageLostDonato CapozziA Guy Called GeraldAccess 58Mike Dearborn

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Some Other Artists on the Re-load Records Label

Zzino6th Sense ApproachAcceleratorAcid KirkZzino & Trax-XSpace DJzTrax-XZzino vs. AcceleratorColdSpinning AtomsSubjectiveTevatron

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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